Network Vultures

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Recently we had some individuals open a site meant to be an adjunct of one of my own. Only problem is they didn’t ask me about it before they did it. Adjunct sites that spin off my network and are advertised on my network are considered spam; just as if they were a seperate site spamming links.

In fact, they ARE seperate spam sites if they are not approved. My networks have been running for over seven years now and it has been an arduous task to keep them running, many as free public services. It’s not taken kindly to glom off of my networks as jumpads for websites outside the network. Many people have done this in the past, and most claim the best of intentions. I still don’t understand how they can genuinely think it is helpful.

That’s my stance. If you had been through what I have been through the past seven years committing to these networks, I’m confident you would feel the same. For the record, the “Am” referred to in this graphic was reinstated. We have an understanding now.

One more thing. Many people that create the spinoff sites are friends, or at least were friends prior to the spinoffs. It causes hurt when they are blocked on my networks. I think it may be partly that they do not realize how large my networks really are. Everything I do has to be done in runs; it’s like herding sheep. When I make a change to one I make a change to all – so committing to changes is time intensive and something I think through at great length before doing.

In addition, many people do not realize security issues at risk with some of their requests. I do not post the details of those security issues, because (duh) it kind of defeats the purpose.

I have had the experience in my life of being on the very top, and also being on the very bottom. I have noticed that the more you move up, the more people glom off you and use you as a target. You are a target because you are noticeable. That’s just the way things are. As our networks continue to expand, things will get more complicated; not less. With increased traffic there is always increased problems.

Members banished from RD may start fresh at Life-Convicts.netÂ

Please play nice in the sandbox.

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Bye Bye Birdie – Musician Page

This is the official musician info page for META Performing Arts production of Bye Bye Birdie at McIntyre Hall, Mount Vernon, WA 2007.
NEWS
09/26/07 – Scores are in. Pick up at Mount Vernon Presbyterian Church, 15th and Broadway. 9am-4pm Mon-Fri.
BYE BYE BIRDIE ORCHESTRATION

Violins – closed RH (keys)

Cello 1 – closed Joe Bichsel
Cello 2 – closed SS

Bass – closed PB

*NOTE* – We will split reed parts up dependent on what players can double on.*

Reed Ia: Alto Saxophone – closed KM
Reed Ib: Clarinet,
Reed Ic: Flute & Piccolo – closed LS
Reed II: Alto Saxophone – Thomas Harris
Reed II: Clarinet – open
Reed III: Tenor Saxophone, Clarinet – closed MH
Reed IV: Clarinet, Bass Clarinet & Baritone Saxophone – closed RW

Horn – closed AM
Trumpets I – closed CL
Trumpet II – closed NV
Trumpet III – cut
Trombone I – RQ
Trombone II – cut

Piano – closed LL

Keyboard II – closed KK
Glockenspiel, Vibraphone, Xylophone, Chimes (from percussion part)

Percussion I: – open – MEH? unconfirmed
* Timpani (2 drums), * Tambourine, * Timbales, * Gran Cassa, * Snare Drum Case, * Suspended Cymbal, * Castanets, * Gourd, * Cowbell

Percussion II: – closed DB
* Trap drum set-
o Bass Drum
o Snare Drum & Rack Tom
o Floor Tom
o various Cymbals
+ hi-hat
+ crash
+ ride
+ finger
o Wood Blocks (2)
o Bongos
o Large Military Snare Drum
o Gong
o Gunshot
* Kazoo (or Ratchet)

Both percussion players use Piatti, Triangle and Ratchet

1 Guitar-Banjo – closed LH
(Banjo for “Overture A”; Electric Bass for “Telephone Hour” and “One Hundred Ways – Ballet” only)

A special Keyboard Synthesizer part is available, when the complete orchestration is used, at an additional charge. It may be substituted for the 3 violin and 2 cello parts.

SHOWS
McIntyre Hall – Mount Vernon, WA

Nov 16 Friday 7:30
Nov 17 Saturday 7:30
Nov 18 Sunday 2pm
Nov 23 Friday 7:30
Nov 24 Saturday 2pm and 7:30
Nov 25 Sunday 2pm

REHEARSALS
Sat Oct 13 – 2pm-5pm – Orchestra – MVPres Church
Tue Oct 16 – 9-11pm – Rhythm section only (drum, guitar, keys) – MVPres Church
Sun Oct 21 – 1pm-5pm – Orchestra – MVPres Church
Sat Oct 27 – 1pm-5pm – Orchestra – MVPres Church
Thurs Nov 1 – 6-10pm – Music only w/cast – MVPres Church – Good Shepherd Hall
Sat Nov 3 – 1pm-5pm – MVPres Church
Thurs Nov 8 – 6-10pm – Run thru w/cast – MVPres Church – Good Shepherd Hall
Wed Nov 14 – 6-11pm – Tech with Orchestra – Load in starts 5pm. McIntyre Hall.
Thurs Nov 15 – 6-11pm – Dress Rehearsal McIntyre Hall.

SCORES
Scores in 9/26 – pick up at MV Pres Church. 15th and Broadway, Mount Vernon -9am-4pm.

RHS Musician Page

This is the official page for musicians in TAG’s production of Rocky Horror Show at the Lincoln Theater, Mount Vernon, WA in 2007. All info will be updated for musicians on this page.

PHOTO SHOOT
Thursday Sept. 20 – 8pm – Mark Cook Photographics

INSTRUMENTATION

Piano/Conductor – Closed
Synthesizer – Closed
Bb Tenor Saxophone – Closed
Guitar – Closed
Bass Guitar – Closed
Drums – Closed

SCORES

08/30/07 – Scores are in. Pickup at MVPres starting Tuesday 9/4/07.

SHOWS
(All shows 8pm – call time 6:30pm ready to go. Opening night call time is 5pm).

Fri Oct 26
Sat Oct 27

Wed Oct 31 – Halloween
Thurs Nov 1
Fri Nov 2
Sat Nov 3

Thurs Nov 8
Fri Nov 9
Sat Nov 10 – Closing night *MIDNIGHT SHOW ADDED!*

REHEARSALS

Thurs Sept 20 – 9-11pm – TAG Rehearsal Space
Thurs Sept 27 – 9-11pm – TAG Rehearsal Space
Saturday Sept 29 – 10am-3pm – TAG
Saturday Oct 6 – 10am-3pm – TAG
*CHANGED* Tues Oct 9 – 6-10pm – Music w/cast – TAG
Thurs Oct 18 – 6-10pm – Run through w/cast – TAG

Wed Oct 24 – 5-11pm – Load in and tech – Lincoln Theater
Thurs Oct 25 – 5-11pm – Dress rehearsal – Lincoln Theater

Lincoln Theater Location
712 South First St. – Mount Vernon, WA.

SCORE EDITS
Sword of Damocles – Key transposed from D down to B

PRE SHOW ACT I

  1. Spooky Organ
  2. Adam’s Family Theme
  3. Munsters Theme
  4. In the Hall of the Mountain King
  5. Funky Town
  6. Deliverance – Short
  7. Haunted Mansion Theme
  8. Halloween Theme Grunge
  9. Haunted Mansion Samples til ready for PreShow
  10. BEGIN PRE SHOW – I WILL SURVIVE
  11. Viagra song (Betty) One time through only
  12. Welcome
  13. Explanation and Calling Up of Virgins
  14. Virgin Pledge – All Virgins in audience also stand up
  15. Virgin Sacrifice – Onstage virgins and audience virgins standing up
  16. Orgasm Contest
  17. Rocky Pledge of Allegiance
  18. Explanation of ROCKY Protocol, cellphones off, etc
  19. “ARE YOU READY FOR ROCKY”
  20. BAND BEGINS OVERTURE
  21. R-O-C-K-Y (In overture when solo kick drum starts)
  22. Show Begins

– http://themeparks.about.com/cs/disneyparks/a/hmsong.htm

BETTY DESIRE PRESHOW

Have someone walking through audience selling condoms, like a vintage 1920’s cabaret cigar girl.

PRE SHOW ACT II

  1. Toccatta and Fugue in D minor – organ solo
  2. Stand By Your Man – band w/Peter
  3. Hello My Darling
  4. Rainbow Connection – no band
  5. Rocky Act II Overture

VIRGIN PLEDGE:
I virgin scum,
do hereby admit,
infront of all these people (wave),
that I am a Rocky Horror Virgin.
I wish to lose all my morals
and accept decadence into my heart.

VIRGIN SACRIFICE – To sacrifice a whole theatre full of virgins. Simply have the group stand and make that stick-your-finger-in-your-mouth-and-pull-it-out, champagne-cork-popping noise. It’s a marvelous simulation of all their tender cherries popping, and truly a great effect if you can get them to all do it at the same time.

ROCKY PLEDGE OF ALLEGIANCE:
I, State Your Name,
Pledge allegiance to the lips
Of the Rocky Horror Show
And to the decadence for which it stands,
One movie, under Richard O’Brien,
With Sensuous Daydreams, Erotic Nightmares, and Sins of the Flesh for All!
And I promise to be creative and not repeat anything anyone else says.

R-O-C-K-Y – (To audience) “Give me an R!” Spell Rocky. Then show begins.

CUT ******************************

TWINKIE CONTEST – Have several virgins compete to see who can suck the filling out of a twinkie the fastest. Band play “I Dream of Jeannie” theme in background.

WHEEL OF DOOM – For the virgins and regulars. A wheel of fortune, but with embarrassing acts written upon it. Virgins spin the wheel and perform the act, and then win a prize. Wheel can have numbers or pictures of characters that correspond to envelopes which contain acts. You can have one set of easy acts for virgins – and another set of more outlandish acts for regulars. Host draq queen becomes Vanna White and band plays Wheel of Fortune theme song.

FLUFFY BUNNY FEET – For onstage virgins. Get three virgins to say “Fluffy Bunny Feet”. Insert marshmallows into their mouth (they’re not allowed to chew or swallow). Repeat above procedure until they either spray marshmallows everywhere, can’t say “Fluffy Bunny Feet any more, or you run out of all your marshmallows.

Learning Cantonese Chinese

The Cantonese language is spoken by approximately 65 million people in the southern China provinces, Hong Kong and Macao as well as other South East Asian countries like Singapore, and in the other large Chinese communities around the world.

Also called Yue, Cantonese is one of the five major languages in China. The Cantonese language is from the Sino-Tibetan family of languages.

The word “Cantonese” originates from the former English name of Guangzhou, which is considered as the area where the language was born in its purest form. The city of Hong Kong, now an autonomous province of China, is the contemporary hub of the Cantonese language and culture.

The Cantonese language is the principal language in Chinese communities abroad because most Chinese immigrants came from Hong Kong. Cantonese is the language predominantly used for business around southeast Asia.

Colloquial Cantonese language is a constantly evolving language, with a large amount of fashionable expressions and slang words. Cantonese grammar is simple, with no verbs conjugations, and no prefixes or suffixes.

Responses to the Big News

Apparently not all visitors to my website are geeks. For those people that are NOT geeks, my heart goes out to you. For ye see laddie, Geekdom is a proud place and it’s inhabitants are fiercely loyal to each other.

It has been upsetting to some that I posted my “BIG NEWS” announcement in *binary – Click Here For The Original Post.

First response received is: “I fired my tech, he can’t decipher your code” and included this image attachment:

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Ok, that was pretty good.

Second response was: “Whad’ya suggest for those of us who ain’t got no Captain Kangaroo magic ring?” along with this beautiful picture.

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Third response was: “Aha girls, we did it. We cracked the code!” and included this photo:

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And the fourth response was posted as a comment by Tony on the thread itself: “Congrats.” So I know I have at least one fellow geek friend out there. And that’s all I have to say about THAT.

*For non-Geeks, that’s the big hint right there. Nudge-Nudge-Wink-Wink.

The Big News

Well, here it is. The big news. My fellow geeks know what to do.

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META Performing Arts – Summer Theater Camp 2007

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Mount Vernon, WA – META Performing Arts is holding their summer theater camp workshops July 9-27, 2007 on the Skagit Valley College campus. Workshops cover stage combat, improvisation, vocal skills, auditioning and aspects related to live theater performance.

I will be teaching vocal and marketing classes at the camp. Many well known artists in the local Skagit Valley are instructors to share their particular expertise. Ages run from age 5 up to teens. Many veterans to the local stage attend these classes as well as first timers to the world of theater. A great way to introduce your children to the arts.

Just in the 18 months I’ve been in Skagit Valley, WA – I’ve seen many young green performers start to season and become artists of the craft. It’s one of the greatest experiences I’ve had in Skagit. This summer camp is part of that process.

NEXT SHOW – BYE BYE BIRDIE
Auditions for META’s production of Bye Bye Birdie will be the end of August. Check their website for details. Shows will run at McIntyre Hall the end of November 2007. Last year I conducted “Seussical the Musical” with META and it was a lot of fun. We also did “Charlie and the Chocolate Factory” at the Lincoln Theater in April 2007.

From the META Website
Visit META at MetaPerformingArts.org

Summer Camp is tailored to varied ages
Professional headshots included in camp price!
Free and reduced tickets to live events!
Teens qualify to audition for the META Improv Troupe!
Backstage tours of McIntyre Hall for intermediate group!
Guest performers during some lunch hours!

Rocky Horror Show Auditions – Aug. 8-9 2007

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Mount Vernon, WA – Theater Arts Guild will hold auditions August 8 & 9, 6-9 pm at the Lincoln Theatre for “THE ROCKY HORROR SHOW”. The show will be performed Oct. 26 – Nov.11, 2007 at the Lincoln Theatre in Mount Vernon, WA.

Jane Skinner will be directing and Conrad Askland will be music director and running the band. We’ve all been waiting FOREVER to do this show – it should be the party of the century. This will be one of Conrad’s last local shows before he leaves to go on tour again.

MUSIC PORTION
Conrad would like to hear one minute of a ballad and one minute of an upbeat rock song in your highest key ala “Johnny B. Goode”. If you are going for a particular role, it’s ok to sing a song from the show that your role would sing.

SCHEDULE YOUR AUDITION

AUDITION APPOINTMENTS CAN BE MADE BY E-MAILING Jane AT SKI@FIDALGO.NET
FOR MORE INFORMATION VISIT theaterartsguild.org

Best Song for Child Auditions – Top Ten Kid Audition Tips

What’s the best song to sing for kids auditions? Let me tell you my pick, and why – along with top ten mistakes I’ve seen kids make at auditions. Parents please read this whole post, important information for you that you may not have thought of. It’s really not difficult stuff, just a matter of preparation. “Winging It” is a sure way to NOT get cast.

BEST SONG FOR KID AUDITIONS

My pick is “Consider Yourself” from Oliver. And here are my reasons:

  • Most everyone likes the song
  • It’s a song kids can sing and really sell utilizing their cuteness and smiles
  • It shows a child can keep pitch (assuming it’s sung correctly) through changing key centers.
  • It’s easy to learn, but not stupidly easy like singing “Happy Birthday”
  • If it’s performed on pitch with energy, smiles and big hand gestures – I can pretty much say you WILL get cast if there’s a part for you. Music directors are going to be listening for good pitch transition on the bridge section, make sure you have it right. If you don’t know what that means, have your kid meet with a music instructor (and give them a Starbuck’s gift card, we like that!). They’ll hook you up.
  • The range of the song is a little over an octave, not too demanding on young vocal ranges.

LYRICS TO CONSIDER YOURSELF from OLIVER

Recommend starting pitch: D (ask pianist to play a “G” chord). Or C (ask pianist to play an “F” chord). I think the original is in Bb, starting note F (a little high for many young voices).

NOTE: For auditions sing with your normal accent, don’t use a British cockney accent.

Consider yourself at home.
Consider yourself one of the family.
We’ve taken to you so strong.
It’s clear we’re going to get along.
Consider yourself well in
Consider yourself part of the furniture.
There isn’t a lot to spare.
Who cares?..What ever we’ve got we share!

If it should chance to be
We should see
Some harder days
Empty larder days
Why grouse?
Always a-chance we’ll meet
Somebody
To foot the bill
Then the drinks are on the house!
Consider yourself our mate.
We don’t want to have no fuss,
For after some consideration, we can state…
Consider yourself
One of us!

TOP TEN MISTAKES CHILDREN MAKE AT AUDITIONS

  1. Not having a song prepared. Then the director will say “Just sing Happy Birthday” – and all the directors will put on forced smiles to encourage the child, but inside our stomach is being tied in knots having to hear this.
  2. Singing a song beyond your years. No one wants to hear a fourth grader sing “Ti*s and A**” – it just makes everyone uncomfortable. And yes, I have seen children use that song at auditions. We don’t want something sultry or provocative from a kid’s audition – we just want to hear vocal quality and pitch retention.
  3. “Can I start over?” – Yikes, don’t do that. Just barrel your way through it. If you can’t do it, just stop and do a different song. It’s NEVER better when people start over, it just adds to the agony of the listeners – it shows a lack of preparation and commitment to the project you are auditioning for.
  4. Don’t sing the National Anthem, Happy Birthday or Row Row Row Your Boat. No one sings the National Anthem all the way through well, and Happy Birthday/Row Row Row Your Boat don’t show us anything about vocal quality or pitch recognition. If you sing those songs and you DO get cast, it means there was very low competition on that production for your age group – or singing wasn’t super important for all parts on this production.
  5. Finish Your Audition – If for some reason a child breaks down into tears during the audition process (which is not at all uncommon) and they want to stop, have them ask the directors if they can take a break and do it later. Most directors (in community theater environments) will be happy to do this. Give your kid a pep talk, tell them to own the stage and have them do it again in a half hour or when is available. I’ve seen kids do this, come back and own the stage – then go on to become very involved in theater. If you let your child leave, then they will forever have an indelible fear of theater and always feel like they don’t make the cut. It’s not true, make them go back. I wouldn’t be surprised if they get cast.
  6. Keep it fun, keep it light. With rare exceptions, there is no place in children’s auditions for monologues about serious and dark topics like suicide, drug addiction, etc. I actually saw a talented actor not get cast in a show because they did a dark monologue on suicide, while auditioning for a Disney show. It made everyone uncomfortable, and had nothing to do with the show. Save the dark stuff for Shakespear auditions – and only use it when the upcoming production calls for it.
  7. THREE THINGS YOU NEED: Monologue, song, be prepared to dance. The monologue and song you are on your own, be prepared to sing it a capella (without music) in case there’s no piano player. Don’t bother with a CD soundtrack, just sing it. Have a monologue under one minute that lets you show a range of emotion. If you don’t have it memorized, read off a piece of paper – the acting is what’s important. Usually they will have a choreographer show you dance steps so you don’t have to have a dance prepared. So work on your Monologue and Song.
  8. Be Excited. Directors want to see your enthusiasm and confidence for the show. Smile, let your eyes sparkle and give it your all. The Directors are bored from watching so many auditions – make them laugh, entertain them – you’ll have a better chance of getting a part. Always say Thank You when you are finished.
  9. Take the Understudy Role – If you are offered an understudy role, take it. You will probably learn MORE than if you had been cast at the lead. At some point you’ll probably have the chance to take the role over or perform it. When that time comes you have to be prepared RIGHT THEN – so keep on top of the role and blocking. You might only get one chance to show your command of the role.
  10. Your Are Always Auditioning – While you are waiting for your audition, you are actually already auditioning. And when you’re waiting after your audition at the location, you’re still auditioning. Theater folks are a tight knit community and the audition process is a way to field out red flags and trouble spots. And PARENTS, this goes for you too: If you are a “stage parent” and causing friction at the audition location you may cost your kid a role. It happens more than you think. Be easy going and a team player. I know children that have lost out on PAID positions just because their parents are impossible to deal with. As you can probably guess, the parent’s don’t have a clue….

Estimate Preparation Time for Monologue and Song: 3 hours

NOW GO GET THOSE ROLES!

If any of this helped you out and you got cast, please leave a comment let me know!