Archie Drake, Seattle Opera bass-baritone, dead at 81

May 27, 2006
Skagit Valley Herald
Associated Press

archie_drake.jpgSeattle – Archie Drake, a Seattle Opera bass and baritone who also sang at other operas in the West, is dead at 81 from a heart attack following his last performance.

Drake, who came from the same English family that includes Sir Francis Drake, collapsed at the door of his apartment Saturday night after the company’s last performance of Verdi’s “Macbeth” and died Wednesday, opera officials confirmed to The Seattle Times and Seattle Post-Intelligencer.

“For me, opera is basically an exploration of the human spirit,” Drake told Seattle Opera Magazine in 2001. “It can take you further into emotions and feelings and concepts and understandings and divining than any other way.”

Known for never missing a performance, Drake appeared in more than 1,000 performances and sang 109 roles for the Seattle Opera and also performed with the Houston Grand Opera, Arizona Opera and Portland (Ore.) Opera.

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226archie_drake.JPGWhat sad news this is to the Seattle music scene. Archie Drake was one of the people I looked up to as a child. One of those people that was a role model to me of how music was supposed to be. He was extremely serious, and playful at the same time. He took time to talk with the kids he worked with, and treated them as equals.

Archie Drake performed the part of one of the kings in Amahl and the Night Visitor back in 1979. I performed the part of Amahl. A couple years before that I was in the Seattle Opera performances of Carmen, Boris Gudonov and Tosca. Archie was in Tosca with us, in fact he played the part that oversaw the boychoir in the opera. It was very fun.

Archie probably would not have remembered me. I’m just one of many lives that he touched with his passion for the arts. I had kept up with many of his performances even while I was in California. The sad part is now that I’m settled back in the Seattle area I had planned on catching one of Archie’s performances. I didn’t think that time was ticking. There’s a lesson in that for me. There’s a few other people I was going to catch up with too, so I think I’ll get right on that.

Thank you Archie. Heaven’s choir sounds a little more beautiful today…..

AIDA – Band and Pit Photos

Here are some pictures of the band and pit from our performance of Elton John’s AIDA at McIntyre Hall (Mount Vernon, WA) in April 2006. Band members please e-mail me your mailing info and I’ll send you the full DVD of band pics. There is also a full DVD of cast and stage pics but I don’t have a copy of that.

This production of AIDA was produced by the Theatre Arts Guild of Skagit County. Directed by Jane Skinner and Produced by Roger Ragusa. This band kicked butt. Thank you all for a fantastic show and incredible music. I’m still hearing compliments about how well you all did. I’ll be sending you all an email shortly about upcoming shows as well.

AIDA Band 2006 – McIntyre Hall
Conductor, Keyboard 1 – Conrad Askland
Drums – David Bridgman
Bass – Peter Bridgman
Percussion – Coulby Styles
Kebyoard 2 – Lisa Temcov
Keyboard 3 – Kelly Siebecke
Oboe/English Horn – Rebecca Wright
Flute – Stephanie Bethea
Guitar 1 – Chris Eger
Guitar 2 – Paul Dutton

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AIDA pit

Seussical the Musical!

SEUSSICAL MUSICIANS

10/06 – MUSICIAN COSTUME IDEAS CLICK HERE

This page will be updated with all the info you need. To contact me, click “home” top of page, then click “contact” link at right of page to see my email address.
I’ll be conducting Seussical at McIntyre Hall (Mount Vernon, WA) in November 2006. The show will be produced by Meta Performing Arts – website at http://www.metaperformingarts.org/ – Please visit their website for upcoming details and info on the show.

AUDITIONS will be August 7 and 8 2006 at Mount Vernon Presybterian Church. This is a kid’s show with lots of fun parts for children of all ages to participate in. We’ll have a great live band and I’ll be helping the kids with their vocal parts. Please encourage your children to audition for this show. It’s wild, it’s wacky, it’s crazy and it’s VERY fun.

MUSICIAN NOTES:
Please see below for rehearsal schedule and show dates.

1 – Orchestra will be ON STAGE on platforms which are 8-36 inches high.
2 – Musicians will wear base outfit of black and white, and can add on with wigs, ties, accents. Ebay has nice accessories that are very inexpensive. Please check with Conrad before you buy anything to make sure it is “Seuss” style.
3 – Musicians may do pre-show skits making funny sounds or entertaining with their instruments. We encourage you to dress up your instrument in “Seuss” style.
SEUSSICAL SHOW DATES 2006
McIntyre Hall – Mount Vernon WA
Fri Nov 3 – 7:00pm
Sat Nov 4 – 7:00pm
Sun Nov 5 – 2pm matinee
Tues Nov 7 – 10:00am and 12:30 (Days shows for schools)
Thurs Nov 9 – 10:00am and 12:30 days shows and 7:00pm
Fri Nov 10 – 7:00pm
Sat Nov 11 – 7:00pm
Sun Nov 12 – 2pm matinee

MUSICIANS – REHEARSAL SCHEDULE
Rehearsals are at Mount Vernon Presbyterian Church (MVPRES) in Mount Vernon, corner of 15th and Broadway.
October 3, Tuesday – Rhythm only – 8-10pm (others welcome to join)
October 5, Thursday – Rhythm only 8-10pm (others welcome to join)
October 7, Saturday MVPRES – 10-3
October 10, Tuesday MVPRES – 8-10
October 20, Friday MVPRES 6-10
October 22, Sunday MVPRES – 2-5
October 24, Tuesday MVPRES 6-9 with cast
October 26, Thursday MVPRES 6-9 with cast
TECH WEEK BEGINS – Rehearsals can run late and stress is high. Be cool.
November 1, Wednesday McIntyre Hall – 6-? – Rehearsal, Load in all equipment
November 2, Thursday McIntyre Hall – 6-? Dress Rehearsal
Shows run around 2 hrs w/ intermission. The school shows
will be shortened to 1 hr 30min, no intermission, no
bows.

MUSICIANS: Check this page for updates. First rehearsals will be in October. Would like to work with keyboards in advance to select equipment and patches.

I’ll be splitting up the reed and keyboard parts as needed per player abilities.
INSTRUMENTATION NEEDED:

Bass Electric Bass
Cello
Drums Kit, Woodblock, Piccolo Snare, Cowbell, Timbale, Shaker, Bell Tree, Flexitone, Mark Tree, Trianlge
Guitar 1 Acoustic Guitar and Electric Guitar
Guitar 2 Acoutic Guitar, Banjo, Electric Guitar
Keyboard 1 Breathy-bell Synth, Pno+Perc.E.P., Cowbell + Calliope, Pno/Rhodes, Pop Piano, Piano, Elec. Pno, Calliope, Kazoo, Cheap-sounding Piano, metal Clav, MetalClav + Calliope, Poly Synth, Stackoid, Tack Piano, Glittery Synth, Buzzy Xylo, Mysterious E.P., Sweet E.P., XyloGlock, Voices, Theremin, Shimmery Stuff, Many Flutes, Rock Piano, Clarinet
Keyboard 2 Breathy Pad, Bell Synth, Harpsichord, B-3, Cricket Synth, Elephant, Orch Hit, “Doing”, Psycho Strings, Tinkly Voices, Door Slam, Kalimba, Mallet Synth, Bell/Harpsi Synth, Pedal, Log Synth, Percussive B-3, Rok B-3, Calliope, Reedy Synth, Hank-y Synth, Nose Flute, Kazoo, Birdie Whistle, Tiny Synth Voice, Horn, Pig Synth, Animal Brss, Many Tubas, Bird Honk, Bird Fart, Hard Bottle Blow, AirRaid Siren, Spooky E.P., Warm E.P., Warm Voices, Celesta, Ethereal Choir, Spooky Voices, Dark Choir, Glittery Bell Synth, D-50 Stack, 80s Pad, Breathy Bell, Toy Piano, Cathedral Organ, Squishy Bass, Small Pipe Organ, Marimba, D-50 Heaven, Mello Organ, Rock Synth, Metal Clav, Hooty Synth, Clock Sound, Icy-cold Synth, Accordian, Ravenborg, Roller Rink Organ, Kazoo Brass, Cimbalum, Funky Horn, Pizzicato Strings, Sitar, Many Trombones & Horns, Buzz Brass
Percussion Crotales, Chimes, Glockenspiel, Xylophone, Congas, Tympani, Djembe, Siren Whistle, Shaker, Vibraslap, Tambourine, Bell Tree, Triangle, Finger Cymbals, Piatti, Sleigh Bells, Vibraphone, Suspended Cymbal, Mark Tree, Cork Pop, Temple Blocks, Samba Whistle, Ratchet, Bongos, Cowbell, Scraper, Rainstick, Marimba
Reed 1 Soprano Saxophone, Alto Saxophone, Clarinet, Flute, Piccolo
Reed 2 Bass Clarinet, Clarinet, Oboe, Tenor Saxphone
Reed 3 Baritone Saxophone, Bassoon, Clarinet, Flute
Trombone
Trumpet 1
Trumpet 2
Viola
Violin 1
Violin 2

RapDogs.com New Battle Forums

We’ve rearranged the online battle forums at RapDogs.com – Used to be a hierarchy of ten progressive levels; we’ve simplified it to three levels. The ten levels were a little bit cumbersome. I had hoped to have the battle progressions automated but wasn’t able to make that happen. With over 15,000 members on that site it was very time consuming for mods to hand-approve members to successive levels.

That site uses PHPBB and I also have a lifetime license for the Invision forum platform. If anyone has a solution for battle results to be automated please let me know. I spent a considerable amount of time with overseas techs trying to work out details for this but couldn’t get it finished.

For those that don’t know what RapDogs.com is – it’s my online hip hop forum community. General demographic is males age 13-22. They “battle” each other in text raps that they write and post. Then members vote on the best rap and members keep their scores, or “battle records”.

This forum is a great way for kids to work on their rap poetry and improve their skills. RapDogs.com is one of the few forums I run that has no censorship, and as a result does not run any ads. Members also trade hip hop beats online and get feedback on their recordings. RapDogs.com was one of the first battle forums on the internet, and has a pretty strong street rep as being the Grandaddy old skool hip hop community online.

Why is Rap Dogs important to me? The members, mostly kids, are very serious about improving their skills and rap lyrics, which is actually a form of poetry. Rap Dogs gives them an honest and open community to fully express themselves during the very difficult years of adolescence. It’s much better they use their time to focus on art in my humble opinion.

Rap Dogs is run by a group of volunteer MC’s that have been amazing over the years in building that community. Kudos to the Rap Dogs crew!

05/06 – What’s Goin’ On….

Just an update for people wondering what I’m up to. First of all, I’m absolutely loving it up here in Washington State. I feel like I’m “back home”. I am totally blown away by the strength and talent of the arts up here. Very inspiring and I’ve made a lot of great new friends in this area.

AIDA went very well. I conducted that at McIntyre Hall in Mount Vernon Washington for three weeks, show finished in April. Very soon I’ll have pics posted. That show was produced by the Theatre Arts Guild of Skagit Valley and I had a total blast working that crew.

Right now I’m in rehearsal with Annie Get Your Gun with Lyric Light Opera. Show will run three weeks in July at McIntyre Hall and then two weeks at the Kirkland Performing Arts Center. While doing that we’re starting to prep for Seussical produced by Meta Performing Arts, I’ll conduct that at McIntyre Hall in November. If you haven’t been to McIntyre Hall, check out the opening flash sample at http://www.mcintyrehall.org/ – It’s an amazing performance venue.

I’ve been music director at Mount Vernon Presbyterian for several months now and am totally digging it. The choir has been very adventurous to perform a wide mix of music from Mozart in Latin to modern Gospel music. The group averages about twenty members and is growing. This week I’m starting to work on some original anthems and liturgical music for them to sing at the services. The congregation here is very warm to me and appreciative of a wide range of music styles. I have also enjoyed the theology and studies I’ve been involved with so far. If you’re interested in finding out about Presbyterians – Visit the Presbyterian Church USA website.

PIPE ORGAN! – The church has an 8 rank pipe organ. Real pipes, what a treat! I’ve been taking organ lessons for several months now working on pedals, etc. Also been learning Hammond and Wurlitzer organ technique. My instructor loves Bach and Hammond Organs, so we get along great. I’m a total Bach nut, so to finally start playing some of Bach’s work on a real pipe organ is a real thrill. Some friends at the church have been taking me to organ and choir concerts. That has been incredible.

INTERNET! – Today is the first time in a long time I’ve been able to work on my sites again. I’m finally caught up on orders and will be bringing back more of our forum communities shortly. Amazing it’s all still running, now I can start building it again.

STUDIO – After a two year hiatus, the studio is now open again! I’ve set it up in my house with dedicated rooms for tracking. For now I won’t be open to the general public. I’d like to focus on writing original sheet music and soundtracks for now. It’s so beautiful to see everything running again. For info on the old studio visit Road Records.

GETTING OLD – Yes, on May 27th this year I turn 40. Yikes! Fortunately I have rehearsals all day so I don’t have to think about it.

I guess the most exciting thing about it all right now is that I’m able to once again start working on original music projects again. There’s a lot of irons in the fire, I’ll post more about those as each one is finished.
And to close, my favorite line from the Desiderata:
Remember that in the face of aridity and disenchantment, love is as perennial as the grass.

🙂

Conrad

Jerry Falwell and the Moral Right

I have been critical of Falwell on this website and others for his pompous representation of Christianity and for the Liberty University approach to science, if it can be called that. All Christians do not share Falwell’s views. His views on education, science and his apparent hotline direct to God are not universal Christian attitudes. God told me he will die in May of next year, but that doesn’t make it true.

The concepts of Moral Right and having a culture that has it’s roots in faith are beautiful to me. But so is Marxism, in theory. When some of these ideas are played out in the real world they can become ugly.

May 1979: Falwell, a televangelist and Baptist pastor in Lynchburg, Va., is recruited by
far-right activists Howard Phillips, Ed McAteer and Paul Weyrich to form the Moral Majority, a vehicle for bringing fundamentalist Protestants into the Republican Party with the aim of unseating President Jimmy Carter. The move was an about-face for Falwell, who advised his congregation in 1965, “Preachers are not called to be politicians but soul winners.”

March 1980: Falwell tells an Anchorage rally about a conversation with President Carter at the White House. Commenting on a January breakfast meeting, Falwell claimed to have asked Carter why he had “practicing homosexuals” on the senior staff at the White House. According to Falwell, Carter replied, “Well, I am president of all the American people, and I believe I should represent everyone.” When others who attended the White House event insisted that the exchange never happened, Falwell responded that his account “was not intended to be a verbatim report,” but rather an “honest portrayal” of Carter’s position.

August 1980: After Southern Baptist Convention President Bailey Smith tells a Dallas
Religious Right gathering that “God Almighty does not hear the prayer of a Jew,” Falwell gives a similar view. “I do not believe,” he told reporters, “that God answers the prayer of any unredeemed Gentile or Jew.” After a meeting with an American Jewish Committee rabbi, he changed course, telling an interviewer on NBC’s “Meet the Press” that “God hears the
prayers of all persons….God hears everything.”

1980-81: After the election of Ronald Reagan, the Moral Majority begins advocating for
constitutional amendments banning abortion and restoring school-sponsored prayer. The
group also demands tax aid to religious education.

September 1982: Falwell announces a drive to register 1 million new voters before the
November elections.

July 1984: Falwell is forced to pay gay activist Jerry Sloan $5,000 after losing a court battle. During a TV debate in Sacramento, Falwell denied calling the gay-oriented Metropolitan Community Churches “brute beasts” and “a vile and Satanic system” that will “one day be utterly annihilated and there will be a celebration in heaven.” When Sloan insisted he had a tape, Falwell promised $5,000 if he could produce it. Sloan did so, Falwell refused to pay and Sloan successfully sued. Falwell appealed, with his attorney charging that the Jewish judge in the case was prejudiced. He lost again and was forced to pay an additional $2,875 in sanctions and court fees.

November 1984: Reports from the Federal Election Commission indicate that Falwell’s “I
Love America Committee,” a political action committee formed in 1983, was a flop. The
PAC raised $485,000 in its first year—but spent $413,000 to do so.

May 1985: Falwell apologizes to a Jewish group for seeking a “Christian” America. From now on, he says, he will use the term “Judeo-Christian.”

January 1987: Falwell holds a Washington news conference to announce that he is changing
the name of the Moral Majority to the Liberty Foundation. The new name never catches on
and is soon abandoned.

October 1987: The Federal Election Commission fines Falwell $6,000 for transferring $6.7 million in funds intended for his ministry to political committees.

November 1987: Falwell tells reporters he is stepping down as head of the Moral Majority and retiring from politics. “From now on, my real platform is the pulpit, not politics,” he says at a news conference.

February 1988: The U.S. Supreme Court strikes down a $200,000 jury award to Falwell
for “emotional distress” he suffered because of a Hustler magazine parody. Chief Justice
William H. Rehnquist, usually a Falwell favorite, wrote the unanimous opinion in Hustler v.
Falwell, ruling that the First Amendment protects free speech.

June 1989: Falwell announces that the Moral Majority will shut down its offices and
disband.

January 1991: Siding with Americans United, the Virginia Supreme Court unanimously
rejects Falwell’s quest for $60 million in state bonds for his Liberty University. During the
litigation, Falwell tried to camouflage the school’s rigidly fundamentalist character, telling the
court that the school would no longer discriminate in hiring or force students to attend
mandatory chapel (renamed convocation). All the while, Falwell assured his congregation that
Liberty had not changed, insisting chapel will be mandatory “until Jesus comes.”

January 1993: In the wake of Bill Clinton’s election to the presidency, Falwell mails
fund-raising letters nationwide asking people to vote on whether he should reactivate the
Moral Majority. He later refuses to say how much money the effort raised and tells reporters he has no intention of reactivating the organization.

February 1993: The Internal Revenue Service determines that funds from Falwell’s Old Time Gospel Hour program were illegally funneled to a political action committee. The IRS forced Falwell to pay $50,000 and retroactively revoked the Old Time Gospel Hour’s tax-exempt status for 1986-87.

March 1993: Despite his promise to Jewish groups to stop referring to America as a
“Christian nation,” Falwell gives a sermon saying, “We must never allow our children to forget that this is a Christian nation. We must take back what is rightfully ours.”

September 1993: Falwell announces he will not reactivate the Moral Majority but will
instead do political work through a group called the Liberty Alliance.

March 1994: Falwell announces the formation of a new group, Mission America, which he
claims will mobilize like-minded clergy across the country. Falwell describes the group as a
“personal ministry” and says it will have no budget or staff. Nothing more is heard from it.

May 1994: Jerry Falwell’s Liberty Flame newspaper runs an article calling TV preacher
John Hagee a heretic for saying Jews can be saved without accepting Jesus Christ. Falwell
urges every pastor to “take this information to the podium next Sunday.”

September 1994: Falwell endorses former Iran-Contra figure Oliver North for a U.S. Senate
seat in Virginia. Falwell glosses over North’s legal problems, saying they happened “in the
past.”

1994-1995: Falwell is criticized for using his “Old Time Gospel Hour” to hawk a scurrilous video called “The Clinton Chronicles” that makes a number of unsubstantiated charges against President Bill Clinton—among them that he is a drug addict and that he arranged the murders of political enemies in Arkansas. Despite claims he had no ties to the project, evidence surfaced that Falwell helped bankroll the venture with $200,000 paid to a group called Citizens for Honest Government (CHG). CHG’s Pat Matrisciana later admitted that Falwell and he staged an infomercial interview promoting the video in which a silhouetted reporter said his life was in danger for investigating Clinton. (Matrisciana himself posed as the reporter.) “That was Jerry’s idea to do that,” Matrisciana recalled. “He thought that would be dramatic.”

April 1996: Falwell hosts a “Washington for Jesus” rally in the nation’s capital where he holds a mock trial of America for engaging in seven deadly sins: persecution of the church,
homosexuality, abortion, racism, occultism, addictions and HIV/AIDS (acronym:
PHAROAH). He declares the nation guilty “of violating God’s law.”

July 1996: Falwell announces a series of “God Save America” rallies in evangelical churches
to stop the United States from entering a “post-Christian” era.

February 1997: Falwell sponsors a pastors’ briefing in Washington, during which he
threatens to form a new political party if Republicans waver on abortion.

June 1997: Falwell announces a plan to urge fundamentalist churches to intervene in partisan
politics. He vows to send sample candidate endorsement sermons that pastors can read in
their churches and says he has already done this in the Virginia attorney general’s race. Falwell drops the plan after being reported to the IRS by Americans United.

August 1997: Falwell pleads for funds for a new group, the National Committee for the
Restoration of the Judeo-Christian Ethic. In a fund-raising letter, he promises to “get back in
the ring” and be a “spiritual George Foreman.” He pledges to register 4 million new voters and mobilize 50,000 pastors. After publishing a couple of fund-raising letters, the group is never heard from again.

November 1997: Falwell accepts $3.5 million from a front group representing controversial
Korean evangelist Sun Myung Moon to ease Liberty University’s financial woes. The
donation, and several Falwell appearances at Moon conferences, raised eyebrows because
Moon claims to be the messiah sent to complete the failed mission of Jesus Christ, a doctrine
sharply at odds with Falwell’s fundamentalist Christian theology. (In 1978, before the Moon
money started flowing, Falwell told Esquire magazine, “Reverend Sun Myung Moon is like
the plague: he exploits boys and girls, and he should be exported.”)

February 1998: Falwell accepts a $70-million donation from insurance magnate Art
Williams, for his debt-ridden Liberty University. Falwell says the contribution will free him to
focus on politics again.

April 1998: Confronted on national television with a controversial quote from America Can Be Saved!, a published collection of his sermons, Falwell denies having written the book or had anything to do with it. In the 1979 work, Falwell wrote, “I hope to live to see the day when, as in the early days of our country, we won’t have any public schools. The churches will have taken them over again and Christians will be running them. What a happy day that will be!” Despite Falwell’s denial, Sword of the Lord Publishing, which produced the book, confirms that Falwell wrote it.

October 1998: In a fund-raising letter, Falwell announces plans to expand his ministry and to
“immediately rededicate myself to use my God-given skills as a national spokesman for
morality and return to the moral/political arena….[W]ith God’s anointing and your prayerful
support, you will soon think I am omnipresent.”

January 1999: Falwell tells a pastors’ conference in Kingsport, Tenn., that the Antichrist prophesied in the Bible is alive today and “of course he’ll be Jewish.”

February 1999: Falwell becomes the object of nationwide ridicule after his National Liberty Journal newspaper issues a “parents alert” warning that Tinky Winky, a character on the popular PBS children’s show “Teletubbies,” might be gay. (Americans United was responsible for releasing the information to the national press.)