The elements of screenwriting by Syd Field. This course available as an instructional DVD from the FinalDraft.com website.<\/p>\n
<\/p>\n
Part I – Getting Started<\/strong> Part II – Creating Character<\/strong> Part III – Writing The Screenplay<\/strong> Part IV – Rewriting the Screenplay<\/strong> The elements of screenwriting by Syd Field. This course available as an instructional DVD from the FinalDraft.com website.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[31],"tags":[829,835,824,823,825,822,820,821,828,826,838,833,834,832,819,830,827,837,836,831],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3C0LX-US","_links":{"self":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts\/3526"}],"collection":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/comments?post=3526"}],"version-history":[{"count":2,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts\/3526\/revisions"}],"predecessor-version":[{"id":3531,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/posts\/3526\/revisions\/3531"}],"wp:attachment":[{"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/media?parent=3526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/categories?post=3526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/conradaskland.com\/blog\/wp-json\/wp\/v2\/tags?post=3526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nForming the idea into a dramatic entity with beginning, middle and end:
\n\u00e2\u20ac\u00a2 Isolating the idea
\n\u00e2\u20ac\u00a2 Creating the subject
\n\u00e2\u20ac\u00a2 Breaking it down into action and character
\n\u00e2\u20ac\u00a2 The nature of screenplay structure
\n\u00e2\u20ac\u00a2 Structuring your story line
\n\u00e2\u20ac\u00a2 Writing the four-page treatment<\/p>\n
\nThe heart, soul and nervous system of your screenplay:
\n\u00e2\u20ac\u00a2 What makes a good character
\n\u00e2\u20ac\u00a2 The essence of dramatic need
\n\u00e2\u20ac\u00a2 Creating the character biography
\n\u00e2\u20ac\u00a2 The tools of character
\n\u00e2\u20ac\u00a2 The circle of being<\/p>\n
\nHere’s what we do and how we do it:
\n\u00e2\u20ac\u00a2 Set up the story
\n\u00e2\u20ac\u00a2 Write the story
\n\u00e2\u20ac\u00a2 Structure the screenplay into acts
\n\u00e2\u20ac\u00a2 Stress the importance of the first ten pages
\n\u00e2\u20ac\u00a2 Determine the plot points
\n\u00e2\u20ac\u00a2 Set up and prepare Act II
\n\u00e2\u20ac\u00a2 Establish Pinch I and Pinch II
\n\u00e2\u20ac\u00a2 Establish the sub-dramatic context<\/p>\n
\nAll writing is rewriting:
\n\u00e2\u20ac\u00a2 Approaching the rewrite
\n\u00e2\u20ac\u00a2 Rethinking what you have written
\n\u00e2\u20ac\u00a2 Redefining and re-establishing the theme, premise, and dramatic action
\n\u00e2\u20ac\u00a2 The tools of rewriting
\n\u00e2\u20ac\u00a2 Discovering character through action
\n\u00e2\u20ac\u00a2 Sharpening and focusing character
\n\u00e2\u20ac\u00a2 Setting up and paying off the elements of the story line<\/p>\n","protected":false},"excerpt":{"rendered":"