{"id":1768,"date":"2007-06-13T12:23:23","date_gmt":"2007-06-13T18:23:23","guid":{"rendered":"http:\/\/www.conradaskland.com\/blog\/2007\/06\/brigadoon-piano-part\/"},"modified":"2007-06-13T12:23:23","modified_gmt":"2007-06-13T18:23:23","slug":"brigadoon-piano-part","status":"publish","type":"post","link":"https:\/\/conradaskland.com\/blog\/brigadoon-piano-part\/","title":{"rendered":"Brigadoon &#8211; Piano Part"},"content":{"rendered":"<p>So the mystery is finally solved about the Piano part in the orchestration for the Brigadoon musical.<\/p>\n<p>I just received my scores. The piano part is &#8220;boom-chucks&#8221; during the cut time pieces, glissandos into sections and occasional celeste parts. I wouldn&#8217;t say it&#8217;s an essential part, but definately will add to the rhythm section.<\/p>\n<p>The official Brigadoon orchestration calls for the timpani player to double on snare and brushes &#8211; there is no dedicated trap set drum part.<\/p>\n<p>For my orchestra I split the rhythm section up like this:<\/p>\n<p>Percussion &#8211; Timpani, snare drum, cymbals<br \/>\nPercussion &#8211; Bells (have keyboard player cover bell parts from percussion\u00c2  score)<br \/>\nPiano &#8211; Have piano player play the piano part lightly as written.<\/p>\n<p>If you listen to the CD soundtrack of Brigadoon, you&#8217;ll hear the piano come in and out, especially on the glissandos. My assumption is this was orchestrated at a time when dedicated rhythm section and trap set drummers weren&#8217;t the norm yet in Broadway orchestra pits. If it was orchestrated today I think it would lean towards a regular drum kit, with a couple keyboard players covering bells and accentuating rhythms.<\/p>\n<p>If you&#8217;re conducting this show you&#8217;re probably using the piano\/vocal reduced score &#8211; know that the piano part in the orchestration is not a doubling of the reduced piano score &#8211; it mainly focuses on rhythm and light chord flourishes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So the mystery is finally solved about the Piano part in the orchestration for the Brigadoon musical. I just received my scores. The piano part is &#8220;boom-chucks&#8221; during the cut time pieces, glissandos into sections and occasional celeste parts. I wouldn&#8217;t say it&#8217;s an essential part, but definately will add to the rhythm section. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[35],"tags":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3C0LX-sw","_links":{"self":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts\/1768"}],"collection":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":0,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts\/1768\/revisions"}],"wp:attachment":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/media?parent=1768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/categories?post=1768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/tags?post=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}