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<channel>
	<title>Dracula &#8211; Bram Stoker &#8211; Conrad Askland</title>
	<atom:link href="https://conradaskland.com/blog/category/shows/dracula-bram-stoker/feed/" rel="self" type="application/rss+xml" />
	<link>https://conradaskland.com/blog</link>
	<description>Music Director and Music Technology</description>
	<lastBuildDate>Thu, 15 Mar 2007 06:24:55 +0000</lastBuildDate>
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		<title>Dracula Overture Remix Entries</title>
		<link>https://conradaskland.com/blog/dracula-overture-remix-entries/</link>
					<comments>https://conradaskland.com/blog/dracula-overture-remix-entries/#comments</comments>
		
		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Thu, 15 Mar 2007 06:24:55 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/03/dracula-overture-remix-entries/</guid>

					<description><![CDATA[One of these two entries will win a $100 prize for the best remix of my Dracula Overture. Will post voting results in about a week. Â FFT Dracula Remix MP3 Kevin Remix MP3 ORIGINAL OVERTURE MP3 Read about the Dracula Overture.]]></description>
										<content:encoded><![CDATA[<p>One of these two entries will win a $100 prize for the best remix of my Dracula Overture. Will post voting results in about a week.</p>
<ul>
<li>Â <a href="http://www.conradaskland.com//blog/wp-content/uploads/2007/03/fft-draculaoverture.mp3">FFT Dracula Remix MP3</a></li>
<li><a href="http://www.conradaskland.com//blog/wp-content/uploads/2007/03/kevin-draculaoverture.mp3">Kevin Remix MP3</a></li>
<li><a href="http://www.conradaskland.com/audio/dracula/dracula-overture-askland.mp3">ORIGINAL OVERTURE MP3</a></li>
</ul>
<p>Read <a href="http://www.conradaskland.com/blog/2007/02/dracula-overture/">about the Dracula Overture</a>.</p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">1373</post-id>	</item>
		<item>
		<title>Dracula by Steven Dietz</title>
		<link>https://conradaskland.com/blog/dracula-by-steven-dietz/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Mon, 19 Feb 2007 07:35:23 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/dracula-by-steven-dietz/</guid>

					<description><![CDATA[Cast photos, set pics and cast/crew credits for the live stage production of Dracula presented by the Skagit College Theater Department at McIntyre Hall (Mount Vernon, WA) February 2007. Dracula by Steven Dietz From the novel by Bram Stoker Originally produced by the Arizona Theatre Company, Tucson/Pheonix, Arizona. David Ira Goldstein, Artistic Director. Robert Alpaugh, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen1.jpg" title="vixen1.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen1.thumbnail.jpg" alt="vixen1.jpg" align="left" /></a> Cast photos, set pics and cast/crew credits for the live stage production of Dracula presented by the Skagit College Theater Department at McIntyre Hall (Mount Vernon, WA) February 2007.</p>
<p>Dracula by Steven Dietz<br />
From the novel by Bram Stoker</p>
<p>Originally produced by the Arizona Theatre Company, Tucson/Pheonix, Arizona. David Ira Goldstein, Artistic Director. Robert Alpaugh, managing director.</p>
<p>Check out Conrad&#8217;s scary <a href="http://www.conradaskland.com/blog/2007/02/dracula-overture/" target="_blank">Dracula Overture</a> &#8211; it&#8217;s creepy!<br />
UPDATE &#8211; New <a href="http://www.conradaskland.com/blog/2007/02/dracula-overture-remix-competition/">Dracula Overture Remix Competition</a>!</p>
<p><strong>2007 McIntyre Hall Dracula Cast</strong></p>
<p>Dracula &#8211; James Padilla<br />
Van Helsing &#8211; David Cox<br />
Mina &#8211; Lydia Randall<br />
Maid/Female Attendant &#8211; Suzann McLamb<br />
Harker &#8211; Alex Mutegeki<br />
Seward &#8211; Mark Pedersen<br />
Lucy &#8211; Erin Hemenway<br />
Waiter/Attendant 1 &#8211; Miles McGillivray<br />
Attendant 2 &#8211; Jared Conforti<br />
Vixen 1 &#8211; Carolyn Travis<br />
Vixen 2 &#8211; Christina Stephens<br />
Renfield &#8211; Trey Hatch</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/damond-morris.jpg" title="damond-morris.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/damond-morris.jpg" alt="damond-morris.jpg" /></a><br />
Director Damond Morris</p>
<p><strong>DIRECTOR&#8217;S NOTES</strong></p>
<p><em>Under my sheets with Dracula and a flashlight in my hands, I flipped through page after page, unable to put the novel down and too frightened to read on. I was nine when I first read the novel Dracula and twelve when I saw the 1931 film on TV. Dracula is a creature that scares me in a primal way. Like snakes, spiders, bats and rats  he gives me a creepy crawly feeling in the pit of my stomach. What happens in the night just outside your window while you are sleeping? We all know there are no such things as monsters, right? Just be sure you don&#8217;t  invite them in.</em></p>
<p><em>Oh, and your neck, be sure to check your neck&#8230; Enjoy the show!</em></p>
<p>&#8211; Damond Morris</p>
<p><strong>Dracula Crew</strong></p>
<p>Director &#8211; Damond Morris<br />
Costume Design &#8211; Maura  Marlin<br />
Set and Lighting Design &#8211; Steve Craig<br />
Sound Design and Music &#8211; Jerry Fortier and Conrad Askland<br />
Additional Music &#8211; Ian Hansen<br />
Technical Direction &#8211; Mark O&#8217;Brien<br />
Stage Manager &#8211; Dinah Steveni<br />
Assistant Stage Manager &#8211; Christine Dykema<br />
Makeup &#8211; Mary Bingham<br />
Properties Mistress &#8211; Cathy Savage<br />
Scenic Charge Painter &#8211; E.A. Risser<br />
Special Projects &#8211; Michael Marlin<br />
Technical Assistant &#8211; Tarah L. McKitrick<br />
Costumer Crew &#8211; Carolyn Travis, Lydia Randall, Crystal Dominguez, Kathleen Luther, Lindsey Bowen, Michelle Beach<br />
Makeup Assistant &#8211; Nicole Trepus, Ellen Palmer<br />
Lighting Technician &#8211; James Yandle<br />
Lighting Crew &#8211; Nate Young, Ryn Bishop, Michael Mejia, Randy Kivett<br />
Stage Crew &#8211; Quat Hatch, Dory Hurtado, Nate Young<br />
Fly Crew &#8211; Nate Young<br />
Producer &#8211; Andy Friedlander</p>
<p><strong>CAST PHOTOS </strong> &#8211; Click for full size image</p>
<p>Harker &#8211; Alex Mutegeki</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/harker-makeup.jpg" title="harker-makeup.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/harker-makeup.thumbnail.jpg" alt="harker-makeup.jpg" /></a></p>
<p>Waiter/Attendant 1 &#8211; Miles McGillivray</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/attendant2.jpg" title="attendant2.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/attendant2.thumbnail.jpg" alt="attendant2.jpg" /></a></p>
<p>Attendant 2 &#8211; Jared Conforti</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/attendant.jpg" title="attendant.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/attendant.thumbnail.jpg" alt="attendant.jpg" /></a></p>
<p>Dracula &#8211; James Padilla</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/dracula-jerry.jpg" title="dracula-jerry.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/dracula-jerry.thumbnail.jpg" alt="dracula-jerry.jpg" /></a></p>
<p>Vixen 1 &#8211; Carolyn Travis</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen2.jpg" title="vixen2.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen2.thumbnail.jpg" alt="vixen2.jpg" /></a></p>
<p>Vixen 2 &#8211; Christina Stephens</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen1.jpg" title="vixen1.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/vixen1.thumbnail.jpg" alt="vixen1.jpg" /></a></p>
<p>Seward &#8211; Mark Pedersen</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/seward-makeup.jpg" title="seward-makeup.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/seward-makeup.thumbnail.jpg" alt="seward-makeup.jpg" /></a></p>
<p><strong>DRACULA STAGE SET DESIGN</strong></p>
<p>Prop &#8211; Wheelchair</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-wheelchair.jpg" title="set-wheelchair.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-wheelchair.thumbnail.jpg" alt="set-wheelchair.jpg" /></a></p>
<p>Stage &#8211; Trap Door</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-trap-door.jpg" title="set-trap-door.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-trap-door.thumbnail.jpg" alt="set-trap-door.jpg" /></a></p>
<p>Set &#8211; Sanitarium Window</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-sanitarium-window.jpg" title="set-sanitarium-window.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-sanitarium-window.thumbnail.jpg" alt="set-sanitarium-window.jpg" /></a></p>
<p>Set &#8211; Renfield&#8217;s Table</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-renfield-table.jpg" title="set-renfield-table.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-renfield-table.thumbnail.jpg" alt="set-renfield-table.jpg" /></a></p>
<p>Set &#8211; Lucy&#8217;s Crypt</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-lucy-crypt.jpg" title="set-lucy-crypt.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-lucy-crypt.thumbnail.jpg" alt="set-lucy-crypt.jpg" /></a></p>
<p>Set &#8211; Dracula&#8217;s Casket</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-dracula-casket.jpg" title="set-dracula-casket.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-dracula-casket.thumbnail.jpg" alt="set-dracula-casket.jpg" /></a></p>
<p>Set &#8211; Bedroom</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-bedroom.jpg" title="set-bedroom.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/set-bedroom.thumbnail.jpg" alt="set-bedroom.jpg" /></a></p>
<p>TECH PHOTOS</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/tech-booth.jpg" title="tech-booth.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/tech-booth.thumbnail.jpg" alt="tech-booth.jpg" /></a></p>
<p>Bedroom Scene from Sound Booth</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/scene.jpg" title="scene.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/scene.thumbnail.jpg" alt="scene.jpg" /></a></p>
<p>Keyboards for live FX and Music</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/keyboards.jpg" title="keyboards.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/keyboards.thumbnail.jpg" alt="keyboards.jpg" /></a></p>
<p>Hydraulics underneath Orchestra Pit</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/hydraulics-pit.jpg" title="hydraulics-pit.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/hydraulics-pit.thumbnail.jpg" alt="hydraulics-pit.jpg" /></a></p>
<p>Harker monologue</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/harker-solo.jpg" title="harker-solo.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/harker-solo.thumbnail.jpg" alt="harker-solo.jpg" /></a></p>
<p>Conrad Askland at keyboard rig</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/conrad.jpg" title="conrad.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/conrad.thumbnail.jpg" alt="conrad.jpg" /></a></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1312</post-id>	</item>
		<item>
		<title>Dracula Overture</title>
		<link>https://conradaskland.com/blog/dracula-overture/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 18 Feb 2007 08:43:10 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/dracula-overture/</guid>

					<description><![CDATA[Here it is, my new Dracula Overture. People have had emotional experiences listening to it. I wrote this for the Skagit Valley College Theater Department&#8217;s presentation of Bram Stoker&#8217;s Dracula at McIntyre Hall (Mount Vernnon, WA) &#8211; February 2007. UPDATE &#8211; Check out the Dracula Overture Remix Competition! I was asked to write music for [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2006/11/conductor3.jpg" title="conductor3.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2006/11/conductor3.jpg" alt="conductor3.jpg" align="left" height="218" width="190" /></a>Here it is, my new Dracula Overture. People have had emotional experiences listening to it. I wrote this for the Skagit Valley College Theater Department&#8217;s presentation of Bram Stoker&#8217;s Dracula at McIntyre Hall (Mount Vernnon, WA) &#8211; February 2007.</p>
<p>UPDATE &#8211; Check out the <a href="http://www.conradaskland.com/blog/2007/02/dracula-overture-remix-competition/" target="_blank">Dracula Overture Remix Competition</a>!</p>
<p>I was asked to write music for the show less than 48 hours before it opened. Understandably many of the music cues were added on subsequent shows. This is the mix used on the closing show, February 18, 2007.</p>
<p><a href="http://www.conradaskland.com/audio/dracula/dracula-overture-askland.mp3" target="_blank">Dracula Overture by Conrad Askland &#8211; MP3</a></p>
<p><strong>ABOUT THIS PIECE</strong><br />
It&#8217;s pretty dang creepy. It&#8217;s an overture for Dracula, it should be. I did a rough sketch of it and got positive feedback from the cast so I did a quick orchestration and added in female vocals to round it out. Dracula&#8217;s castle is located in the Carpathian mountains &#8211; the cast jokingly refer to this song as the &#8220;Carpathian National Anthem&#8221;.</p>
<p>One thing I like about the intent of this piece &#8211; it sobers up the audience for the mood of the play very quickly. Interesting to me, when I first did a remix with the female vocals I brought all of the vocals down in the mix. It didn&#8217;t have the same effect, didn&#8217;t feel like the audience was in the mood of the production. I brought the vocals back up and it seemed to do the trick.</p>
<p>The heavy chant is derivative of the <a href="http://www.conradaskland.com/blog/2007/02/dracula-overture/" target="_blank">Rite of Spring by Igor Stravinsky</a>. I often pull ideas from the Rite of Spring when I&#8217;m working on darker pieces. Why? The Rite of Spring pretty much freaks me out. It should be noted that the Rite of Spring was dedicated by Igor Stravinsky to the Glory of God, he had a religious conversion late in life. But when Rite of Spring was first premiered it caused riots. The music is dark and is often used as a template for suspense and horror soundtracks. The theme of Rite of Spring is based on pagan dance.</p>
<p>Several people have asked me what language is being sung on my Dracula Overture. It&#8217;s just words I made up using percussive consonants and quasi Latin. I wanted to allude to Dracula and the struggle against good and the power of the crucifix. So I came up with the word &#8220;Drahko&#8221; to phonetically represent Dracula and the Latin &#8220;Christo&#8221; with an &#8220;o&#8221; on the end. There is also the word &#8220;Creya&#8221;, an allusion to the Creed and the Spanish &#8220;creer&#8221; (to believe). The end result should be nice percussive sounds that have the illusion of being Eastern European &#8211; and a little quasi Latin as a secondary layer of meaning for those familiar with Latin and the Mass. The most difficult part was to quickly invent words that did not remind people of English words. The intent was to create the feeling that a chorus from ancient times was singing.</p>
<p>Dracula is indeed a story of redemption. In this Steven Deitz version of Dracula, there is no cliff hanger at the end. There is no scene that says &#8220;Hey, Dracula might still be out there.&#8221; Dracula and his minions are completely destroyed by the power of faith in the cross, and the bravery that only love can fuel.</p>
<p>And I say all that partly as a pre-emptive excuse. It was my intent to write a dark piece, but the finished product is  more ghastly than I had anticipated. This one time, I slightly regret having acheived my goal. My regret lies in this: my songs of redemption that give the whole production final repose and balance to faith have not been orchestrated. So listening to t he overture by itself is like swallowing a cup of salt&#8230;.when it should be mixed in with the full meal. It does not make sense to me to  orchestrate them now unless preparing a new production.</p>
<p>Perhaps there is an angel out there who will commission me to complete the entire Dracula as a full opera as it should be. I am well aware many have tried on this plot and failed, but those people were not me. <img src="https://s.w.org/images/core/emoji/14.0.0/72x72/1f642.png" alt="🙂" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>Lyrics Phonetically</strong><br />
Drah-koh Deh Soh Lay Kree Vah<br />
Eesteh Pray-ah-vah Kree-stoh<br />
Say-yah Mee-ah-stoh Ah-krah Pree-ay-too-ah<br />
Loh-krah Pray-ah-soh-lah-pay<br />
Tay-ah Say Pray-goo-lah-tay<br />
Vee-ah Pray-ah-toe-fay-ah Drah-koh-say-lah<br />
Drah-koh Say-lah</p>
<p><strong>Lyrics as Language</strong><br />
Drako De So Le Kriva<br />
Iste Preava Kristo<br />
Saya Miasto Akra Preatua<br />
Lokra Preasolappe<br />
Tea Se Pregulate<br />
Via Preatofea Drako Se La<br />
Drako Creya</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1284</post-id>	</item>
		<item>
		<title>Dracula Films List</title>
		<link>https://conradaskland.com/blog/dracula-films-list/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Mon, 12 Feb 2007 09:09:46 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/dracula-films-list/</guid>

					<description><![CDATA[Suggested Films for Dracula Projects. I highly recommend the newer Masterpiece Theater presentation of Dracula from PBS. Very nice contrast by the Dracula actor between the old and young Dracula parts. Dracula Films Nosferatu, Eine Symphonie des Grayens (The Undead, a Symphony of Horror) (1922) Directed by F.W. Murnau. A silent classic of the German [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/drac-cask.gif" title="drac-cask.gif"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/drac-cask.gif" alt="drac-cask.gif" align="left" /></a>Suggested Films for Dracula Projects. I highly recommend the newer Masterpiece Theater presentation of Dracula from PBS. Very nice contrast by the Dracula actor between the old and young Dracula parts.<br />
Dracula Films</p>
<p>Nosferatu, Eine Symphonie des Grayens (The Undead, a Symphony of Horror) (1922)<br />
Directed by F.W. Murnau. A silent classic of the German expressionist cinema. Believed to be the first vampire film. Based loosely on Bram Stoker&#8217;s novel.</p>
<p>Nosferatu, Phantom der Nacht (The Undead, Phantom of the Night) (1979)<br />
Directed by Werner Herzog. German remake of the original vampire film. Starring Klaus Kinski.</p>
<p>Dracula (1931)<br />
Directed by Tod Browning and starring Bela Lugosi. Classic by Universal Studios, also responsible for the famous Frankenstein movies of the 1930s and â€<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />40s. Based on the Deane/Balderston play, the film transforms Dracula into a type of suave, continental lover.</p>
<p>Horror of Dracula (1958)<br />
Directed by Terence Fisher. Starring Christopher Lee (Dracula) and Peter Cushing (Van Helsing). The first of the Hammer horror series of Dracula films. Loosely based on Stokerâ€<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s novel.</p>
<p>El Conde Dracula (1970)<br />
Spanish version directed by Jesus Franco and based fairly closely on Stoker&#8217;s novel. Stars Christopher Lee (Dracula). Franco portrays the Dracula story as a confrontation between youth and age.</p>
<p>Love at First Bite (197 )<br />
Stars George Hamilton (Dracula). Parody of the Dracula legend. Dracula enters the Disco Age to pursue the reincarnation of his lost love. A dancing Dracula??</p>
<p>Dracula* (1973)<br />
Made-for-television movie directed by Dan Curtis. Starring Jack Palance (Dracula) and Nigel Davenport (Van Helsing). Gives more sympathetic portrayal of Dracula as a noble warrior yearning for his lost love.</p>
<p>Dracula (1977)<br />
BBC/PBS miniseries directed by Philip Saville and starring Louis Jourdan. More faithful to Stoker&#8217;s novel than previous versions. Filmed on location at Whitby.</p>
<p>Dracula (1979)<br />
Set at the beginning of the twentieth century. Dracula is portrayed as a romantic, dashing hero/villain; Lucy is a sexually liberated woman who is Dracula&#8217;s perfect mate. Directed by John Badham. Starring Frank Langella (Dracula), Laurence Olivier (Van Helsing), and Kate Nelligan (Lucy).</p>
<p>Bram Stokerâ€<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Dracula* (1992)<br />
Very faithful to the novel, except for the inclusion of a love story between Dracula and Mina; Mina is the reincarnation on of Dracula&#8217;s lost love. The love story transforms Dracula from the Satanic to the Byronic hero type. Directed by Francis Ford Coppola. Starring Gary Oldman (Dracula), Wynona Ryder (Mina), and Anthony Hopkins (Van Helsing).</p>
<p>Dracula, Dead and Loving It (1997)<br />
Parody of Dracula written and directed by Mel Brooks (Young Frankenstein). Lacks the brilliance of Brooks&#8217; attempt at the Frankenstein legend. Stars Leslie Nielsen (Dracula) and Mel Brooks (Van Helsing).</p>
<p>Dracula 2000 (December, 2000)<br />
Update of the Dracula story produced by horror master Wes Craven. Check out the trailer.</p>
<p><strong>Related Vampire Films</strong></p>
<p>Vampire Hunter D (1985)<br />
A classic of Japanese animation. The story is imaginative, if bizarre. When the ancient vampire Count Lee plans to claim a village maiden as his bride, the mysterious vampire hunter known as &#8220;D&#8221; sets out to rescue her. Although Japanese, the film has strong similarities to American Westerns. It also features the theme of human duality that is central to Stokerâ€<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s novel. Contains scenes of graphic violence.</p>
<p>Dark Shadows (1966-1971)<br />
An ABC Gothic soap opera recounting the adventures of the vampire Barnabas Collins. Episodes of the television series and two spin-off movies, House of Dark Shadows (1970) and Night of Dark Shadows (1971), are available on video.</p>
<p>Dark Shadows (1991)<br />
Revival of the old television series. Stars Ben Cross as Barnabas Collins.</p>
<p>The Night Stalker (1971)<br />
In this made-for-television movie, an eccentric Los Vegas reporter investigates a series of murders that he believes were committed by a vampire. A major influence on the later X-Files TV series. Stars Darren McGavin.</p>
<p>Salemâ€<img src="https://s.w.org/images/core/emoji/14.0.0/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Lot (1979)<br />
Television mini-series (a shorter movie version is also available) of Stephen King&#8217;s horror novel . An ancient vampire attempts to take over the town of Salem. Stars David Soul and James Mason.</p>
<p>The Lost Boys (1987)<br />
When two boys move to California, they become involved with a dangerous gang of teenage biker vampires. Stars Kiefer Sutherland and Diane Wiest.</p>
<p>Nick Knight (1989)<br />
Made-for-television movie about a vampire who has become a Los Angeles police detective. He investigates a series of murders in which the victims were drained of blood.</p>
<p>Forever Knight (1992-93)<br />
Television series based on the Nick Knight movie. While trying to recover his mortal nature, the vampire Nick Knight decides to serve humanity as a crime-fighting cop.</p>
<p>Interview With the VampireÂ  (1994)<br />
Film version of Anne Rice&#8217;s novel about a young vampire coming to terms with his new vampire nature. The three main characters, Louis, Lestat, and Claudia, make interesting comparisons to Dracula. Louis and Lestat can also be compared as Byronic (Louis) and Satanic (Lestat) heroes. Stars Brad Pitt (Louis), Tom Cruise (Lestat), and Kirsten Dunst (Claudia).</p>
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		<title>Things You Hear Backstage in Dracula</title>
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		<pubDate>Mon, 12 Feb 2007 09:03:06 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/things-you-hear-backstage-in-dracula/</guid>

					<description><![CDATA[If you&#8217;re working on Dracula, here are some things you might hear backstage to remind you that yes indeed&#8230;.. you are working on Dracula. &#8220;I really shouldn&#8217;t be running while wearing fangs&#8221; &#8220;Can&#8217;t see the blood from the balcony, add more Karo syrup&#8221; &#8220;Should the music be louder when the stake goes through the heart [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/anibatsi.gif" title="anibatsi.gif"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/anibatsi.gif" alt="anibatsi.gif" align="left" /></a>If you&#8217;re working on Dracula, here are some things you might hear backstage to remind you that yes indeed&#8230;.. you are working on Dracula.</p>
<ol>
<li>&#8220;I really shouldn&#8217;t be running while wearing fangs&#8221;</li>
<li>&#8220;Can&#8217;t see the blood from the balcony, add more Karo syrup&#8221;</li>
<li>&#8220;Should the music be louder when the stake goes through the heart or during the beheading?&#8221;</li>
<li>&#8220;Is she fully possessed yet, or just half-possessed?&#8221;</li>
<li>&#8220;What? Only ONE person walked out before intermission? This needs to be more scary&#8221;</li>
<li>&#8220;Great job everyone, two kids started crying &#8211; keep up the good work&#8221;</li>
</ol>
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		<title>Bram Stoker</title>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 11 Feb 2007 07:58:15 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
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					<description><![CDATA[Read the complete Dracula by Bram Stoker online. Bram Stoker (1847-1912) supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula which he published in 1897. Before writing Dracula, Stoker spent eight years researching European folklore and stories of vampires. Dracula is an epistolary novel, written [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/bram-stoker.jpg" title="bram-stoker.jpg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/bram-stoker.jpg" alt="bram-stoker.jpg" align="left" /></a>Read the complete <a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-complete-online/">Dracula by Bram Stoker online</a>.</p>
<p>Bram Stoker (1847-1912) supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula which he published in 1897. Before writing Dracula, Stoker spent eight years researching European folklore and stories of vampires. Dracula is an epistolary novel, written as collection of diary entries, telegrams, and letters from the characters, as well as fictional clippings from the Whitby and London newspapers. Stoker&#8217;s inspiration for the story was a visit to Slains Castle near Aberdeen. The bleak spot provided an excellent backdrop for his creation.</p>
<p>Dracula has been the basis for countless films and plays. The first was Nosferatu directed by Friedrich Wilhelm Murnau and starring Max Schreck as Count Orlock. Nosferatu was produced while Florence Stoker, Bram Stoker&#8217;s widow and literary executrix, was still alive. Represented by the attorneys of the British Incorporated Society of Authors, she eventually sued the filmmakers. Her chief legal complaint was that she had been neither asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs Stoker demanding the destruction of the negative and all prints of the film. The suit was finally resolved in the widow&#8217;s favour in July 1925. Some copies of the film survived, however, and the film is now widely regarded as an innovative classic. The most famous film version is the 1931 production starring Bela Lugosi and which spawned several sequels that had little to do with Stoker&#8217;s novel.</p>
<p>Stoker wrote several other novels dealing with horror and supernatural themes, but none of them achieved the lasting fame or success of Dracula. His other novels include The Snake&#8217;s Pass (1890), The Jewel of Seven Stars (1903), and The Lair of the White Worm (1911).</p>
<p>Dracula First Edition Cover</p>
<p><a href="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/dracula-first-edition.jpeg" title="dracula-first-edition.jpeg"><img decoding="async" src="http://www.conradaskland.com/blog/wp-content/uploads/2007/02/dracula-first-edition.jpeg" alt="dracula-first-edition.jpeg" /></a></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1259</post-id>	</item>
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		<title>Dracula by Bram Stoker &#8211; Complete Online</title>
		<link>https://conradaskland.com/blog/dracula-by-bram-stoker-complete-online/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 11 Feb 2007 07:51:47 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
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					<description><![CDATA[Here is the complete Dracula novel by Bram Stoker. DRACULA BY CHAPTER Dracula Chapter 1 Dracula Chapter 2 Dracula Chapter 3 Dracula Chapter 4 Dracula Chapter 5 Dracula Chapter 6 Dracula Chapter 7 Dracula Chapter 8 Dracula Chapter 9 Dracula Chapter 10 Dracula Chapter 11 Dracula Chapter 12 Dracula Chapter 13 Dracula Chapter 14 Dracula [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Here is the complete Dracula novel by <a href="http://www.conradaskland.com/blog/2007/02/bram-stoker/">Bram Stoker</a>.</p>
<p>DRACULA BY CHAPTER</p>
<ol>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-one/" target="_blank">Dracula Chapter 1<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-two/" target="_blank">Dracula Chapter 2<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-three/" target="_blank">Dracula Chapter 3<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-four/" target="_blank">Dracula Chapter 4<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-five/">Dracula Chapter 5<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-six/" target="_blank">Dracula Chapter 6 </a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-seven/" target="_blank">Dracula Chapter 7<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-eight/" target="_blank">Dracula Chapter 8</a> <a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-nine/" target="_blank"><br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-nine/" target="_blank">Dracula Chapter 9<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-ten/" target="_blank">Dracula Chapter 10<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-eleven/" target="_blank">Dracula Chapter 11<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twelve/" target="_blank">Dracula Chapter 12 </a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-thirteen/" target="_blank">Dracula Chapter 13<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-fourteen/" target="_blank">Dracula Chapter 14<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-fifteen/" target="_blank">Dracula Chapter 15 </a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-sixteen/" target="_blank">Dracula Chapter 16<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-seventeen/" target="_blank">Dracula Chapter 17</a> <a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-eighteen/" target="_blank"><br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-eighteen/" target="_blank">Dracula Chapter 18<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-nineteen/" target="_blank">Dracula Chapter 19<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty/" target="_blank">Dracula Chapter 20 </a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-one/" target="_blank">Dracula Chapter 21<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-two/" target="_blank">Dracula Chapter 22<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-three/" target="_blank">Dracula Chapter 23<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-four/" target="_blank">Dracula Chapter 24<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-five/" target="_blank">Dracula Chapter 25</a> <a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-six/" target="_blank"><br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-six/" target="_blank">Dracula Chapter 26<br />
</a></li>
<li><a href="http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-seven/" target="_blank">Dracula Chapter 27<br />
</a></li>
</ol>
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		<title>Dracula by Bram Stoker &#8211; Chapter Twenty Seven</title>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 11 Feb 2007 07:44:47 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-seven/</guid>

					<description><![CDATA[The final chapter of Bram Stoker&#8217;s Dracula. MINA HARKER&#8217;S JOURNAL 1 November.&#8211;All day long we have travelled, and at a good speed. The horses seem to know that they are being kindly treated, for they go willingly their full stage at best speed. We have now had so many changes and find the same thing [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The final chapter of Bram Stoker&#8217;s Dracula.</p>
<p>MINA HARKER&#8217;S JOURNAL</p>
<p>1 November.&#8211;All day long we have travelled, and  at  a good speed.  The  horses seem  to  know that they are  being kindly  treated, for they go willingly their full  stage  at best speed.  We have now had so many changes and find the same thing so constantly that we are encouraged to think that the journey will be an easy one.  Dr. Van Helsing is laconic, he tells the farmers that he is hurrying to  Bistritz, and pays them well to make the exchange of  horses.  We get hot soup, or coffee, or tea,  and off  we go.  It is a lovely country. Full of beauties of all imaginable kinds, and the people are brave, and  strong, and simple, and seem full of nice qualities. They are very, very superstitious.  In the first house where we stopped, when the woman who served us saw  the scar on my forehead, she crossed herself and put out  two fingers towards me, to keep off the evil eye. I believe they went to the trouble of putting an extra amount of  garlic  into  our food, and I can&#8217;t abide garlic. Ever since then I have taken care not to take off my hat or  veil, and  so  have  escaped their suspicions.  We are travelling fast, and as we have no driver with us to carry  tales, we go ahead of scandal.  But I daresay that fear of the  evil eye will follow hard behind us all the way.  The  Professor seems  tireless.  All day he would not take any  rest, though he made me sleep for a long spell.  At sunset time he hypnotized me, and he says I answered as usual,&#8221;darkness, lapping water and creaking wood.&#8221; So our enemy  is still on the river.  I am afraid to think of Jonathan, but somehow I have now no fear for him, or for myself. I write this whilst we wait in a farmhouse for the horses to be ready.  Dr. Van Helsing is sleeping.  Poor dear, he looks very tired and old and grey, but his mouth is set as  firmly as a conqueror&#8217;s. Even in  his sleep he is intense with resolution.  When we  have well  started I must make  him  rest whilst I drive. I shall tell him that we have days before us, and  he  must  not break  down when most of all his strength will be needed  .  .  .  All is ready.  We are off shortly.</p>
<p>2 November, morning.&#8211;I was successful, and we took turns driving all night. Now the day is on us, bright though cold. There is a strange heaviness in the air. I say heaviness for want of a better word. I mean that it oppresses us both. It is very cold, and only our warm furs keep us comfortable. At dawn Van Helsing hypnotized me. He says I answered &#8220;darkness, creaking wood and roaring water,&#8221; so the river is changing as they ascend. I do hope that my darling will not run any chance of danger, more than need be, but we are in God&#8217;s hands.</p>
<p>2 November,  night.&#8211;All day long driving.  The country gets wilder as we go, and the great spurs of the Carpathians, which  at  Veresti  seemed so far from  us and so low on the horizon, now seem to gather round us and tower in front.  We both seem in good spirits. I think we make an effort each to cheer the other, in the doing so we cheer ourselves. Dr. Van Helsing says that by morning we shall reach the  Borgo Pass. The houses are very few here now, and the Professor says that the last horse we got will have to go  on with us, as we may not be able to change.  He got two in addition to the two we changed, so that now we have a rude  four-in-hand.  The dear horses are patient and good, and they give us no trouble. We are  not  worried  with  other travellers, and so even I can drive. We shall get to the Pass in daylight.  We do not want to arrive before.  So we take  it easy, and have each a long rest in turn.  Oh, what will tomorrow bring to us?  We go to seek the place where my poor darling  suffered so much.  God grant that we may be guided aright, and that He will deign to watch over my husband and those dear to us both, and who are in such deadly peril.  As for me, I am not worthy in His sight. Alas!  I  am  unclean to His eyes, and shall be until He may deign to let me stand forth in His sight as one of those who have not incurred His wrath.</p>
<p>MEMORANDUM BY ABRAHAM VAN HELSING</p>
<p>4 November.&#8211;This to my old and true friend John Seward, M. D., of Purefleet, London, in case I may not see  him.  It may explain.  It is morning, and I write by a fire which all the night I have kept alive, Madam Mina aiding me.  It is cold, cold. So cold that the grey heavy sky is full of snow, which when it falls will settle for  all  winter  as the ground is hardening to receive it.  It seems to have affected Madam Mina. She has been so heavy  of head all day that she was not like herself.  She sleeps, and sleeps, and sleeps! She who is usual so alert, have done literally nothing all the day.  She even have lost her  appetite.  She make no  entry into her little diary, she who write so faithful at  every pause.  Something whisper to me that all is not well.  However, tonight she is more vif.  Her long sleep all day have refresh and restore her, for now she is all sweet and bright as ever. At sunset I try to hypnotize her, but alas! with  no  effect.  The power has grown  less and  less  with each day, and tonight it fail me altogether.  Well,  God&#8217;s  will  be done, whatever it may be, and whithersoever it may lead!</p>
<p>Now  to  the historical, for as Madam Mina write not in her stenography, I must, in my cumbrous old fashion, that so each day of us may not go unrecorded.</p>
<p>We got  to  the Borgo Pass just after sunrise yesterday morning.  When I  saw  the signs of the dawn I got ready for the  hypnotism.  We  stopped  our  carriage, and got down so that there  might  be no  disturbance.  I  made a couch with furs, and Madam Mina, lying down, yield herself as usual, but more slow  and  more short  time  than ever, to the hypnotic sleep.  As before, came the answer, &#8220;darkness and the swirling of water.&#8221;  Then she woke, bright and radiant and we  go on our way and soon reach the Pass.  At this time and place, she become all on fire with zeal.  Some new guiding power be in her manifested, for she point to a road and say, &#8220;This is the way.&#8221;</p>
<p>&#8220;How know you it?&#8221; I ask.</p>
<p>&#8220;Of  course  I  know it,&#8217; she answer, and with a pause, add,  &#8220;Have not my  Jonathan travelled  it and wrote of  his travel?&#8221;</p>
<p>At  first I think somewhat strange, but soon I see that there be  only one  such byroad.  It is used but little, and very different from the coach road from the Bukovina to Bistritz, which is more wide and hard, and more of use.</p>
<p>So  we  came down this  road.  When we meet other ways, not always  were we  sure that they  were roads at  all, for they be neglect and light  snow have fallen, the horses know and they only.  I give rein to them, and they go on so patient. By and by we find all the things which Jonathan have note in that wonderful diary of him.  Then we go on  for  long, long hours and hours.  At the first, I tell Madam Mina to  sleep. She try, and she succeed.  She sleep all the time, till at the last, I feel myself to suspicious  grow, and attempt to wake her.  But she sleep on, and I may not wake her though I try. I do not wish to try too  hard lest I  harm her.  For I know that she have suffer much, and sleep at times  be all-in-all to her.  I think I drowse  myself,  for all of sudden I feel guilt, as though I have  done something.  I find myself bolt up, with the reins in  my hand, and the good horses go along jog, jog, just as ever.  I look down and find Madam Mina still asleep. It is now not far off sunset time, and over the snow the light  of the  sun  flow in big yellow flood, so that we throw great long shadow on where the mountain rise so steep. For  we  are  going up, and  up, and all  is oh, so wild and rocky, as though it were the end of the world.</p>
<p>Then I  arouse Madam Mina.  This time she wake with not much trouble, and  then  I try to put her to hypnotic sleep. But she sleep not, being as though  I were not.  Still I try and try, till all at once  I find her and myself in dark, so I  look  round, and find that the sun have gone down.  Madam Mina  laugh, and  I turn and look at  her.  She is now quite awake, and look so well as I never saw  her since that night at Carfax when we first enter the Count&#8217;s house.  I am amaze, and not at ease then.  But she is so  bright  and tender and thoughtful for me that I forget all fear.  I light  a  fire, for we have brought supply of wood with us, and  she prepare food while I undo the horses and set them, tethered in shelter, to feed.  Then when I return to the  fire  she  have my supper ready.  I go to help  her, but she smile, and tell me that she have eat already.  That she  was so hungry that she would not wait.  I like it not, and I have grave doubts.  But I fear to affright her, and so  I am silent of it.  She help me and I eat alone, and then we wrap  in fur and  lie beside the fire, and I tell her to sleep while I watch.  But presently I forget all of watching. And when I sudden remember that I watch, I find her lying quiet,  but  awake, and looking at me with so bright eyes. Once, twice more the same occur, and I get much sleep  till before morning.  When I wake I try to hypnotize her, but alas!  Though she shut her eyes obedient, she may not sleep. The sun rise up, and up, and up, and then sleep come to her too late, but so heavy  that  she will not wake.  I have to lift her up, and place her  sleeping in the carriage when I have harnessed the horses and made all ready. Madam still sleep, and she look in her sleep more healthy and more redder than before. And I like it not.  And I am afraid, afraid, afraid! I am afraid of all things, even to think but I must go on my way. The stake we play for is life and death, or more than these, and we must not flinch.</p>
<p>5 November, morning.&#8211;Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I, Van Helsing, am mad. That the many horrors and the so long strain on nerves has at the last turn my brain.</p>
<p>All  yesterday  we travel, always getting closer to the mountains, and  moving into  a more and more wild and desert land.  There are great, frowning precipices and much falling water, and Nature seem to have held sometime  her  carnival. Madam Mina still sleep and sleep. And though I did have hunger and appeased it, I could not waken her, even for food. I began to fear that the fatal spell of the place was upon her, tainted as she is with that Vampire baptism.  &#8220;Well,&#8221; said I to myself, &#8220;if it be that she  sleep  all  the day, it shall also be that I do not sleep at night.&#8221;  As we  travel on the rough road, for a road of an ancient and imperfect kind there was, I held down my head and slept.</p>
<p>Again I waked with a sense of guilt and of time passed, and found Madam  Mina  still sleeping, and the sun low down. But  all was indeed  changed.  The frowning mountains seemed further away,  and we  were near  the  top of a steep rising hill, on summit of which was such a castle as Jonathan  tell of in his diary.  At once I exulted and feared.  For now, for good or ill, the end was near.</p>
<p>I woke Madam Mina, and again tried to hypnotize her, but alas! unavailing till too late.  Then, ere the great dark came upon us, for even after down sun  the heavens  reflected the gone sun on the snow, and all was for a time in a great twilight.  I took out the horses and fed them in what shelter I could.  Then I make a fire, and near it I  make  Madam Mina, now awake and more charming than ever, sit comfortable  amid her rugs.  I got ready  food, but she would not  eat, simply saying that she had not hunger.  I did not press her, knowing her unavailingness.  But I myself eat, for I  must needs now be strong for all.  Then, with the  fear on me of what might be, I drew a ring so big for her comfort,  round where Madam Mina sat.  And over the ring I passed some of the wafer, and I broke it fine so that all was well guarded.  She sat still all the time, so still as one dead.  And she grew whiter and even whiter till the snow was not more pale, and no word she said.  But when I  drew  near, she clung  to me, and I could know that the poor soul shook her  from  head to feet with a tremor that was pain to feel.</p>
<p>I said to her presently, when she had grown more quiet, &#8220;Will you not come over to the fire?&#8221; for I wished to make a test of what she could.  She  rose  obedient, but  when  she have made a step she stopped, and stood as one stricken.</p>
<p>&#8220;Why not go on?&#8221; I asked.  She shook her head, and coming back, sat down in her place.  Then, looking at  me with open eyes, as of one waked from sleep, she said simply,&#8221;I cannot!&#8221; and remained silent.  I rejoiced, for I  knew  that what she could not, none of those that we dreaded could. Though there might be danger to her body, yet her soul was safe!</p>
<p>Presently the horses began to scream, and tore at their tethers till I came to them and quieted them.  When they did feel my hands on them, they whinnied low as in joy,and licked at my hands and were quiet for a time.  Many times through the night did I come to them, till it  arrive  to  the cold hour when all nature is at lowest, and every  time my  coming was with quiet of them.  In the cold hour the fire began to die, and I was about stepping  forth to replenish it, for now the snow came in flying sweeps and with it a chill mist. Even in the dark there  was a  light of  some kind, as there ever is over snow, and it seemed as though the snow flurries and the wreaths of  mist  took  shape as of women with trailing garments.  All was in dead,  grim silence  only that the horses whinnied and cowered, as if in terror of the worst.  I began to  fear, horrible  fears.  But then came to me the sense of safety in that  ring wherein I stood.  I began too, to think that  my  imaginings  were of  the night, and the gloom, and the unrest that  I  have  gone through, and all the terrible anxiety.  It  was as  though  my  memories of all Jonathan&#8217;s horrid experience  were befooling  me.  For  the snow flakes and the mist began to wheel  and circle round, till  I could get as  though  a shadowy  glimpse of those women that would have kissed him. And then the horses cowered lower and lower, and moaned in terror as men do in pain.  Even the madness of fright  was not to them, so that  they could  break away.  I feared for my dear Madam Mina when these  weird figures drew near and circled round.  I looked at her, but  she sat calm, and smiled at me.  When I would have  stepped to the fire to replenish it, she caught me and held me back, and whispered, like a voice that one hears in a dream, so low it was.</p>
<p>&#8220;No!  No!  Do not go without.  Here you are safe!&#8221;</p>
<p>I turned to her,  and looking in  her  eyes said,  &#8220;But you?  It is for you that I fear!&#8221;</p>
<p>Whereat she  laughed, a laugh low and unreal, and said, &#8220;Fear for me!  Why fear for me?  None safer in all the world from them than I am,&#8221;and as I wondered at the meaning of her words, a puff of wind made the flame leap up, and I  see the red scar on her forehead.  Then, alas! I knew.  Did I not, I would soon have  learned, for  the wheeling figures  of mist and snow came  closer, but keeping  ever  without  the  Holy circle. Then they began to materialize till, if God have not taken away my reason, for I saw it  through my  eyes.  There were before me in actual flesh the same three women that Jonathan saw in the room, when they would have kissed his throat. I knew the swaying round forms, the  bright  hard eyes,  the white teeth,  the  ruddy  color, the  voluptuous lips.  They smiled ever at poor dear Madam Mina. And as their laugh came through the silence of the night, they twined their arms and pointed to her, and said in  those  so sweet tingling  tones that Jonathan said were of the intolerable  sweetness of the water glasses,  &#8220;Come, sister.  Come to us. Come!&#8221;</p>
<p>In  fear I  turned  to my poor Madam Mina, and my heart with gladness leapt like flame.  For oh! the  terror in  her sweet eyes, the repulsion,  the horror,  told a story  to my heart that was all of hope.  God be thanked she was not, yet of them.  I seized some of the firewood which was by me, and holding out some of the Wafer, advanced on them  towards the fire.  They drew back before me, and laughed their low horrid laugh.  I fed the fire, and feared them not. For I knew that we were safe within the ring,  which she could  not leave no more than they could enter.  The  horses had ceased to moan, and lay still on the ground. The snow  fell on  them softly, and they grew whiter.  I  knew  that there  was for the poor beasts no more of terror.</p>
<p>And  so  we  remained till the red of the dawn began to fall through the snow gloom.  I was desolate and afraid, and full of  woe and terror.  But when that  beautiful sun began to  climb  the  horizon life was  to me again.  At the first coming of the dawn the horrid figures melted in the whirling mist and snow.  The wreaths of transparent gloom moved  away towards the castle, and were lost.</p>
<p>Instinctively, with  the dawn coming, I turned to Madam Mina, intending to hypnotize her.  But she lay in a deep and sudden sleep, from which I  could not  wake her.  I tried to hypnotize through her sleep, but she made no  response, none at all, and the day broke.  I fear yet to stir.  I have made my fire and have seen  the horses, they are all dead.  Today I have much to do here, and I keep waiting till the sun is up high.  For there may be places where I  must  go, where that sunlight, though snow and mist obscure it,  will be  to me a safety.</p>
<p>I will strengthen me with breakfast, and then I will do my terrible work.  Madam Mina still sleeps, and God be thanked! She is calm in her sleep  .  .  .</p>
<p>JONATHAN HARKER&#8217;S JOURNAL</p>
<p>4 November,  evening.&#8211;The accident to the  launch  has been a terrible thing for us.  Only  for it we  should  have overtaken the  boat long ago, and  by now my dear Mina would have been free.  I  fear to think of her,  off  on the wolds near that horrid place.  We have got horses, and  we  follow on the track.  I note this whilst Godalming is getting ready. We have our arms.  The Szgany must look out if they  mean to fight.  Oh, if only Morris and Seward were  with us. We must only hope!  If I write  no more Goodby Mina!  God  bless and keep you.</p>
<p>DR. SEWARD&#8217;S DIARY</p>
<p>5 November.&#8211;With the  dawn  we saw  the body of Szgany before  us  dashing  away from  the  river with their leiter wagon.  They surrounded  it in a  cluster, and hurried along as though beset.  The snow  is  falling lightly and there is a strange excitement in the air.  It may be our own feelings, but the depression is strange. Far off I hear the howling of wolves.  The snow brings them down from the  mountains,  and there are dangers to all of us, and from all sides.  The horses are nearly ready, and we are soon off.  We ride  to death of some one.  God alone knows who, or  where, or what, or when, or how it may be  .  .  .</p>
<p>DR. VAN HELSING&#8217;S MEMORANDUM</p>
<p>5 November, afternoon.&#8211;I am  at least sane.  Thank God for that mercy at all events, though the proving it has been dreadful.  When I left  Madam Mina sleeping  within the Holy circle, I took my way to the castle.  The  blacksmith hammer which I took in the carriage from Veresti was useful, though the  doors  were all open I broke them off the rusty hinges, lest some ill  intent  or ill  chance should  close them, so that  being entered I might not get  out.  Jonathan&#8217;s bitter experience served me here.  By  memory  of his diary I found my  way to the old chapel, for I knew that here my work lay. The air  was  oppressive.  It  seemed as  if  there was some sulphurous fume, which at times made me dizzy.  Either there was  a  roaring in  my  ears or I heard afar off the howl of wolves. Then I bethought me of my dear Madam Mina, and I was in terrible plight.  The dilemma had me between his horns.</p>
<p>Her,  I  had not dare to take into this place, but left safe from the Vampire in  that  Holy  circle.  And  yet even there would be the wolf!  I resolve me that my work lay here, and that as to the wolves we must submit, if  it were  God&#8217;s will.  At any rate it was only death and freedom beyond.  So did I choose for her.  Had it but been for myself the choice had been easy, the maw of the wolf were  better  to  rest in than the grave of the Vampire!  So I make my choice to go on with my work.</p>
<p>I knew  that  there were at least three graves to find, graves that  are  inhabit.  So  I  search, and search, and I find one of them.  She lay in her Vampire sleep, so full  of life and voluptuous beauty that I shudder as though  I  have come to do murder.  Ah,  I doubt not  that in the  old time, when such things were, many a man who set forth to do such a task as mine, found at the last his heart fail him, and then his nerve.  So he delay, and delay, and delay, till the mere beauty  and the fascination of the wanton Undead have hypnotize him. And he remain on and on, till sunset come, and the Vampire sleep be over.  Then  the beautiful eyes of the fair woman open and look love, and the voluptuous mouth present to a kiss, and the man is weak.  And there remain one more victim in the Vampire  fold.  One more to swell the grim and grisly ranks of the Undead!  .  .  .</p>
<p>There is some fascination, surely, when I am moved by the mere presence of such an one, even lying as she lay in a tomb fretted with age and heavy with the dust of centuries, though there be that horrid odor such as the lairs of the Count have had. Yes, I was moved. I, Van Helsing, with all my purpose and with my motive for hate. I was moved to a yearning for delay which seemed to paralyze my faculties and to clog my very soul. It may have been that the need of natural sleep, and the strange oppression of the air were beginning to overcome me. Certain it was that I was lapsing into sleep, the open eyed sleep of one who yields to a sweet fascination, when there came through the snow stilled air a long, low wail, so full of woe and pity that it woke me like the sound of a clarion. For it was the voice of my dear Madam Mina that I heard.</p>
<p>Then  I  braced  myself again  to  my  horrid task, and found by wrenching away tomb tops one other of  the sisters, the other dark  one.  I dared not pause to look on her as  I had on  her sister, lest  once more I should begin to be enthrall.  But I go on searching until, presently, I find in a high great tomb  as if made  to one much beloved that  other fair sister which, like Jonathan I had seen to gather herself out of the atoms of the mist. She was so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in me, which calls some of my sex to love and to protect one of hers, made my head whirl with new emotion. But God be thanked, that soul wail of my dear Madam Mina had not died out  of  my  ears.  And, before the spell  could be wrought further upon me, I had nerved myself to my wild work. By this tim e I had searched all the tombs in the chapel, so far  as I  could  tell.  And as there had been only three of these Undead phantoms around us in the night, I took it that there were no more of active Undead existent.  There was one great tomb more lordly than all the rest.  Huge it  was, and nobly proportioned.  On it was but one word.</p>
<p>DRACULA</p>
<p>This then was the Undead home of the  King  Vampire, to whom so many more were due.  Its emptiness spoke eloquent to make certain what I knew.  Before I began to  restore  these women to their dead selves through my awful work,  I laid in Dracula&#8217;s tomb some of the Wafer, and  so  banished him from it, Undead, for ever.</p>
<p>Then began my terrible task, and I dreaded it.  Had  it been but one, it had been easy, comparative.  But three!  To begin twice more after I had been through a deed of  horror. For it was terrible with the sweet Miss Lucy,  what would it not be with these strange ones who had survived through centuries, and who had been strenghtened by  the passing of the years.  Who would, if they could, have fought for their foul lives  .  .  .</p>
<p>Oh, my friend John, but it was butcher work.  Had I not been nerved by thoughts of other dead, and of the living over whom hung such a pall of fear, I could not have gone  on.  I tremble and tremble even yet, though  till all was over, God be thanked, my nerve did stand. Had I not seen the repose in the first place, and the gladness that stole over it just ere the final dissolution came, as realization that the soul had been won, I could not have gone further with my butchery.  I could not have  endured  the  horrid screeching as the stake drove home, the plunging of writhing form, and lips of bloody foam.  I should have fled in terror and left my work undone. But it is over!  And the poor souls, I can pity them now and weep,  as I  think  of them placid each in her full sleep of death for a short moment ere fading. For, friend John, hardly had my knife severed the head of each, before the whole body began to melt away  and crumble into  its  native  dust,  as though the death that  should have  come centuries agone had at last assert himself and say at once and loud,&#8221;I am here!&#8221;</p>
<p>Before I left the castle I so fixed its entrances  that never more can the Count enter there Undead.</p>
<p>When I  stepped into the circle where Madam Mina slept, she woke  from  her sleep  and, seeing me, cried out in pain that I had endured too much.</p>
<p>&#8220;Come!&#8221; she said, &#8220;come away from this awful place! Let us go to meet my husband who is, I know, coming towards us.&#8221; She was looking thin and pale and weak.  But  her  eyes were pure and glowed with fervor.  I was glad to see her paleness and her illness, for my mind was full of the fresh horror of that ruddy vampire sleep.</p>
<p>And so with trust and hope, and yet full of fear, we go eastward to meet our friends, and him, whom Madam Mina  tell me that she know are coming to meet us.</p>
<p>MINA HARKER&#8217;S JOURNAL</p>
<p>6 November.&#8211;It was late in the afternoon when the Professor and  I  took our  way towards the  east whence I knew Jonathan was coming.  We did not go fast, though the way was steeply  downhill, for w e had to take heavy rugs  and wraps with us.  We dared not face  the  possibility of  being left without warmth in the cold and the snow. We had to take some of our provisions too, for we were in a perfect  desolation, and so far  as  we could see through the snowfall, there was not even the sign of habitation.  When  we  had gone about a mile, I was tired with the heavy walking and sat down to rest. Then  we  looked back and  saw where the clear line of Dracula&#8217;s castle cut the sky. For we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains  was  far below it.  We  saw it in all its grandeur, perched a  thousand  feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side.  There was something wild  and  uncanny about the place.  We could hear the distant howling of wolves.  They were far off, but the sound, even  though  coming  muffled through the deadening snowfall, was full of terror.  I knew from the way Dr. Van Helsing was searching  about that he was  trying to  seek some strategic point, where we would be less exposed in case of attack. The rough roadway still led downwards. We could trace it through the drifted snow.</p>
<p>In a little while the Professor signalled  to me, so  I got up and joined him.  He had found a wonderful spot, a sort of natural hollow in a rock, with an entrance like a doorway between two boulders.  He took me by the hand and drew me in.</p>
<p>&#8220;See!&#8221; he said,&#8221;here you will be in shelter. And if the wolves do come I can meet them one by one.&#8221;</p>
<p>He brought in our furs, and made a snug nest for me, and got out some provisions and forced them upon me. But I could not eat, to even try to do so was repulsive to me,  and much as I would have liked to please him, I could not bring myself to the attempt.  He looked very sad, but did not reproach me. Taking his field glasses from the case, he  stood on the top of the rock, and began to search the horizon.</p>
<p>Suddenly he called out,  &#8220;Look!  Madam Mina, look!Look!&#8221;</p>
<p>I sprang up and stood beside him on the rock. He handed me his glasses and pointed.  The snow was now  falling  more heavily, and swirled about fiercely, for a high wind was beginning to blow.  However, there were times when  there were pauses between the snow flurries and I could see a  long way round. From the height where we were it  was possible to see a great distance.  And far  off, beyond the  white  waste of snow, I  could see the river lying like a  black  ribbon  in kinks and curls as it wound its way. Straight in front of us and not far off, in fact so near  that I wondered we had not noticed before, came a group of mounted men  hurrying along. In the midst of them was a  cart,  a long leiter wagon which swept from side to side, like a dog&#8217;s tail wagging, with each stern inequality of  the road.  Outlined against the snow as they were, I could see from the men&#8217;s clothes that they were peasants or gypsies of some kind.</p>
<p>On the cart was a great square chest.  My heart  leaped as I saw it, for I felt that the end was coming. The evening was now drawing close, and well I knew that  at  sunset  the Thing, which was till then imprisoned there, would  take new freedom and could in any of many forms elude pursuit.  In fear I turned to the Professor.  To my consternation, however, he was not there.  An instant later, I saw him below me.  Round the rock he had drawn a circle, such as we had found shelter in last night.</p>
<p>When he  had completed it he stood beside me again saying, &#8220;At least you shall be safe here from him!&#8221; He took the glasses from me, and at the next lull of the  snow swept the whole space below us. &#8220;See,&#8221;he said,&#8221;they come quickly. They are flogging the horses, and galloping as hard as they can.&#8221;</p>
<p>He paused and went on in a hollow voice, &#8220;They are racing for the sunset. We may be too late. God&#8217;s will be done!&#8221; Down  came  another blinding rush of driving  snow,  and the whole landscape was blotted  out.  It soon  passed, however, and once more his glasses were fixed on the plain.</p>
<p>Then came a sudden cry,  &#8220;Look!  Look!  Look!  See, two horsemen follow fast, coming up from the south.  It  must be Quincey and John. Take the glass. Look before the snow blots it all out!&#8221;  I took it and looked. The two men might be Dr. Seward and Mr. Morris.  I knew at all events that neither of them was Jonathan. At the same time I knew that Jonathan was not far off.  Looking around I saw on the  north side of the coming party two  other men, riding at breakneck speed.  One of them I knew was Jonathan, and the other I took, of course, to be Lord Godalming. They too, were pursuing the party with the cart.  When I told the Professor he shouted in glee like a schoolboy, and  after looking  intently  till a  snow fall made sight impossible, he laid his Winchester rifle ready for use against the boulder at the opening of our shelter.</p>
<p>&#8220;They are all converging,&#8221; he said.&#8221;When the time comes we shall have gypsies on all sides.&#8221;  I got out my  revolver ready to hand, for whilst  we were speaking the  howling  of wolves came louder and closer.  When the snow storm abated a moment we looked again. It was strange to see the snow falling in such heavy flakes close to us,  and  beyond,  the sun shining more  and more  brightly as it sank down towards the far mountain tops.  Sweeping the glass all around us I could see here and there dots moving singly and in twos and threes and larger numbers.  The wolves were gathering for their prey.</p>
<p>Every instant seemed an age whilst we waited.  The wind came now in fierce bursts, and the snow was driven with fury as it swept upon us in circling eddies.  At  times we  could not see an arm&#8217;s length before us.  But at  others,  as  the hollow sounding wind swept by us, it seemed to clear the air space around us so that we could see afar  off.  We  had  of late been so accustomed to watch for sunrise and sunset, that we knew with fair accuracy when it would be.  And we knew that before long the sun  would set.  It was hard to believe that by our watches it  was  less  than an hour that we waited in that rocky  shelter  before the various bodies began to converge close upon us. The wind came now with fiercer and more bitter sweeps, and more steadily from the north.  It seemingly had driven the snow clouds from us, for with only occasional bursts,  the  snow fell.  We  could distinguish  clearly the individuals  of  each  party, the  pursued and the pursuers. Strangely  enough those pursued did  not seem to realize, or at least to care, that they were pursued.  They seemed, however, to hasten with redoubled speed as the sun dropped lower and lower on the mountain tops.</p>
<p>Closer and closer they drew. The Professor and I crouched down behind our rock, and  held  our weapons   ready.  I could see that he was determined that they  should not pass. One and all were quite unaware of our presence.</p>
<p>All at once two voices shouted out to, &#8220;Halt!&#8221;  One was my Jonathan&#8217;s, raised in a high key of passion. The other Mr. Morris&#8217; strong resolute tone  of quiet command.  The gypsies may not have known the language, but there  was no mistaking the tone, in whatever tongue the words were spoken. Instinctively they reined in, and at the instant Lord Godalming and Jonathan dashed up at one side and Dr. Seward and Mr. Morris on the other.  The leader of the gypsies, a splendid looking fellow who sat his horse like a centaur, waved them back, and in  a  fierce voice gave to his companions some word to proceed. They lashed  the horses which sprang forward.  But the four men raised their Winchester rifles, and in an unmistakable way commanded them to stop.  At the same moment Dr. Van Helsing and I rose behind the rock and  pointed  our weapons at them.  Seeing that they were surrounded the men tightened their reins and drew up.  The leader turned to them and gave a word at which every  man of the gypsy party drew what weapon he carried, knife or pistol,and held himself in readiness to attack.  Issue was joined in an instant.</p>
<p>The leader, with a quick movement of his rein, threw his horse out in front, and pointed first to the sun, now  close down on the hill tops, and then to the castle, said something which I did not understand.  For answer, all four men of our party threw themselves from their horses and dashed  towards the cart.  I should have felt terrible fear at  seeing Jonathan in such danger, but that the  ardor of battle must have been upon me as well as the  rest of  them.  I felt no fear, but only a wild, surging desire to do something.  Seeing the quick movement of our parties, the leader of the gypsies gave a command. His men instantly formed round the cart in a sort of undisciplined  endeavor, each one shouldering and pushing the other in his eagerness to carry out the order.</p>
<p>In the midst of this I could see that Jonathan on one side of the ring of men, and Quincey on the other, were forcing a way to the cart. It was evident that they were bent on finishing their task before the sun should set. Nothing seemed to stop or even to hinder them.Neither the levelled weapons nor the flashing knives of the gypsies in front, nor the howling of the wolves behind, appeared to even attract their attention. Jonathan&#8217;s impetuosity, and the manifest singleness of his purpose, seemed to overawe those in front of him. Instinctively they cowered aside and let him pass. In an instant he had jumped upon the cart, and with a strength which seemed incredible, raised the great box, and flung it over the wheel to the ground. In the meantime, Mr. Morris had had to use force to pass through his side of the ring of Szgany. All the time I had been breathlessly watching Jonathan I had, with the tail of my eye, seen him pressing desperately forward, and had seen the knives of the gypsies flash as he won a way through them, and they cut at him. He had parried with his great bowie knife, and at first I thought that he too had come through in safety. But as he sprang beside Jonathan, who had by now jumped from the cart, I could see that with his left hand he was clutching at his side, and that the blood was spurting through his fingers. He did not delay notwithstanding this, for as Jonathan, with desperate energy, attacked one end of the chest, attempting to prize off the lid with his great Kukri knife, he attacked the other frantically with his bowie. Under the efforts of both men the lid began to yield. The nails drew with a screeching sound, and the top of the box was thrown back.</p>
<p>By this time the gypsies, seeing themselves covered  by the Winchesters, and at the mercy of Lord Godalming  and Dr. Seward, had given in and made no further resistance. The sun was almost down on the mountain tops, and the shadows of the whole group fell upon the snow. I saw the Count lying within the box upon the earth, some of which the rude falling  from the cart had scattered over him.  He  was deathly pale, just like a waxen image, and the red eyes glared with the horrible vindictive look which I knew so well.</p>
<p>As I looked, the eyes saw the sinking sun, and the look of hate in them turned to triumph.</p>
<p>But,  on the instant, came the sweep and flash of Jonathan&#8217;s great knife. I shrieked as I saw it shear through the throat.  Whilst at the same moment Mr. Morris&#8217;s  bowie knife plunged into the heart.</p>
<p>It  was  like  a miracle, but before our very eyes, and almost in the drawing  of  a breath, the whole body crumbled into dust and passed from our sight.</p>
<p>I shall  be  glad  as  long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there.</p>
<p>The Castle of Dracula now stood out against the red sky, and every  stone  of  its broken battlements was articulated against the light of the setting sun.</p>
<p>The gypsies, taking us as in some way the cause of  the extraordinary disappearance of the dead man, turned, without a word, and rode away as if for their lives.  Those who were unmounted  jumped upon the leiter wagon and shouted  to  the horsemen not to desert them. The wolves, which had withdrawn to a safe distance, followed in their wake, leaving us alone.</p>
<p>Mr. Morris,  who  had sunk to the ground, leaned on his elbow, holding his hand pressed to his side. The blood still gushed through his fingers.  I flew to him, for the Holy circle did not now keep me back, so did the two  doctors.  Jonathan knelt behind him and the wounded man  laid  back his head on his shoulder.  With a sigh he took, with a feeble effort, my hand in that of his own which was unstained.</p>
<p>He must  have  seen the anguish of my heart in my face, for he smiled at me and said,  &#8220;I  am only too happy to have been of service!  Oh, God!&#8221; he cried suddenly, struggling to a sitting posture and pointing to me. &#8220;It was worth for this to die!  Look!  Look!&#8221;</p>
<p>The sun  was  now right down upon the mountain top, and the red gleams fell  upon  my face, so that it was bathed in rosy  light.  With one  impulse  the men sank on their knees and a deep and earnest &#8220;Amen&#8221; broke  from  all as their eyes followed the pointing of his finger.</p>
<p>The dying man spoke,  &#8220;Now God be thanked that all  has not been in vain!  See!  The snow is not more stainless than her forehead!  The curse has passed away!&#8221;</p>
<p>And,  to our bitter grief, with a smile and in silence, he died, a gallant gentleman.</p>
<p>NOTE</p>
<p>Seven  years  ago we all  went through the flames.  And the happiness of some  of us  since then  is, we think, well worth the pain we endured.  It is an added  joy  to Mina and to me that  our boy&#8217;s  birthday is the  same day as that  on which Quincey  Morris died.  His  mother holds,  I know, the secret belief that some of our  brave  friend&#8217;s  spirit  has passed into him.  His  bundle  of names links all our little band of men together.  But we call him Quincey.</p>
<p>In the summer of this year we made a journey to Transylvania, and went over the old ground which was, and is, to us so full of vivid and terrible memories.  It was almost impossible to believe that the things which we had seen  with  our own eyes and heard  with  our  own ears were  living truths. Every trace of all that had been was blotted out. The castle stood as before, reared high above a waste of desolation.</p>
<p>When we got home we were talking of the old time, which we could all look back on without despair, for Godalming and Seward are both happily married.  I took the papers from the safe where they had been ever since our  return so long ago. We were struck with the fact, that in all the mass of material of which the record is composed,  there  is  hardly  one authentic document.  Nothing but a mass of typewriting, except the later notebooks of Mina  and Seward and  myself, and Van Helsing&#8217;s memorandum.  We could hardly ask any one, even did we  wish to, to  accept these  as proofs of so wild a story. Van Helsing summed it all up as he said, with our boy on his knee.</p>
<p>&#8220;We want no proofs. We ask none to believe us! This boy will some day know what a brave and gallant woman his mother is.  Already he knows her sweetness and  loving care.  Later on he will understand how some men  so loved her,  that they did dare much for her sake.</p>
<p>JONATHAN HARKER</p>
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		<title>Dracula by Bram Stoker &#8211; Chapter Twenty Six</title>
		<link>https://conradaskland.com/blog/dracula-by-bram-stoker-chapter-twenty-six/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 11 Feb 2007 07:43:09 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
		<guid isPermaLink="false">http://www.conradaskland.com/blog/2007/02/dracula-by-bram-stoker-chapter-twenty-six/</guid>

					<description><![CDATA[DR. SEWARD&#8217;S DIARY 29 October.&#8211;This is written in the train from Varna to Galatz. Last night we all assembled a little before the time of sunset. Each of us had done his work as well as he could, so far as thought, and endeavor, and opportunity go, we are prepared for the whole of our [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>  DR. SEWARD&#8217;S DIARY</p>
<p>29 October.&#8211;This is written in the train from Varna to Galatz.  Last  night  we  all  assembled a little before the time of sunset.  Each of us  had done his work as well as he could, so far as thought, and  endeavor, and opportunity go, we are prepared for the whole of  our  journey,  and for our work when we get to Galatz.  When the usual  time came round Mrs. Harker  prepared  herself for her  hypnotic effort, and after a longer  and  more  serious effort on the part of Van Helsing than  has  been usually necessary, she sank into the trance.  Usually  she  speaks  on  a hint, but this time the Professor had to ask her questions, and  to  ask them pretty resolutely, before  we  could  learn anything.  At  last her answer came.</p>
<p>&#8220;I can see  nothing.  We are still.  There are no waves lapping,  but  only  a  steady swirl of water softly running against the hawser.  I  can  hear men&#8217;s voices calling, near and far, and the roll and creak  of oars in the rowlocks.  A gun is fired somewhere, the echo of it seems far away. There is tramping of feet overhead, and ropes and chains are dragged along.  What is this?  There is a gleam of light.  I can feel the air blowing upon me.&#8221;</p>
<p>Here  she  stopped.  She  had risen, as if impulsively, from where she lay  on  the sofa, and raised both her hands, palms upwards, as if lifting  a  weight.  Van  Helsing and I looked at each other with understanding.  Quincey raised his eyebrows slightly and looked at her intently, whilst Harker&#8217;s hand instinctively closed round the hilt of his Kukri. There was a long pause.  We all knew that the time  when she could speak was passing, but we felt that it was  useless  to  say anything.</p>
<p>Suddenly  she  sat  up, and as she opened her eyes said sweetly,  &#8220;Would none of you like a cup of tea? You must all be so tired!&#8221;</p>
<p>We could  only  make her happy, and so acqueisced.  She bustled off to get tea.  When she had gone Van Helsing said, &#8220;You see, my friends.  He is close to land.  He has left his earth chest.  But he has yet to get on shore.  In  the night he may lie hidden  somewhere,  but  if he be not carried  on shore, or if the ship do not touch it, he cannot achieve the land. In such case he can, if it be in the  night, change his form and jump or fly on shore, then, unless he be carried he cannot escape.  And if he  be carried,  then the customs men may  discover what the  box contain.  Thus, in  fine,  if he escape not on shore tonight, or  before  dawn, there will be the whole day lost to him.  We may then arrive in time.  For if he  escape not at night we shall  come on him in daytime, boxed up and at our mercy. For he dare not be his true self, awake and visible, lest he be discovered.&#8221;</p>
<p>There  was no more to be said, so we waited in patience until the dawn, at which  time we might learn more from Mrs. Harker.</p>
<p>Early this morning we listened, with breathless anxiety, for her response in her trance.  The hypnotic stage was even longer in coming than before, and when it  came the time remaining until full sunrise  was so short that  we  began  to despair. Van Helsing seemed to throw his whole soul into the effort.  At last, in obedience to his will she made reply.</p>
<p>&#8220;All is dark.  I hear lapping water, level with me, and some creaking as of wood on wood.&#8221;  She paused, and  the red sun shot up.  We must wait till tonight.</p>
<p>And so it is  that  we are travelling towards Galatz in an  agony  of expectation.  We are due to arrive between two and three in  the  morning.  But  already, at  Bucharest, we are three hours late, so we cannot possibly get in till well after sunup.  Thus we shall have two more hypnotic  messages from Mrs. Harker!  Either or both  may possibly  throw  more light on what is happening.</p>
<p>Later.&#8211;Sunset has come and gone.  Fortunately it  came at a time when there was no distraction. For had it occurred whilst we were at a station, we might not have  secured  the necessary calm  and isolation.  Mrs. Harker  yielded  to the hypnotic influence even  less readily than this  morning.  I am in fear that her power of reading the  Count&#8217;s sensations may die away, just when we want it most. It seems to me that her imagination is beginning to work.  Whilst  she  has been in the trance hitherto she has confined herself to the simplest of facts.  If this goes on it may ultimately mislead us. If I thought that the  Count&#8217;s power over her would die away equally with her  power  of  knowledge  it  would be a happy thought.  But I am afraid that it may not be so.</p>
<p>When she did  speak,  her words were enigmatical,&#8221;Something is going out.  I can feel it pass me like a cold wind. I can hear, far off, confused sounds, as of  men  talking in strange tongues, fierce falling  water, and the  howling  of wolves.&#8221;   She  stopped  and a shudder ran  through her, increasing in intensity for a few seconds,  till  at  the end, she shook as though in a palsy.  She said no  more, even  in answer to the Professor&#8217;s imperative  questioning.  When she woke from the trance, she was cold, and  exhausted, and languid, but her mind was all alert.   She could  not  remember anything, but asked what  she  had said.  When she was told, she pondered over it deeply for a long time and in silence.</p>
<p>30 October, 7 a. m.&#8211;We are near Galatz now, and I may not have time to write later. Sunrise this morning was anxiously looked for by us all. Knowing of the increasing difficulty of procuring the hypnotic trance, Van Helsing began his passes earlier than usual. They produced no effect, however, until the regular time, when she yielded with a still greater difficulty, only a minute before the sun rose. The Professor lost no time in his questioning.</p>
<p>Her answer came with equal quickness,  &#8220;All is  dark. I hear water swirling by, level with my ears, and the creaking of wood on wood.  Cattle low far off. There is another sound, a queer one like  .  .  .&#8221;  She stopped and grew  white, and whiter still.</p>
<p>&#8220;Go on, go on!  Speak, I command you!&#8221; said Van Helsing in an agonized voice.  At the same time there was despair in his eyes, for the risen sun was reddening even Mrs. Harker&#8217;s pale face.  She opened her eyes, and we all  started as  she said, sweetly and seemingly with the utmost unconcern.</p>
<p>&#8220;Oh, Professor, why ask me to do what you know I can&#8217;t? I don&#8217;t remember anything.&#8221;  Then, seeing the look of amazement on our faces, she said, turning  from one to  the other with a troubled look,  &#8220;What have I said?  What have I done? I know nothing, only that I was lying here, half asleep, and heard you say `go on! speak, I command  you!&#8217;  It  seemed so funny to hear you order me about, as if I were a bad child!&#8221;</p>
<p>&#8220;Oh, Madam Mina,&#8221; he said, sadly, &#8220;it is proof, if proof be needed, of how I love and honor you, when a word for your good, spoken more earnest than ever, can seem so strange because it is to order her whom I am proud to obey!&#8221;</p>
<p>The whistles are sounding. We are nearing Galatz.  We are on fire with anxiety and eagerness.</p>
<p>MINA HARKER&#8217;S JOURNAL</p>
<p>30 October.&#8211;Mr. Morris took me to the hotel where  our rooms had  been  ordered  by telegraph, he being the one who could best be spared, since he does  not speak  any  foreign language.  The forces were distributed much as they had  been at Varna, except that Lord Godalming went to the Vice Consul, as his  rank  might  serve as  an immediate guarantee of some sort to the official, we being in extreme hurry. Jonathan and the two doctors  went to the  shipping agent to learn particulars of the arrival of the Czarina Catherine.</p>
<p>Later.&#8211;Lord Godalming has returned. The Consul is away, and the  Vice  Consul  sick.  So  the  routine work has been attended to by a clerk. He was very obliging, and offered to do anything in his power.</p>
<p>JONATHAN HARKER&#8217;S JOURNAL</p>
<p>30 October.&#8211;At nine o&#8217;clock Dr. Van Helsing, Dr.  Seward, and I called on Messrs. Mackenzie &amp; Steinkoff, the agents of the London firm of Hapgood.  They had received a  wire  from London, in answer to  Lord Godalming&#8217;s telegraphed  request, asking them to show us any civility in their power.  They were more than kind and courteous, and took us at once  on  board the Czarina Catherine, which lay at anchor out  in the river harbor. There we saw the Captain, Donelson by name, who told us of his voyage.  He said that in all his life he had never had so favorable a run.</p>
<p>&#8220;Man!&#8221;  he said,  &#8220;but it made us afeard, for we expect it that we should have to pay for it wi&#8217; some rare piece  o&#8217; ill luck, so as to keep up the average. It&#8217;s no canny to run frae London to the Black Sea wi&#8217; a wind ahint ye, as  though the  Deil  himself were blawin&#8217; on yer sail for his ain purpose.  An&#8217; a&#8217; the time we could no speer a thing.  Gin we were nigh a ship, or a port, or a headland, a fog  fell on us and travelled wi&#8217; us, till when after it had lifted and we looked out, the deil a thing could we see.  We ran by Gibraltar wi&#8217; oot bein&#8217; able to signal. An&#8217; til we came to the Dardanelles and had to wait to get our  permit  to  pass, we never  were within hail o&#8217; aught.  At first I inclined to slack off sail and beat about till the fog was lifted. But whiles, I thocht that if the Deil was  minded to  get us  into  the Black Sea quick, he was like to do it whether we would or no.  If we had a quick voyage it would be no to our miscredit wi&#8217;the owners, or no hurt to our traffic, an&#8217; the Old Mon who had served his ain  purpose  wad be decently grateful to us for no hinderin&#8217; him.&#8221;</p>
<p>This mixture of simplicity and cunning, of superstition and commercial reasoning, aroused Van Helsing, who said,&#8221;Mine friend, that Devil is more clever than he is thought by some, and he know when he meet his match!&#8221;</p>
<p>The skipper was not displeased with the compliment, and went on,  &#8220;When we got past the Bosphorus the  men  began to grumble.  Some o&#8217; them, the Roumanians, came and asked me to heave overboard a big box which  had  been put on board by a queer lookin&#8217; old man just before we had started frae London. I had seen them speer at the  fellow, and put  out their twa fingers when they saw him, to guard them against the evil eye. Man!  but  the supersteetion of foreigners is pairfectly rideeculous!  I sent them aboot their business  pretty  quick, but as just after a fog closed in on us I  felt a wee bit as they did anent something, though I wouldn&#8217;t say it was again the big box.  Well, on we went, and as the fog didn&#8217;t let up for five days I joost let the wind carry us, for if the Deil wanted to get somewheres, well, he would fetch it up a&#8217;reet. An&#8217; if he didn&#8217;t, well,  we&#8217;d  keep  a sharp lookout anyhow. Sure eneuch, we had a  fair way and deep water all the time. And two days ago, when the mornin&#8217; sun came through the fog, we found ourselves  just in the river  opposite Galatz.  The Roumanians were wild,  and wanted me right  or wrong to take out the box  and  fling it in  the river.  I had to argy wi&#8217; them aboot it wi&#8217; a  handspike.  An&#8217;  when the  last o&#8217; them rose off the  deck wi&#8217; his head in his hand, I had convinced them that,  evil  eye or  no  evil eye, the property and the trust of my owners were better in my hands than in the river Danube.  They had, mind ye, taken the box on the deck ready to fling in, and as it was marked Galatz via Varna, I thocht I&#8217;d let  it  lie  till we discharged in the port an&#8217; get rid o&#8217;t althegither.  We  didn&#8217;t  do much clearin&#8217; that day, an&#8217; had to remain the nicht at anchor.  But in the mornin&#8217;, braw an&#8217; airly, an hour before sunup, a man came aboard wi&#8217; an order, written to him from England, to receive a box marked for one Count Dracula.  Sure eneuch the matter  was one ready to his hand.  He had his papers a&#8217; reet, an&#8217; gla d I  was to be rid o&#8217; the dam&#8217; thing, for I was beginnin&#8217; masel&#8217; to feel uneasy at it.  If the Deil did have any luggage aboord the ship, I&#8217;m thinkin&#8217; it was nane ither than that same!&#8221;</p>
<p>&#8220;What  was the  name of the man who took it?&#8221; asked Dr. Van Helsing with restrained eagerness.</p>
<p>&#8220;I&#8217;ll  be  tellin&#8217; ye quick!&#8221; he answered, and stepping down to  his  cabin,  produced  a  receipt  signed &#8220;Immanuel Hildesheim.&#8221;  Burgen-strasse 16 was the  address.  We  found out that this was all the Captain  knew, so  with thanks  we came away.</p>
<p>We  found  Hildesheim in his office, a Hebrew of rather the Adelphi Theatre  type, with  a  nose like a sheep, and a fez.  His arguments were pointed with  specie, we  doing the punctuation, and with a little  bargaining  he told us  what he knew.  This turned out  to  be  simple but important.  He had received a letter  from  Mr. de Ville of London, telling him to receive, if possible before  sunrise  so  as to avoid customs, a box  which would arrive at Galatz in the  Czarina Catherine.  This  he  was  to  give  in  charge to a certain Petrof Skinsky, who dealt with the Slovaks  who  traded down the river to the port.  He had been paid for his work  by an English bank note, which had been duly cashed  for  gold  at the Danube International Bank.  When Skinsky had come to him, he had taken him to the ship and handed  over the box, so as to save parterage.  That was all he knew.</p>
<p>We then sought for Skinsky, but were unable to find him. One of his neighbors, who did not seem to bear him any affection, said that he had gone away two days before,no one knew whither.  This was corroborated by his landlord, who had received by messenger the key of the house together  with  the rent due, in English money.  This had  been  between ten and eleven o&#8217;clock last night.  We were at a standstill again.</p>
<p>Whilst we were talking one came running and breathlessly gasped out that the body of Skinsky had been found inside the wall of the churchyard of St. Peter, and that the throat had been torn open as if by some wild animal.  Those we  had been speaking with ran off to see the horror, the women crying out.  &#8220;This is the work of a Slovak!&#8221;   We  hurried away lest we should have been in some way drawn into the  affair, and so detained.</p>
<p>As we came home  we could arrive at no definite conclusion.  We were all convinced that the box was on its way, by water, to somewhere, but where that might be we would have to discover.  With heavy hearts we came home to the hotel to Mina.</p>
<p>When we met together, the first thing was to consult as to taking Mina again into our confidence. Things are getting desperate, and it is at least a chance, though  a  hazardous one.  As a preliminary step, I was released  from my promise to her.</p>
<p>MINA HARKER&#8217;S JOURNAL</p>
<p>30 October,  evening.&#8211;They  were so tired and worn out and dispirited that  there was nothing  to be done till they had some rest, so I asked them all to lie  down  for half an hour whilst I should enter  everything  up to the moment.  I feel so  grateful  to the man who invented the &#8220;Traveller&#8217;s&#8221; typewriter,  and  to Mr. Morris for getting this one for me. I should have  felt  quite astray doing the work if I had to write with a pen  .  .  .</p>
<p>It is all done.  Poor dear, dear Jonathan, what he must have suffered, what he must be suffering now. He lies on the sofa hardly seeming to breathe, and his whole body appears in collapse.  His brows are knit.  His face is drawn with pain. Poor fellow, maybe he is thinking, and I can see his face all wrinkled up with the concentration of his thoughts. Oh! if I could only help at all. I shall do what I can.</p>
<p>I have asked Dr. Van Helsing, and he has got me all the papers that I have not yet seen.  Whilst they are resting, I shall go over all carefully, and perhaps I may arrive at some conclusion.  I  shall try to follow the Professor&#8217;s example, and think without prejudice on the facts before me  .  .  .</p>
<p>I do believe that under God&#8217;s providence I have made a discovery.  I shall get the maps and look over them.</p>
<p>I am more than ever sure that I am right.  My new conclusion is ready, so I shall get our party together and read it.  They can judge it.  It  is well to  be  accurate,  and every minute is precious.</p>
<p>MINA HARKER&#8217;S MEMORANDUM</p>
<p>(ENTERED IN HER JOURNAL)</p>
<p>Ground of inquiry.&#8211;Count  Dracula&#8217;s  problem is to get back to his own place.</p>
<p>(a)  He  must  be  brought  back  by some one.  This is evident.  For had he power  to  move himself as he wished he could go either  as  man, or  wolf, or bat, or in some other way.  He evidently  fears discovery  or interference, in the state of helplessness in which he must be, confined as he is between dawn and sunset in his wooden box.</p>
<p>(b)  How  is  he to be taken?&#8211;Here a process of exclusions may help us.  By road, by rail, by water?</p>
<p>1.  By Road.&#8211;There  are  endless difficulties, especially in leaving the city.</p>
<p>(x)  There  are  people.  And  people  are curious, and investigate.  A hint, a surmise, a doubt as to what might be in the box, would destroy him.</p>
<p>(y)  There  are,  or  there  may be, customs and octroi officers to pass.</p>
<p>(z)  His  pursuers  might follow.  This  is his highest fear.  And in order to prevent  his  being betrayed  he  has repelled, so far as he can, even his victim, me!</p>
<p>2.  By Rail.&#8211;There is no one in charge of the box.  It would have  to  take  its chance of being delayed, and delay would be fatal, with enemies  on  the track.  True, he might escape at night.  But what would he be, if left in a strange place with no refuge that he could fly to?  This is not what he intends, and he does not mean to risk it.</p>
<p>3.  By Water.&#8211;Here  is the safest way, in one respect, but with most danger in another.  On  the water he is powerless except at night.  Even  then he can only summon fog and storm and  snow  and his wolves.  But  were  he wrecked, the living water would engulf him, helpless, and he would indeed be lost.  He could have the vessel  drive to land, but if it were unfriendly land, wherein he was  not  free to move, his position would still be desperate.</p>
<p>We know from  the  record  that he was on the water, so what we have to do is to ascertain what water.</p>
<p>The first thing is to  realize exactly what he has done as yet.  We may, then, get a light on what his task is to be.</p>
<p>Firstly.&#8211;We must differentiate between what he did  in London as part of his general plan of action,  when  he  was pressed for moments and had to arrange as best he could.</p>
<p>Secondly we must see, as well as we can surmise it from the facts we know of, what he has done here.</p>
<p>As  to  the  first, he  evidently intended to arrive at Galatz, and sent invoice to  Varna  to  deceive  us  lest we should ascertain his means of exit from England.  His immediate and sole purpose then was to escape. The proof of this, is the letter of instructions sent ot Immanuel Hildesheim to clear and take away the box before sunrise.  There is also the instruction to Petrof Skinsky.  These we must only guess at, but there must have been some letter or message, since Skinsky came to Hildesheim.</p>
<p>That,  so far,  his plans were successful we know.  The Czarina Catherine made a phenomenally quick journey. So much so that Captain Donelson&#8217;s suspicions were aroused.  But his superstition united with his  canniness played  the  Count&#8217;s game for him, and he ran with his favoring wind through fogs and all till he brought up blindfold at  Galatz.  That  the Count&#8217;s arrangements were well made, has been proved.  Hildesheim cleared the box, took it off, and gave it to Skinsky. Skinsky took it, and here we lose the  trail.  We only know that  the box is somewhere on the water, moving along.  The customs and the octroi, if there be any, have been avoided.</p>
<p>Now we come to what the Count must have done after his arrival, on land, at Galatz.</p>
<p>The box  was given to Skinsky before sunrise.  At sunrise the Count could appear in his own form.  Here, we  ask why  Skinsky  was chosen at all to aid in the work?  In  my husband&#8217;s diary, Skinsky is mentioned as  dealing  with the Slovaks who trade down the river to the port. And the man&#8217;s remark, that the murder was the work of a Slovak, showed the general  feeling against  his class.  The Count wanted isolation.</p>
<p>My  surmise is  this, that in London the Count decided to get back to  his castle  by  water, as the most safe and secret way.  He was brought from  the castle by Szgany, and probably they delivered their cargo to Slovaks who took the boxes to Varna, for there they were shipped to London. Thus the Count had knowledge of  the persons  who could  arrange this service.  When the box was on land, before  sunrise or after sunset, he came  out  from his box, met  Skinsky  and instructed him what to do as  to  arranging the carriage of the box up some river. When this was done, and he knew that all was in train, he blotted out his traces, as he thought, by murdering his agent.</p>
<p>I  have examined  the map and find that the river most suitable for the  Slovaks  to  have  ascended is either the Pruth or the Sereth.  I read in the typescript  that  in my trance I heard cows low  and  water  swirling level with my ears and the creaking of wood.  The Count in his box, then, was on  a river  in an open boat, propelled probably either by  oars or poles, for the banks are near and it is working against  stream.  There would  be  no such if floating down stream.</p>
<p>Of course it may not be either the Sereth or the Pruth, but we  may possibly investigate further.  Now of these two, the Pruth  is  the more easily navigated, but the Sereth is, at Fundu, joined  by  the Bistritza which runs up round the Borgo Pass.  The loop  it  makes  is manifestly as close to Dracula&#8217;s castle as can be got by water.</p>
<p>MINA HARKER&#8217;S JOURNAL&#8211;CONTINUED</p>
<p>When  I  had done reading, Jonathan took me in his arms and kissed  me.  The  others  kept shaking me by both hands, and Dr. Van Helsing said,  &#8220;Our dear Madam Mina is once more our teacher.  Her eyes have been where we were blinded.  Now we are on the track once again, and this time we may succeed. Our enemy is at his most helpless. And if we can come on him by day, on the water, our task will be over. He has a start, but he is powerless to hasten, as he may not leave this  box lest those who carry him may suspect.  For  them  to suspect would be to prompt them to throw him in the stream  where he perish. This he knows, and will not. Now men, to our Council of War, for here and now, we must plan  what  each  and  all shall do.&#8221;</p>
<p>&#8220;I shall get a steam launch and follow him,&#8221;  said Lord Godalming.</p>
<p>&#8220;And  I, horses to follow on the bank lest by chance he land,&#8221; said Mr. Morris.</p>
<p>&#8220;Good!&#8221;  said the  Professor,  &#8220;both good.  But neither must go  alone.  There  must  be  force to overcome force if need be.  The  Slovak  is  strong  and rough, and he carries rude arms.&#8221;  All  the  men  smiled,  for  amongst them  they carried a small arsenal.</p>
<p>Said  Mr. Morris,  &#8220;I  have  brought  some Winchesters. They are pretty handy in a crowd, and  there  may be wolves. The Count, if you remember, took some other precautions.  He made some requisitions on others that Mrs. Harker  could not quite hear or understand.  We must be ready at all points.&#8221;</p>
<p>Dr. Seward said,  &#8220;I think I had better go with Quincey. We have been accustomed to hunt together, and we  two,  well armed, will be a match for whatever may come along. You must not be alone, Art. It may be necessary to fight the Slovaks, and a chance thrust, for I don&#8217;t suppose these fellows carry guns, would undo all our plans.  There must be no chances, this time.  We shall not rest  until  the Count&#8217;s head  and  body have been  separated,  and  we are sure that he cannot reincarnate.&#8221;</p>
<p>He  looked at Jonathan as he spoke, and Jonathan looked at me.  I could see that the poor dear was torn about in his mind.  Of course he wanted to be with me.  But then the boat service would, most likely, be the one which  would  destroy the .  .  .  the  .  .  .  Vampire.  (Why did I  hesitate to write the word?)</p>
<p>He was  silent  awhile,  and during his silence Dr. Van Helsing spoke,  &#8220;Friend  Jonathan,  this is to you for twice reasons.  First, because you  are  young and  brave  and can fight, and all energies may be needed at the last. And again that it is your right to destroy him.  That, which has wrought such woe to you and yours. Be not afraid for Madam Mina. She will be my care, if I may.  I am old.  My  legs  are  not so quick to run as once.  And I am not used to ride so  long or to pursue as need be, or to fight with lethal  weapons.  But I can be of other service.  I can fight in other way.  And I can die, if need be, as well as younger men.  Now let me say that what I would is this.  While you, my Lord Godalming and friend Jonathan go in your so swift  little steamboat up the river, and whilst John and Quincey guard the bank where perchance he might be landed, I will take Madam Mina right into the heart of the enemy&#8217;s country. Whilst the old fox is tied in his box, floating on the  running stream whence he cannot escape to land, where he dares not raise the lid of his coffin box lest his Slovak carriers should in fear leave him to perish, we shall go  in the track  where Jonathan went, from Bistritz over the  Borgo,  and find our way to the Castle of Dracula.  Here, Madam Mina&#8217;s hypnotic power will surely help, and we shall  find  our way, all dark and unknown otherwise, after the first sunrise when we are near that fateful place. There is much to be  done, and other places to be made sanctify, so that that nest of vipers be obliterated.&#8221;</p>
<p>Here  Jonathan  interrupted him hotly,  &#8220;Do you mean to say, Professor  Van Helsing,  that  you would bring Mina, in her sad case and tainted as she is with that devil&#8217;s illness, right into the jaws of his deathtrap? Not for the world! Not for Heaven or Hell!&#8221;</p>
<p>He became almost speechless for a minute, and then went on, &#8220;Do you know what the place is? Have you seen that awful den of hellish infamy, with  the very  moonlight  alive with grisly shapes, and ever speck of dust that whirls in the wind a devouring monster in embryo?  Have you felt  the Vampire&#8217;s lips upon your throat?&#8221;</p>
<p>Here  he  turned to me, and as his eyes lit on my forehead he threw up his arms with a cry, &#8220;Oh, my God, what have we done to have this terror upon us?&#8221;  and he sank  down  on the sofa in a collapse of misery.</p>
<p>The Professor&#8217;s voice, as he spoke in clear, sweet tones, which seemed to vibrate in the air, calmed us all.</p>
<p>&#8220;Oh,  my  friend, it is because I would save Madam Mina from  that awful place  that  I would go.  God forbid that I should take her into that place.  There  is work, wild work, to be done before that place  can be  purify.  Remember that we  are  in  terrible straits.  If  the Count escape us this time, and he is strong and subtle and cunning, he may choose to sleep him for a century, and then  in time our dear one,&#8221; he took my hand, &#8220;would come to him to keep him company, and would be as those others that you, Jonathan, saw.  You  have told us of their gloating lips. You heard their ribald laugh as they clutched the moving bag that the Count threw to them. You shudder, and well may it be.  Forgive me that I make you so much pain, but it is necessary.  My  friend, is it  not a dire need for that which I am giving, possibly  my life?  If it, were that any one went into  that place to stay, it is I who would have to go to keep them company.&#8221;</p>
<p>&#8220;Do as you will,&#8221;  said Jonathan, with a sob that shook him all over, &#8220;we are in the hands of God!&#8221;</p>
<p>Later.&#8211;Oh, it did me good to  see  the  way that these brave  men  worked.  How can women help loving men when they are  so  earnest, and  so  true, and so brave!  And, too, it made me think of the  wonderful power of money!  What can it not do when basely used. I felt so thankful that Lord Godalming is rich, and both he and Mr. Morris, who also has plenty of money, are willing to spend it so freely. For if they did not, our little expedition could not start,either so promptly or so well equipped, as it will within another hour.  It  is not three hours since it was arranged what  part  each of us was to do. And now Lord Godalming and Jonathan have a lovely steam launch, with steam up  ready  to  start at  a moment&#8217;s notice.  Dr. Seward and  Mr. Morris have half a  dozen  good horses, well appointed.  We have all the maps and appliances of various kinds that can be had.  Professor Van Helsing and I are to leave by the 11:40 train tonight for Veresti, where we are to get a carriage to drive to the Borgo Pass.  We are bringing a good deal of ready money, as we are to buy a carriage and horses.  We shall drive  ourselves,  for we have no one whom we can trust in  the  matter.  The  Professor knows something of a great many languages, so we shall  get on all right. We have all got arms, even for me a large bore revolver.  Jonathan would not be happy  unless  I  was armed like the rest.  Alas!  I cannot carry one  arm  that the rest do, the scar on my forehead forbids that.  Dear  Dr. Van Helsing comforts me by telling me that I am fully armed as there may be wolves.  The weather is getting  colder  every  hour, and there are snow flurries which come and go as warnings.</p>
<p>Later.&#8211;It took all my courage to say goodby to my darling. We may never meet again. Courage, Mina! The Professor is looking at you keenly. His look is a warning. There must be no tears now, unless it may be that God will let them fall in gladness.</p>
<p>JONATHAN HARKER&#8217;S JOURNAL</p>
<p>30 October, night.&#8211;I am writing this in the light from the furnace  door  of the steam launch.  Lord  Godalming  is firing up.  He is an experienced hand at the work, as he has had for years a launch of his own on the Thames, and another on  the Norfolk Broads.  Regarding our plans, we finally decided that Mina&#8217;s guess was correct, and that if any waterway was chosen for the Count&#8217;s escape back to  his  Castle,  the Sereth and then the Bistritza at its  junction, would be the one. We took it, that somewhere about the 47th degree, north latitude, would be the place chosen for crossing the country between the river and the  Carpathians.  We  have no fear in running at good speed up the river at night. There is plenty of water, and the banks are wide enough apart to make steaming, even in the dark, easy enough.  Lord Godalming tells me to sleep for a while, as it is enough for the present for one to be on watch. But I cannot sleep, how can I with the terrible danger  hanging over my darling, and her going out into that awful place  .  .  .</p>
<p>My only comfort is that we are in the hands of God.  Only for that faith it would be easier to die than to live, and so be quit of all the trouble.  Mr. Morris and  Dr. Seward were off on their long ride before we started.  They are to keep up the right bank, far enough off to get  on higher lands where they can see a good stretch of river and avoid the following of its curves.  They have, for the  first stages, two men to ride and lead their spare horses, four  in all, so as not to excite curiosity.  When they dismiss the men, which shall be shortly, they shall themselves look after the horses. It may be necessary for us to join forces. If so they can mount our whole party. One of the saddles has a moveable horn, and can be easily adapted for Mina, if required.</p>
<p>It is  a  wild  adventure  we  are on.  Here, as we are rushing  along through  the darkness, with the cold from the river seeming to rise up and strike us, with all the mysterious voices of the night around us, it all comes home.  We seem to be drifting into unknown places and unknown ways.  Into a whole world of dark and dreadful things.  Godalming is shutting the furnace door  .  .  .</p>
<p>31 October.&#8211;Still hurrying along.  The day has come, and Godalming is sleeping.  I am on watch. The morning is bitterly cold, the furnace heat is grateful, though we have heavy fur coats. As yet we have passed only a few open boats, but none of them had on board any box or package of anything like the size of the one we seek.  The men were  scared every time we turned our electric lamp on them, and fell on their knees and prayed.</p>
<p>1 November, evening.&#8211;No news all day.  We have   found nothing  of  the kind  we seek.  We have now passed into the Bistritza, and if we are wrong in our surmise our chance  is gone.  We have overhauled every boat, big and little.  Early this morning, one crew took us for a  Government  boat,  and treated us accordingly.  We saw in this a  way  of smoothing matters, so at Fundu,where the Bistritza runs into the Sereth, we got a Roumanian flag which we now fly conspicuously. With every boat which we have over-hauled since  then  this trick has succeeded.  We have had every deference shown to us, and not once any objection to  whatever  we  chose to ask or do. Some of the Slovaks tell us that a big boat passed them, going at more than usual  speed  as  she had  a double crew on board. This was before they came to Fundu, so they could not tell us whether the boat turned into the Bistritza or continued on up the Sereth. At Fundu we could not hear of any such boat, so she must have passed there in the night. I am feeling very sleepy.  The cold is perhaps beginning to tell upon me, and nature must have  rest some time.  Godalming insists that he shall keep the first  watch.  God bless  him for all his goodness to poor dear Mina and me.</p>
<p>2 November, morning.&#8211;It is  broad daylight.  That good fellow would not wake me.  He says  it would have been a sin to, for I slept peacefully and was forgetting my trouble. It seems brutally selfish to me to have slept so long,  and let him watch all night, but he was quite right.  I am a new man this morning.  And, as I sit here and watch him sleeping,  I can  do all that is necessary both as to minding the engine, steering,  and  keeping  watch.  I can feel that my strength and energy are  coming back to  me.  I  wonder where Mina is now, and Van Helsing.  They should have got to Veresti about noon on Wednesday.  It would take them some time  to get the carriage and horses.  So  if  they had started and travelled hard, they  would be about now at the Borgo Pass.  God guide and help them!  I am afraid to think what may happen.  If we could only go faster.  But we cannot.  The engines are throbbing and doing their utmost.  I wonder how Dr. Seward and Mr. Morris are getting on.  There seem to be endless streams running down the mountains into this river, but as none of them are very large, at present, at all events,  though  they are doubtless terrible in winter and when  the snow  melts,  the horsemen may not have met much obstruction.  I hope that before we get to Strasba we may see them.  For if by that time we have not overtaken the Count, it may be necessary to take counsel together what to do next.</p>
<p>DR. SEWARD&#8217;S DIARY</p>
<p>2 November.&#8211;Three days on the road.  No news,  and  no time  to  write  it  if there  had been, for every moment is precious.  We have had only the rest needful for the horses. But we are  both bearing it wonderfully.  Those  adventurous days of ours  are  turning  up useful.  We must push on.  We shall never feel happy till we get the launch in sight again.</p>
<p>3 Novenber.&#8211;We heard at Fundu that the launch had gone up the Bistritza. I wish it wasn&#8217;t so cold.  There are signs of snow coming.  And if  it falls heavy it will stop us.  In such case we must get a sledge and go on, Russian fashion.</p>
<p>4 Novenber.&#8211;Today we  heard  of the launch having been detained by an  accident  when  trying to force a way up the rapids.  The Slovak boats get up all right, by aid of a rope and steering with knowledge.  Some went up only a few  hours before.  Godalming is an amateur fitter himself, and evidently it was he who put the launch in trim again.</p>
<p>Finally,  they  got up the rapids all right, with local help, and are off on the chase afresh.  I fear that the boat is not any better for the  accident, the peasantry  tell  us that after she got upon smooth water again, she kept stopping every now and again so long as she was in sight.  We must push on harder than ever.  Our help may be wanted soon.</p>
<p>MINA HARKER&#8217;S JOURNAL</p>
<p>31 October.&#8211;Arrived at Veresti at noon.  The Professor tells me that this morning at dawn he could hardly hypnotize me  at  all, and that all I could say was, &#8220;dark and quiet.&#8221; He is off now buying a carriage and horses.  He says that he will  later on  try to buy additional horses, so that we may be able to change  them on  the way.  We have something more than 70 miles before us.  The  country  is  lovely, and most interesting.  If only  we were under  different  conditions, how delightful it would be to see it all.  If Jonathan and I were driving through it alone what a pleasure it would be.  To stop and see people, and learn something of their life,  and to fill our minds and memories with all the color and picturesqueness of the whole wild, beautiful country and the quaint people!  But, alas!</p>
<p>Later.&#8211;Dr. Van  Helsing  has returned.  He has got the carriage  and  horses.  We  are to have  some dinner, and to start  in  an  hour.  The landlady  is  putting us up a huge basket  of  provisions.  It  seems enough  for  a company of soldiers.  The Professor encourages her, and  whispers to me that it may be a week before we  can get any food again.  He has  been  shopping  too, and has sent home such a wonderful lot of  fur  coats and  wraps, and all sorts of warm things. There will not be any chance of our being cold.</p>
<p>We  shall soon  be  off.  I am afraid to think what may happen to us.  We  are  truly in the hands of God.  He alone knows what may be, and I  pray Him, with all the strength of my sad and humble soul, that  He  will watch over my beloved husband.  That  whatever  may happen, Jonathan may know that I loved him and honored him more than I can say, and that my latest and truest thought will be always for him.</p>
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		<title>Dracula by Bram Stoker &#8211; Chapter Twenty Five</title>
		<link>https://conradaskland.com/blog/dracula-by-bram-stoker-chapter-twenty-five/</link>
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		<dc:creator><![CDATA[askland]]></dc:creator>
		<pubDate>Sun, 11 Feb 2007 07:42:43 +0000</pubDate>
				<category><![CDATA[Dracula - Bram Stoker]]></category>
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					<description><![CDATA[DR SEWARD&#8217;S DIARY 11 October, Evening.&#8211;Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept. I think that none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>  DR SEWARD&#8217;S DIARY</p>
<p>11 October,  Evening.&#8211;Jonathan  Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept.</p>
<p>I  think  that  none of  us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to  understand that  sunrise and sunset are to her times of peculiar freedom.  When her old self can be  manifest  without  any controlling force subduing or restraining  her,  or  inciting  her to  action.  This mood or condition begins  some  half hour or more before actual sunrise or sunset, and  lasts  till  either the sun is high, or whilst  the  clouds are  still aglow with the rays streaming above  the  horizon.  At first there  is a  sort of negative condition, as  if some tie were loosened, and then the absolute freedom  quickly follows.  When,  however, the  freedom ceases the change back or  relapse  comes quickly, preceeded only by a spell of warning silence.</p>
<p>Tonight, when we met, she was somewhat constrained, and bore all the signs of an internal struggle.  I put  it  down myself  to  her  making  a  violent  effort at  the earliest instant she could do so.</p>
<p>A very few minutes,  however, gave her complete control of herself.  Then,  motioning  her husband to sit beside her on the sofa where she was  half reclining, she made the rest of us bring chairs up close.</p>
<p>Taking her husband&#8217;s  hand in hers, she began,  &#8220;We are all here together in  freedom, for perhaps the last time!  I know that you will always be with me to the end.&#8221;   This was to her husband  whose  hand had,  as we could see, tightened upon her.  &#8220;In the  morning we go out upon our task, and God alone  knows  what may be in store  for  any of us.  You are going to be so good to me to take me with you.  I know  that all that brave earnest men can  do  for  a  poor weak woman, whose soul perhaps is lost, no, no, not yet, but is  at  any rate at stake, you will do.  But you must remember that I am not as you are.  There is a poison in my blood, in my  soul, which may destroy me, which must destroy me, unless some relief comes to us.  Oh, my friends, you know as well as I do, that my soul is at stake. And though I know there is one way out for me, you must not and I must not take it!&#8221; She looked appealingly to us all in turn, beginning and ending with her husband.</p>
<p>&#8220;What is that way?&#8221; asked Van Helsing in a hoarse voice. &#8220;What is that way, which we must not, may not, take?&#8221;</p>
<p>&#8220;That I may die now, either by my own hand  or  that of another, before the greater evil is entirely wrought.  I know, and you know, that were I once dead you could and  would set free my immortal spirit, even as you did my poor Lucy&#8217;s.  Were death, or the fear of death, the only thing that stood in the way I would not shrink to die here now,  amidst the  friends who love me.  But death is not all. I cannot believe that to die in such a case, when there is hope before us and a bitter task to be done, is God&#8217;s will.  Therefore, I on my part, give up here the certainty of  eternal  rest, and go out into the dark where may be the blackest things  that the world or the nether world holds!&#8221;</p>
<p>We were all silent, for we knew instinctively that this was only a prelude.  The faces  of  the others were set, and Harker&#8217;s grew ashen grey.  Perhaps, he  guessed  better than any of us what was coming.</p>
<p>She continued, &#8220;This is what I can give into the hotchpot.&#8221;  I could not but note the  quaint legal  phrase  which she used in such a place,  and with  all seriousness.  &#8220;What will  each  of  you  give?  Your lives I know,&#8221;  she went on quickly, &#8220;that is easy for brave men.  Your lives are God&#8217;s, and you can give them back to Him, but what will you give to me?&#8221;  She looked again questionly, but this time avoided her husband&#8217;s face.  Quincey seemed to understand, he nodded, and her face lit up. &#8220;Then I shall tell you plainly what I want, for there must be no doubtful matter  in this connection between us now.  You must promise me, one and all, even you, my beloved husband, that should the time come, you will kill me.&#8221;</p>
<p>&#8220;What  is  that time?&#8221;  The voice was Quincey&#8217;s, but it was low and strained.</p>
<p>&#8220;When you shall  be convinced that I am so changed that it is better  that  I  die  that I may live.  When I am thus dead in the flesh, then you will,  without a moment&#8217;s delay, drive a stake  through me  and  cut off my head, or do whatever else may be wanting to give me rest!&#8221;</p>
<p>Quincey was the first to rise after the pause. He knelt down  before her and  taking  her hand in his said solemnly, &#8220;I&#8217;m only a rough fellow, who hasn&#8217;t, perhaps,  lived  as  a man should to win such a distinction, but I  swear to you by all that I hold sacred and dear that, should the  time  ever come, I shall not flinch from the duty that you have set us. And I promise you, too, that  I  shall make all certain, for if I am only doubtful I shall take it that the time has come!&#8221;</p>
<p>&#8220;My true friend!&#8221;  was all she could say amid her fastfalling tears, as bending over, she kissed his hand.</p>
<p>&#8220;I swear the same, my dear Madam Mina!&#8221;said Van Helsing. &#8220;And I!&#8221; said Lord Godalming, each of them in turn  kneeling to her to take the oath.  I followed, myself.</p>
<p>Then her  husband  turned  to  her  wan-eyed and with a greenish pallor which  subdued the  snowy whiteness  of  his hair, and asked,  &#8220;And must I, too, make such a promise, oh, my wife?&#8221;</p>
<p>&#8220;You too, my  dearest,&#8221;she said, with infinite yearning of pity in her voice  and  eyes.  &#8220;You must not shrink.  You are nearest and dearest and  all the world to me.  Our souls are knit into one, for all life and  all time.  Think, dear, that there have been times when brave men have  killed their wives and their womenkind, to keep  them from  falling  into the hands of the enemy.  Their hands  did not falter any the more because  those  that  they loved implored them  to slay them.  It is men&#8217;s duty towards  those whom  they  love,  in such times of sore trial!  And oh,  my dear, if  it is to be that I must meet death at any hand, let it be at the hand of him that loves me best.  Dr. Van Helsing, I have not forgotten your mercy in poor Lucy&#8217;s case to  him who loved.&#8221;   She stopped with a flying blush, and changed her phrase, &#8220;to him who had best  right to give  her  peace.  If that time shall come again, I look  to you to make  it  a happy memory of my husband&#8217;s life that it was his loving hand which set me free from the awful thrall upon me.&#8221;</p>
<p>&#8220;Again I swear!&#8221; came the Professor&#8217;s resonant voice.</p>
<p>Mrs. Harker smiled, positively smiled, as with a sigh of relief she leaned back and said,  &#8220;And now one word of warning, a warning which you must never forget.  This time, if it ever come,  may  come quickly  and unexpectedly, and in such case you must lose no time in using your opportunity.  At such a time I myself might be . . . nay!  If the time  ever come, shall be, leagued with your enemy against you.</p>
<p>&#8220;One more request,&#8221;  she became very solemn as she said this, &#8220;it is  not  vital and necessary like the other, but I want you to do one thing for me, if you will.&#8221;</p>
<p>We all acquiesced, but no one spoke.  There was no need to speak.</p>
<p>&#8220;I want you to read the Burial Service.&#8221; She was interrupted by a deep groan from her husband.  Taking his hand in hers, she held it over her heart, and continued.  &#8220;You  must read it over me some day.  Whatever may be  the issue of all this fearful state of things, it will be  a sweet thought to all or some of us. You, my dearest, will I hope read it, for then it  will  be  in  your voice in my memory forever, come what may!&#8221;</p>
<p>&#8220;But  oh,  my dear one,&#8221; he pleaded, &#8220;death is afar off from you.&#8221;</p>
<p>&#8220;Nay,&#8221;  she  said,  holding  up  a warning hand.  &#8220;I am deeper  in death at  this  moment than  if  the weight of an earthly grave lay heavy upon me!&#8221;</p>
<p>&#8220;Oh, my wife, must I read it?&#8221;he said, before he began.</p>
<p>&#8220;It would comfort me, my husband!&#8221;  was  all  she said, and he began to read when she had got the book ready.</p>
<p>How can I, how could anyone, tell of that strange scene, its solemnity, its gloom,its sadness, its horror, and withal, its sweetness.  Even  a  sceptic, who  can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that  little group of loving and devoted  friends kneeling  round that stricken and sorrowing lady.  Or heard the tender passion of her husband&#8217;s voice, as in tones so broken and emotional that often he  had  to  pause, he read the simple and beautiful service from the Burial  of  the  Dead.   I  cannot  go  on  .  .  . words  .  .  .  and v-voices  .  .  .  f-fail m-me!</p>
<p>She  was  right  in  her  instinct.  Strange as it was, bizarre as  it may  hereafter seem  even to  us who felt its potent influence at the time, it comforted us much.  And the silence, which showed Mrs. Harker&#8217;s  coming relapse from her freedom  of soul, did not seem so full of despair to any  of us as we had dreaded.</p>
<p>JONATHAN HARKER&#8217;S JOURNAL</p>
<p>15 October,  Varna.&#8211;We left Charing Cross on the morning of the  12th, got to Paris  the same night, and took the places secured for  us in the  Orient  Express.  We traveled night  and  day,  arriving here at about five o&#8217;clock.  Lord Godalming went to  the  Consulate to see if any telegram had arrived for him, whilst the rest of us came on to this hotel, &#8220;the Odessus.&#8221;  The journey may have had  incidents. I  was, however, too eager to get on, to  care for them.  Until  the Czarina Catherine comes into port there will be no  interest for me in anything in the wide  world.  Thank God!  Mina  is well, and looks to be getting stronger.  Her color is coming back.  She sleeps a great deal.  Throughout the  journey she slept nearly all the time.  Before sunrise and sunset,  however, she is very wakeful and alert.  And it  has  become  a habit for Van Helsing to hypnotize her  at  such  times.  At first, some effort was needed, and he had to make many passes. But now, she seems to yield at once, as  if  by  habit,  and scarcely any action is  needed.  He  seems to have  power at these particular moments to simply will,  and  her  thoughts obey him.  He always asks her what she can see and hear.</p>
<p>She answers to the first,  &#8220;Nothing, all is dark.&#8221;</p>
<p>And to the second,&#8221;I can hear the waves lapping against the ship, and the water rushing by.  Canvas and cordage strain and masts and yards creak.  The wind is high  .  .  .  I can hear it in the shrouds, and the bow throws back the foam.&#8221;</p>
<p>It is  evident  that the  Czarina Catherine is still at sea, hastening on her way to Varna.  Lord Godalming has just returned. He had four telegrams, one each day since we started, and all to the same effect.  That the Czarina Catherine had not been reported to Lloyd&#8217;s from anywhere.  He had arranged before leaving  London  that his agent should send him every day a telegram saying if the ship had been reported.  He was to have a message even if she were not  reported, so that he might be sure that there was a watch being kept at the other end of the wire.</p>
<p>We  had  dinner and went to bed early.  Tomorrow we are to see the Vice Consul, and to arrange, if we can, about getting on board the ship as soon as she arrives.  Van  Helsing says that our chance will be to get on the boat between sunrise and sunset.  The Count, even if he takes  the form of a bat, cannot cross the running water of his own volition, and so cannot leave the ship.  As he dare not  change  to  man&#8217;s form without  suspicion, which he evidently wishes to avoid, he must remain in the box.  If, then, we  can  come on board after sunrise, he is at our mercy, for  we  can open the box and  make  sure  of him, as we did of poor Lucy,  before  he wakes.  What mercy he shall get from us  all  will not count for much.  We think that we shall not have much trouble with officials or the seamen.  Thank  God!  This is  the  country where bribery can do anything, and we are well supplied with money.  We have only to make sure  that the ship cannot come into port  between  sunset  and  sunrise  without  our being warned, and we shall be safe.  Judge Moneybag will settle this case, I think!</p>
<p>16 October.&#8211;Mina&#8217;s  report  still  the  same.  Lapping waves and rushing water, darkness and favoring winds. We are evidently in good time, and when we hear of the Czarina Catherine we shall be ready.  As she must  pass the Dardanelles we are sure to have some report.</p>
<p>17 October.&#8211;Everything  is  pretty  well fixed  now, I think, to welcome the Count on his return from his tour. Godalming told the shippers that he fancied that the box  sent aboard might contain something stolen from a friend  of his, and got a half consent that he might open it at his own risk. The owner gave him a paper telling the Captain  to  give him every facility in doing whatever he chose on board the ship, and also a similar authorization to his agent at  Varna.  We have seen the agent, who was much impressed with Godalming&#8217;s kindly manner to him, and we are all satisfied that whatever he can do to aid our wishes will be done.</p>
<p>We have already  arranged what to do in case we get the box open.  If  the  Count  is  there, Van Helsing and Seward will cut off his head at once and  drive a stake through his heart.  Morris  and  Godalming and I shall prevent interference, even  if  we  have to use the arms which we shall have ready.  The  Professor  says  that  if  we  can so treat the Count&#8217;s body, it will soon  after  fall into dust.  In  such case  there  would  be  no evidence  against us, in case any suspicion of murder were aroused.  But  even if it were not, we should stand or fall by  our act, and  perhaps  some  day this very script may be  evidence to come between some of us and a rope.  For myself, I  should  take the chance only too thankfully if it were to come.  We mean  to  leave no  stone unturned to carry out  our  intent.  We  have arranged  with certain officials  that the instant the Czarina Catherine is seen, we are to be informed by a special messenger.</p>
<p>24 October.&#8211;A  whole week of waiting.  Daily telegrams to Godalming, but  only the same story.  &#8220;Not yet reported.&#8221; Mina&#8217;s morning and evening hypnotic answer is unvaried. Lapping waves, rushing water, and creaking masts.</p>
<p>TELEGRAM, OCTOBER 24TH  RUFUS SMITH, LLOYD&#8217;S, LONDON, TO LORD GODALMING, CARE OF</p>
<p>H. B. M. VICE CONSUL, VARNA</p>
<p>&#8220;Czarina Catherine reported this morning from Dardanelles.&#8221;</p>
<p>DR. SEWARD&#8217;S DIARY</p>
<p>25 October.&#8211;How  I  miss  my  phonograph!  To  write a diary with a pen is irksome to me!  But  Van Helsing says  I must. We were all wild with excitement yesterday when Godalming got his telegram from Lloyd&#8217;s. I know now what men feel in battle when the call to action is heard.  Mrs.Harker, alone of our party, did not show any signs of emotion.  After all, it is not strange that she did not, for we took special care not to let her know anything about it, and we  all  tried not to show any excitement when we were in her presence.  In old days she would, I am sure, have noticed, no  matter  how we might have tried to conceal it.  But in  this way  she  is greatly changed during the past three weeks. The lethargy grows upon her, and though she seems  strong  and  well, and is getting back some of her color, Van Helsing and I are not satisfied. We talk of her often.  We have  not, however, said a word to the others.  It would break  poor  Harker&#8217;s heart, certainly his nerve, if he knew  that we  had  even a suspicion on the subject.  Van Helsing examines, he tells  me, her teeth very carefully, whilst she is  in the  hypnotic condition, for he says that so long as  they  do not begin to sharpen there is no active danger of a change in her.  If this  change should come, it would be necessary to take steps! We both know what those steps  would  have to be, though we do not mention our thoughts to each other.  We should neither of us shrink from the task, awful though it be to contemplate. &#8220;Euthanasia&#8221; is an excellent and a comforting word! I am grateful to whoever invented it.</p>
<p>It is only about 24 hours&#8217; sail from the Dardanelles to here, at the rate the Czarina Catherine has come from London. She should therefore arrive some time in the morning, but as she cannot possibly get  in before noon, we are all about to retire  early.  We shall get  up at one o&#8217;clock, so as to be ready.</p>
<p>25 October,  Noon.&#8211;No  news yet of the ship&#8217;s arrival. Mrs. Harker&#8217;s hypnotic report  this  morning was the same as usual, so it is possible that we may get news at any moment. We men are all in a fever of excitement, except Harker,  who is calm.  His hands are cold as ice, and an hour ago I found him whetting the edge of the great Ghoorka  knife  which  he now always carries with him.  It will be a bad lookout for the Count if the edge of that &#8220;Kukri&#8221; ever  touches  his throat, driven by that stern, ice-cold hand!</p>
<p>Van Helsing  and  I  were  a  little alarmed about Mrs. Harker today.  About noon she got into  a  sort  of lethargy which we did not  like.  Although we  kept  silence  to  the others,  we were neither of us happy about it.  She had been restless all  the morning, so  that we were at first glad to know that she  was  sleeping.  When,  however,  her  husband mentioned casually that  she was sleeping so soundly that he could not wake her, we went to her room to see for ourselves. She was breathing naturally and looked so well and  peaceful that  we  agreed that the sleep was better for her than anything else.  Poor girl, she has so much to forget that it is no wonder that sleep, if it brings oblivion to her, does her good.</p>
<p>Later.&#8211;Our  opinion  was  justified, for  when after a refreshing sleep of  some  hours she  woke  up,  she  seemed brighter  and  better than she had been for days.  At sunset she made the usual  hypnotic  report.  Wherever he may be in the Black Sea, the Count is hurrying to his destination.  To his doom, I trust!</p>
<p>26 October.&#8211;Another day  and no tidings of the Czarina Catherine.  She ought to be  here by now.  That she is still journeying somewhere is apparent, for Mrs. Harker&#8217;s hypnotic report at sunrise was  still the  same.  It is possible that the vessel may be lying  by, at times, for fog.  Some of the steamers which came  in last evening reported patches of fog both to north and  south  of the port.  We must continue our watching, as the ship may now be signalled any moment.</p>
<p>27 October, Noon.&#8211;Most  strange.  No  news  yet of the ship we wait for.  Mrs. Harker reported last night  and this morning as usual.  &#8220;Lapping waves and rushing water,&#8221; though she added that &#8220;the waves were very  faint.&#8221;  The  telegrams from London have been  the same,  &#8220;no further  report.&#8221;  Van Helsing is  terribly  anxious, and told  me just now that he fears the Count is escaping us.</p>
<p>He added significantly,  &#8220;I  did not like that lethargy of  Madam  Mina&#8217;s.  Souls and memories can do strange things during  trance.&#8221;  I was  about  to as k him more, but Harker just then came in, and he held up a warning  hand.  We  must try tonight at sunset to make  her speak  more fully when in her hypnotic state.</p>
<p>28 October.&#8211;Telegram. Rufus  Smith, London, to Lord     Godalming, care H. B. M. Vice Consul, Varna     &#8220;Czarina  Catherine  reported entering Galatz at one     o&#8217;clock today.&#8221;</p>
<p>DR. SEWARD&#8217;S DIARY</p>
<p>28 October.&#8211;When  the  telegram  came  announcing  the arrival in Galatz I do not think it was such a shock  to any of us as might  have been expected.  True,  we did  not know whence, or how, or when, the bolt would come. But I think we all expected that something strange would happen. The day of arrival at Varna made us individually  satisfied that things would not be just as we had expected.  We only waited to learn where the change would occur. None the less, however, it was a surprise.  I suppose that nature works on  such  a hopeful basis that we believe against ourselves that things  will be as they ought to be, not as we should know that they will be. Transcendentalism is a beacon to the angels, even if it be a will-o&#8217;-the-wisp to man.  Van Helsing  raised  his hand over his head for a moment, as though  in  remonstrance  with the Almighty.  But he said not a word, and in a few seconds stood up with his face sternly set.</p>
<p>Lord  Godalming grew very pale, and sat breathing heavily.  I was  myself half stunned and looked in wonder at one after another.  Quincey  Morris tightened his belt with that quick  movement which I knew  so well.  In our old wandering days it  meant &#8220;action.&#8221;  Mrs. Harker grew ghastly white, so that the scar on her forehead seemed to burn, but she folded her hands  meekly  and looked up  in prayer.  Harker smiled, actually smiled, the dark, bitter smile of one who is without hope, but at the  same time his action belied his words, for his hands instinctively  sought the  hilt of the great Kukri knife and rested there.</p>
<p>&#8220;When does  the  next train start for Galatz?&#8221; said Van Helsing to us generally.</p>
<p>&#8220;At 6:30  tomorrow morning!&#8221;   We  all started, for the answer came from Mrs. Harker.</p>
<p>&#8220;How on earth do you know?&#8221; said Art.</p>
<p>&#8220;You forget,  or  perhaps you do not know, though Jonathan does  and  so does Dr. Van Helsing, that I am the train fiend.  At home in  Exeter I always used to make up the time tables, so  as  to be helpful  to my husband.  I found it so useful sometimes, that  I  always  make  a study of the time tables now.  I  knew  that  if  anything were  to take us to Castle Dracula  we should  go  by Galatz,  or  at  any  rate through  Bucharest,  so  I learned the times very carefully. Unhappily there are  not  many  to  learn, as the only train tomorrow leaves as I say.&#8221;</p>
<p>&#8220;Wonderful woman!&#8221; murmured the Professor.</p>
<p>&#8220;Can&#8217;t we get a special?&#8221; asked Lord Godalming.</p>
<p>Van Helsing shook his head,  &#8220;I fear not.  This land is very different from yours or mine.  Even if  we did  have  a special, it would probably not arrive as soon as our regular train.  Moreover, we have something to prepare.  We must think. Now let us organize.  You, friend Arthur, go to the train and get the tickets and arrange that all  be  ready for us to go in the morning.  Do you, friend Jonathan, go to the agent of the ship and get from him  letters  to  the agent in Galatz, with authority to make  a search  of the ship just as it was here.  Quincey Morris, you  see the Vice Consul, and get his aid with his fellow in  Galatz and all he can do to make our way smooth, so that  no times  be lost when over the Danube. John will stay with Madam Mina and me, and we shall consult. For so if time be  long you may be delayed.  And it will not matter when  the sun set, since I am here with Madam to make report.&#8221;</p>
<p>&#8220;And I,&#8221;  said  Mrs. Harker brightly, and more like her old self than she  had  been for many a long day, &#8220;shall try to be of use in all ways, and shall think and write  for you as  I  used to  do.  Something  is  shifting from me in some strange way, and I feel freer than I have been of late!&#8221;</p>
<p>The  three  younger men looked happier at the moment as they seemed  to realize  the significance of her words.  But Van Helsing and  I, turning  to each other, met each a grave and troubled glance.  We said nothing at the time, however.</p>
<p>When the three men had gone out to their tasks Van Helsing asked Mrs.  Harker to look up the copy of the diaries and find him the part of Harker&#8217;s journal at the Castle.  She went away to get it.</p>
<p>When  the  door  was  shut upon her he said to me,  &#8220;We mean the same!  Speak out!&#8221;</p>
<p>&#8220;Here is some change.  It is a hope that makes me sick, for it may deceive us.&#8221;</p>
<p>&#8220;Quite so.  Do  you  know  why  I  asked her to get the manuscript?&#8221;</p>
<p>&#8220;No!&#8221;  said  I, &#8220;unless it was to get an opportunity of seeing me alone.&#8221;</p>
<p>&#8220;You are in  part right, friend John, but only in part. I want  to  tell you  something.  And  oh,  my  friend, I am taking a great, a terrible, risk. But I believe it is right. In the moment when Madam Mina said those  words that  arrest both our understanding, an inspiration came to  me.  In  the trance of three days ago the  Count  sent her his  spirit to read her mind.  Or more like he took her to see  him  in his earth box in the ship with water rushing, just as it go free at rise and set of sun.  He learn then that we are here, for she have more to tell in her open life with eyes to see ears to hear than he, shut as he is, in  his  coffin box.  Now he make his most effort to escape us.  At present he want her not.</p>
<p>&#8220;He  is  sure with his so great knowledge that she will come at his  call.  But he  cut her off, take her, as he can do, out of his own power, that so  she come not to him.  Ah! There I have hope that our man brains  that have been of man so long and that have not lost the grace  of  God, will come higher than his child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small.  Here comes Madam  Mina.  Not a word to her of her trance!  She knows  it not, and  it would overwhelm her and  make  despair just when  we want all  her hope, all her courage, when most we want all her great brain which is trained like man&#8217;s brain, but is of sweet woman and have a special power which the Count give her,  and which he may not take away altogether, though he think not so.  Hush! Let me speak, and you shall learn.  Oh,  John, my friend, we are in awful straits.  I fear, as I never feared before.  We can only trust the good God. Silence!  Here she comes!&#8221;</p>
<p>I thought  that  the Professor was going to break down and have hysterics, just as he had when Lucy died, but with a great  effort he  controlled  himself  and  was  at  perfect nervous poise when Mrs. Harker tripped into the room, bright and  happy looking and, in the doing of work, seemingly forgetful of her misery. As she came in, she handed a number of sheets of typewriting to Van Helsing.  He  looked  over them gravely, his face brightening up as he read.</p>
<p>Then holding the pages between his finger and thumb  he said,  &#8220;Friend John, to you with so much experience already, and you too, dear Madam Mina, that  are  young,  here  is  a lesson.  Do not fear ever to think.  A half thought has been buzzing often in my brain, but I fear to let him  loose  his wings.  Here now, with more  knowledge, I go back  to  where that half thought come from and I  find that  he be no  half thought at all.  That be a whole thought, though so young that he is not yet strong to use his little wings.  Nay, like the `Ugly Duck&#8217; of my friend Hans Andersen, he be no duck thought at all, but a big swan thought that sail nobly on big wings, when the time come for him to try them. See I read here what Jonathan have written.</p>
<p>&#8220;That  other of his race who, in a later age, again and again, brought  his  forces over The Great River into Turkey Land, who when he was  beaten  back, came  again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since  he knew that he alone could ultimately triumph.</p>
<p>&#8220;What does this tell us?   Not  much?  No!  The Count&#8217;s child thought see nothing, therefore he speak so free.  Your man thought see nothing.  My  man  thought see nothing, till just now.  No!  But there comes  another  word from some one who speak without thought because she, too, know not what it mean, what it might mean.  Just as there  are elements which rest, yet when in nature&#8217;s course they move on their way and they touch,  the  pouf!  And  there  comes a flash of light, heaven wide, that blind and kill and destroy some.  But that show up all earth below for leagues and  leagues.  Is it not so?  Well, I shall  explain.  To begin, hav e you ever study the philosophy  of  crime?  `Yes&#8217; and `No.&#8217;  You, John, yes, for it  is  a  study of  insanity.  You, no, Madam Mina, for crime touch you not, not but  once.  Still, your mind  works true, and argues not a particulari ad universale.  There  is this peculiarity in criminals.  It is  so  constant, in  all countries and at all times, that even police,  who  know not much from philosophy, come to know  it empirically, that  it is.  That is to be empiric.  The criminal always work at one crime, that is the true criminal who  seems  predestinate to crime, and who will of none other.  This criminal has not full man brain.  He is clever and cunning and resourceful, but he be not of man stature as to brain.  He be of  child brain in much.  Now this criminal of ours is pre-destinate  to  crime also.  He, too, have child brain, and it  is of the child to do what he have done.  The little bird, the little fish, the little animal learn not by principle,  but empirically.  And when he learn to do, then there is to him the ground to start from to do more.  `Dos pou sto,&#8217; said  Archimedes.  `Give me a fulcrum, and I shall move the world!&#8217;  To  do once, is the fulcrum whereby child brain become  man brain.  And until he have the purpose to do more, he continue to do the same again every time, just as he have done before!  Oh, my dear, I see that your  eyes  are  opened, and  that to you the lightning flash show all the leagues,&#8221;for Mrs.  Harker began to clap her hands and her eyes sparkled.</p>
<p>He went on,  &#8220;Now you shall speak.  Tell us two dry men of science what you see with those so bright eyes.&#8221;  He took her hand and held it whilst he spoke.  His  finger and thumb closed  on her pulse, as I thought instinctively  and unconsciously, as she spoke.</p>
<p>&#8220;The  Count is a criminal and of criminal type.  Nordau and Lombroso would so classify him, and qua  criminal he  is of an imperfectly formed mind.  Thus, in a difficulty he has to seek  resource in habit.  His past is a clue, and the one page of it  that we  know, and that from his own lips, tells that once before, when in what Mr. Morris would call a`tight place,&#8217; he went back to his own country from the land he had tried to invade, and thence, without losing purpose, prepared himself for a new effort.  He came again better equipped for his work, and won. So he came to London to invade a new land. He was beaten, and when all hope of success was lost, and his existence in danger, he fled back over  the sea to his home. Just as formerly  he  had fled  back  over the  Danube  from Turkey Land.&#8221;</p>
<p>&#8220;Good, good!  Oh, you so clever lady!&#8221; said Van Helsing, enthusiastically, as he stooped and kissed her hand.  A moment later he said to me, as calmly as though we had  been having a sick room consultation,  &#8220;Seventy-two only, and in all this excitement.  I have hope.&#8221;</p>
<p>Turning  to  her again, he  said with keen expectation, &#8220;But go on.  Go on!  There is more  to tell if you will.  Be not afraid.  John and I know.  I  do in any case, and  shall tell you if you are right.  Speak, without fear!&#8221;</p>
<p>&#8220;I will try to.  But you will forgive me if I seem  too egotistical.&#8221;</p>
<p>&#8220;Nay!  Fear  not, you must be egotist, for it is of you that we think.&#8221;</p>
<p>&#8220;Then, as  he is  criminal  he is selfish.   And as his intellect is small and his action is based on selfishness, he confines himself to one purpose. That purpose is remorseless. As he fled back over the Danube, leaving his forces to be cut to pieces, so now he is intent on being safe, careless of all. So his own selfishness frees my soul somewhat from the terrible power which he acquired over me on that dreadful night. I felt it!  Oh, I felt it!  Thank God,  for His great mercy! My soul is freer than it has been since that awful hour. And all that haunts me is a fear lest in some trance or dream he may have used my knowledge for his ends.&#8221;</p>
<p>The Professor stood up,  &#8220;He has so used your mind, and by it  he  has left us  here  in Varna, whilst the ship that carried  him  rushed through  enveloping  fog up  to Galatz, where, doubtless, he had made preparation for escaping  from us.  But his child mind only saw so far.  And it may be that as ever is in God&#8217;s Providence, the very thing that the evil doer most reckoned on for his selfish good, turns  out to be his chiefest harm.  The hunter is taken in his own snare, as the great Psalmist says.  For now that  he think he is  free from every trace of us all, and  that he has escaped us with so many  hours  to  him, then  his  selfish child brain will whisper him to sleep.  He think, too, that as he cut himself off from knowing your mind, there can be no knowledge of him to you.  There is where he fail!  That  terrible  baptism of blood which  he  give  you makes  you  free  to go to him in spirit, as you have as yet done in  your times  of  freedom, when the sun rise and set.  At such times you go by my volition  and  not  by  his.  And this power to  good of you and others, you have won from your suffering at his hands.  This is now all more precious that he know  it not, and  to guard himself have even cut himself off from his knowledge of  our where. We, however, are not selfish, and we believe that God is with us through all this blackness, and these  many  dark hours.  We shall follow him, and we shall not flinch.  Even if we peril ourselves that  we become like  him.  Friend  John, this has been a great hour, and it have done much to advance us on our way. You must be scribe and write him all down, so that when the others return from their work you can give  it to them, then they shall know as we do.&#8221;</p>
<p>And so I  have written it  whilst we wait their return, and Mrs. Harker has  written  with  the typewriter all since she brought the MS to us.</p>
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