RHS PreShow Songs

Rocky Horror Show pre-show songs, intermission and warm up song list for band and cast.

Adam’s Family – Key Bb
Bb – Cm – F – Bb

Munster’s Theme – Key Am
Am – Dm – Am G – Am (2x)
G – C – D – D B E
Am – Dm – Am E Am

In The Hall of the Mountain King – Key Dm
Dm – E/Dm – Eb/Dm – Dm – F (2x)
A – Bb A – Bb A (2x)

Funky Town – Key C
C – – – – G – C
F7 – – – – C7 (#9)

Deliverance – Key C – Banjo and Samples

Haunted Mansion Theme – Key Am
Am – B – Am – Bb – Am – F7 – Am F7(#11) – Am – E – Am

Halloween Theme – Key Dm – Intro 5/4 time then 4/4 rock
Dm – C#m – Dm – C#m
Then Jam on Dm

I Will Survive – Key Am
Am – Dm7 – G – CMaj7 – FMaj7 – Dm7 – Esus – E
Break after sax solo

Viagra (Tomorrow) – Key F
F C/E Dm Gm Am Dm Gm C
F C/E Dm Gm Am Dm Gm C
Fm Fm/Eb Db Eb – Ab Ab/G – Csus – C
F F/Eb Bb/D Bbm Gm C F
F F/Eb Bb/D Bbm Gm – BIG END – Csus C F

Stand By Your Man – Key A
A – E – Bm – E – A
D – A – B – E
A – E – Bm – E – A
D – A – – E – A

CHORUS: A – C#7 – D C#m Bm – A – F# – B – E
A – C#7 – D C#m Bm – A – E – C#7 F#7
D – E – A

Hello My Darling – Key F
F – D – G – C7 – F Abdim Gm C
F – D – G – Gm – C – F

Lyrics and Chords – Stand By Your Man

Stand By Your Man
by Tammy Wynette and Billy Sherrill

Verse 1
A                          E
Sometimes its hard to be a woman
Bm              E7               A
Giving all your love to just one man
D
You’ll have bad times
A
And he’ll have good times
B                                E
Doing things that you don’t understand

CHORUS
A             C#
Stand by your man
D                    C#m   Bm
Give him two arms to cling to
A             F#7
And something warm to come to
B               E7
When nights are cold and lonely
S             C#
Stand by your man
D                      C#m  Bm
And tell the world you love him
A           E7               C#7       F#
Keep giving all the love you can
D     E       A    D   A   E7
Stand by your man

Verse 2
A                             E
But if you love him you’ll forgive him
Bm               E7           A
Even though he’s hard to understand
D
And if you love him
A              D
Oh be proud of him
A           E7              A    D   A   E
Cause after all he’s just a man

CHORUS
A             C#
Stand by your man
D                      C#m  Bm
And show the world you love him
A           E            E7  C#7   F#
Keep giving all the love you can
D     E  A       D    A   E    A
Stand by your man

Response from Michael Fremer on JREF Challenge

Michael Fremer, senior contributing editor of Stereophile Magazine, has posted a comment response on the Pear Cable JREF Challenge. This evolving challenge should be of interest to audio engineers, audiophiles and readers of the James Randi website. Here is a link to the summary I posted and his response:

https://www.conradaskland.com/blog/2007/10/pear-cables-offered-jref-challenge/

I have also emailed a few friends that are audio technicians to see if they have any input or predictions on this situation.

Lyrics – Funky Town

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Original Key: C

Pear Cables Offered JREF Challenge

Pear Cables has been offered the One Million Dollar JREF Challenge to prove their claims that an audible difference can be heard between their $7,250 cables and Monster Cable.

*UPDATE 10/24/07 – Response from Michael Fremer in comment on this post. Recommended reading*

Email exchanges between Michael Fremer and James Randi have gotten quite heated. You can read it for yourself on direct links supplied below. But Pear audio has definately and specifically been offered the One Million dollar prize. It will be very interesting to follow this.

LINKS TO INFO:
JREF Pear Cable Invitation – READ
JREF Website
Pear Cable Website

JAMES RANDI WRITES TO FREMER ON THE JREF WEBSITE:

Mr. Fremer, for further clarity, here is the essence of what the JREF will accept as a response to our challenge: We are asking you – and/or Adam Blake – to significantly differentiate between a set of $7,250 Pear Anjou cables and a good set of Monster cables, or between a set of $43,000 Transparent Opus MM SC cables and the same Monster cables – your choice of these two possible scenarios. We will accept an ABX system test – if that is also acceptable to you. This would have to be done to a statistically significant degree, that degree to be decided.

I can see many more possible ways for you to continue balking, so let’s get along with it, Mr. Fremer.

************************

One reader writes: “The skeptics have addressed the pseudoscience of high end audio in a past issue of skeptic magazine. For example, the superiority of vinyl records and vacuum tube amps are favorites of true believer audiophiles. Basically, anything that is difficult to detect and leaves a lot to interpretation gets the gullible out with their wallets. That goes for just about anything including alternative medicine and religion.”


FROM THE JAMES RANDI WEBSITE:

There is a case to be made for having quality components, but the claims we’re dealing with here result from the “audiophools” who prefer expensive toys over actual performance, and assume superior personal sensitivity that is simply not there – all of which is of course encouraged by the vendors of the toys and supported by the small army of self-appointed “experts” who turn out reams of dreamy text extolling such nonsense, safely snuggled away in their Ivory Towers.

The JREF has put its money where its Internet mouth is.

I must thank those concerned readers who sent me informed warnings about the possibilities of fakery and the actual parameters of audio performance – not wanting me to wander out of my sphere of expertise. As I’ve said before, I know two things with considerable authority: how people can be fooled, and how they can fool themselves. The latter of those is often the more important factor. In designing double-blind testing protocols, I have always seen to it that the security, randomization, isolation, statistical limits, and information-transfer elements are carefully set up and implemented. Designing an appropriate protocol is not outside of my abilities, and I feel quite secure with this. All my life, I’ve been involved in the fine art of deception – for purposes of entertainment – and I daresay that despite my advancing age, I can still do a few dandy card tricks and make a couple of innocent objects vanish from sight, if pressed sufficiently. When that acuity degrades, it will be time to call in appropriate assistance…

******************************

FROM THE PEAR CABLE WEBSITE:
Info Found At: http://www.pearcable.com/sub_faq.htm#3

What makes Pear Cable different from all of the other cable companies out there?

This is difficult to sum up in a single paragraph, but certainly one of the biggest differences comes from our fundamental approach to cable design, which is to begin with basic science and engineering. Although it is a bit shocking, MOST cable companies do not share this fundamental design approach. There are probably three main categories of cable designers out there: ones that utilize pseudo-science or other types of faulty design principles, empirically driven cable designers, and designers that begin with real engineering and science. Unfortunately, the use of pseudo-science is probably the dominant cable design platform, with proven engineering principles being the least prevalent design platform. The cable companies that utilize faulty scientific conclusions can be spotted by the factual errors presented in their design philosophy, or misuse of otherwise sound engineering principles. Cable designers driven primarily by empirical listening results have great intentions, but are unlikely to ever reach the highest levels of performance due to a tremendous number of design factors. The few companies out there who actually utilize sound cable design principles often focus on only one design element, or fall victim to marketing pressure, only to end up with mediocre products. Pear Cable has the utmost confidence in the products that we offer, and the products have all had their scientific principles verified by human listening. We can stand behind all of the design principles that we utilize; can the other guys do that?

Do I need to be an audiophile to hear the differences between cables?

No. Anyone can appreciate the differences that cables make. A casual music listener may not be able to describe why a poor quality sound system doesn’t sound good, but they know that it doesn’t sound anything like live music. Improve the quality of the cables and the same listener may not know why the sound is better, but they know it is better. If you listen to music, you can benefit from the improvements in accuracy that accurate cables will enable.

Ringtone of Dracula Overture

Somebody made a ringtone out of my Dracula Overture. My first reaction was to get a little ticked off – but then I started laughing and feel just a tad bit flattered. So the ringtone has my official approval.

CLICK HERE TO DOWNLOAD THE ASKLAND DRACULA OVERTURE RINGTONE

Now if you download it for your phone – please leave a note here and let me know about it. The song is pretty scary – so I’d love to hear reactions of people when they hear your phone ring. MUAHA!

Is It Important To Know Names of Artists?

Email question received:

Aiight… my lil brother right he listens to alot of music and shit.. he knows his stuff, ya feel me… He heard some of my new beatz and he was like that it’s good and shit.. but, that I need to listen more to rap and shit.. since my beatz are more towards rap.. ya know.. i was wonderin if this is true or not.. I know that if I listen to it more… I know that I would get influenced, of course.. it’s only natural.. but, if i’m tryna be unique.. wouldn’t listening to them only make me unconsciously duplicate their work.. if you understand what i mean… with most of the shit that they play on the radio.. I hate…some of them… not al of them.. like shit like walk it out, and other shit like that.. ya know.. and my brother is like I don’t like the whole rap industry.. I don’t know where he got that from if I only hate like a few songs… ya know.. now if I don’t listen to rap and can make ill rap beatz.. is that wrong.. if I was to produce my stuff. would I be to some inadvantage because I don’t know the names of other rappers.. and stuff like that.. i mean.. i’m open to suggestions.. ya know.. cuz.. I might be gettin serious into the beat makn and shit ya know.. hopefully to produce.. but, if I can bring somethin fresh and new.. ya know.. without listenin to other peoples stuff.. where is the problem in that.. If I know how much work I put into a beat, and sell it for what it’s worth.. after doin my financial homework.. then what is the problem? If I have someone who.. might just be fresh and new, and can sing or rap on my shit.. and is good.. and I get someone.. to open us to the world.. ya know.. then what is the problem.. the problem with the world is that.. they get all high off the stuff that’s played on the radio.. and that’s not all the music in the world.. ya know.. on myspace.. you have alot of fresh artists.. i mean fresh.. my only problem is that I can’t name them because that’s just me.. I don’t be studiien them ya know.. same thing with rap.. I hear music.. I like the beat.. but, I don’t go findin out the name of the rapper and stuff.. cuz.. I don’t c the need.. if I know is name wow.. how does that help me.. ya know.. but, I should know the producer.. right?

that’s basically my dilemma.. can you help me?

***************************

REPLY TO EMAIL

Your wording is just a tad verbose, but it’s actually a very good question. I THINK your two questions are:

  1. For me to be successful producing a certain genre, is it important for me to listen to that genre?
  2. Is it important for me to know the specific names of artists and producers that I am studying?

Yes and No to both.

When people first approach a new style of music, they usually think it’s very easy and they have it nailed. The reason is that they don’t listen to it very much, so they don’t realize how far off they are. I can’t tell you how many times a new client came to the recording studio all excited about their new country song – To me, someone who listens to a lot of country music, it was NEVER what “real” country was all about. It was very obvious it was a songwriter THINKING they were country.

Same with hip hop – have you ever heard a rap performed by someone who doesn’t listen to rap or hip hop? It’s a hideous thing to listen to.

The bigger concept here to grasp is that people usually only can see what they don’t know as it sits on the outskirts of what they DO know. Imagine a circle that represents your knowledge. Let’s say it’s Calculus. You just started studying Calculus so your circle of knowledge is small – and so is your knowledge of what you don’t know about Calculus. It seems like you’ve almost mastered it. But someone who has studied for twenty years has a much larger circle of knowledge – and with more knowledge also comes more knowledge of what you do NOT understand. The body of unknown knowledge sits on the outskirts of knowledge.

Short read: If you just started learning something it may feel like you’ve already mastered it. Don’t delude yourself. You haven’t mastered it yet.

On the flip side of all this – often times great strides in artistic changes to genres come from people outside the genres. They don’t know all the rules yet, so they break them without even knowing it. A good example of this in country music was Garth Brooks. He just came out of left field and updated that entire genre single handedly. There are many examples in every genre of music.

Is it important to know names of artists and producers. I don’t think so. BUT, if you are really into a certain sound then you’ll probably want to make a note of their names so you can track other projects they’ve done. For instance, my favorite composers and arrangers are Howard, Besterman, Jones, Dre, Morricone, Bach and Elfman. These are all people I’ve tracked to get as much as I can out of their work. If you are really studying them – you’ll just automatically know their names.

More important than knowing names is to understand the elements of the groove and arrangement – on two levels. The first is to understand the theory and technical aspect of the work. The second is to understand what hits you in the gut and makes you say “I LOVE THAT”. The two are seperate entities. When you can produce both technical and emotional response yourself from scratch and other people are also saying I LOVE THAT! – I’d say that’s the point you become a master artist. It will happen so slow you won’t even notice it (unless you’re Sean Combs!).

Tip: When I am working on a project – it’s normal for me to totally immerse myself in that style and listen to ONLY that around the clock. Especially when I work on shows, I listen to the soundtrack exclusively. For me, that’s what I need to get uber-focused.

Let the other people memorize names – you just tear into that groove aiight.

Conrad

Rocky Horror Show LIVE opens Oct 26 2007

rhs-poster.png

THE ROCKY HORROR SHOW IS COMING TO THE LINCOLN THEATRE
Mount Vernon, WA

“LIVE” BEGINNING OCT. 26-NOV 10 2007!!!!!

Oct. 26, 27, 31 and Nov.1, 2, 3, 8, 9, 10 at 8 pm with a Midnight Show on the 10th. All seats are $20. Tickets for both at the Lincoln Theatre Box Office 360-336-8955 or 877-754-6284 more info at www.theaterartsguild.org

Theater Arts Guild Presents Richard O’Brien’s “The Rocky Horror Show” Live at the Lincoln Theatre

Directed by Jane Skinner, with Music Direction by Conrad Askland

In association with Skagit PFLAG, the Pride Foundation and SPAC

An zany erotic adult musical of which the film cult classic,” The Rocky Horror Picture Show” was based on, Brad and Janet are an innocent young couple stranded at the home of a mad scientist intent on building the perfect man. His castle is filled with bizarre characters who worship their leather & fishnet master, Dr. Frank-N-Furter, eventually forcing Brad & Janet to examine their own sexuality and hidden desires. Based on the original stage musical by Richard O’Brien this performance comes alive with unforgettable song-and-dance numbers that have come to represent the sexual liberation of the 1970s. So fish out your fishnets, and sharpen your stilettos for the rockiest ride of your life!

The Rocky Horror Show is not appropriate for all audiences; it contains mature themes, sexual situations, strong language, and some possible nudity. No age restriction but parental discretion is advised.

Since this is an audience participation show in a historic theater we ask that no outside props are brought in but a “Rocky” audience participation pack will be sold in the lobby for $5.00 prior to the show.