![\"\"](\"http:\/\/www.conradaskland.com\/blog\/wp-content\/uploads\/2010\/03\/Picture-22.png\" "\\"Holst")
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And here is an example of a two piano reduction of the score. Or to reverse engineer it, a composer can write a two piano version and then orchestrate later.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n
httpv:\/\/www.youtube.com\/watch?v=6yIKu3LSwcE<\/p>\n
Gustav Holst – The Planets Op.32 Mercury, the Winged Messenger<\/p>\n
Here is an example of the full score and following that is a two piano reduction. I have been racking my brain in several futile attempts to find the most economical and free way to do orchestral sketches on the computer – and I think the two piano reduction idea is fantastic. It seems like a painfully obvious approach to me now – but I was very frustrated with the idea of sketching with a single piano part because it’s difficult to think in tonal colors and sections with that approach. I don’t want to spend a lot of time editing – I want to input the ideas. The 2 piano approach gives me room for counterpoint between sections – and to insinuate different textures. Orchestrally, the counterpoint happens between sections and textures rather than just notes – so Viola!<\/p>\n
<\/p>\n And here is an example of a two piano reduction of the score. Or to reverse engineer it, a composer can write a two piano version and then orchestrate later.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n