Lyrics and Chords – Stand By Your Man

Stand By Your Man
by Tammy Wynette and Billy Sherrill

Verse 1
A                          E
Sometimes its hard to be a woman
Bm              E7               A
Giving all your love to just one man
D
You’ll have bad times
A
And he’ll have good times
B                                E
Doing things that you don’t understand

CHORUS
A             C#
Stand by your man
D                    C#m   Bm
Give him two arms to cling to
A             F#7
And something warm to come to
B               E7
When nights are cold and lonely
S             C#
Stand by your man
D                      C#m  Bm
And tell the world you love him
A           E7               C#7       F#
Keep giving all the love you can
D     E       A    D   A   E7
Stand by your man

Verse 2
A                             E
But if you love him you’ll forgive him
Bm               E7           A
Even though he’s hard to understand
D
And if you love him
A              D
Oh be proud of him
A           E7              A    D   A   E
Cause after all he’s just a man

CHORUS
A             C#
Stand by your man
D                      C#m  Bm
And show the world you love him
A           E            E7  C#7   F#
Keep giving all the love you can
D     E  A       D    A   E    A
Stand by your man

Lyrics – Funky Town

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Original Key: C

Rocky Horror Show LIVE opens Oct 26 2007

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THE ROCKY HORROR SHOW IS COMING TO THE LINCOLN THEATRE
Mount Vernon, WA

“LIVE” BEGINNING OCT. 26-NOV 10 2007!!!!!

Oct. 26, 27, 31 and Nov.1, 2, 3, 8, 9, 10 at 8 pm with a Midnight Show on the 10th. All seats are $20. Tickets for both at the Lincoln Theatre Box Office 360-336-8955 or 877-754-6284 more info at www.theaterartsguild.org

Theater Arts Guild Presents Richard O’Brien’s “The Rocky Horror Show” Live at the Lincoln Theatre

Directed by Jane Skinner, with Music Direction by Conrad Askland

In association with Skagit PFLAG, the Pride Foundation and SPAC

An zany erotic adult musical of which the film cult classic,” The Rocky Horror Picture Show” was based on, Brad and Janet are an innocent young couple stranded at the home of a mad scientist intent on building the perfect man. His castle is filled with bizarre characters who worship their leather & fishnet master, Dr. Frank-N-Furter, eventually forcing Brad & Janet to examine their own sexuality and hidden desires. Based on the original stage musical by Richard O’Brien this performance comes alive with unforgettable song-and-dance numbers that have come to represent the sexual liberation of the 1970s. So fish out your fishnets, and sharpen your stilettos for the rockiest ride of your life!

The Rocky Horror Show is not appropriate for all audiences; it contains mature themes, sexual situations, strong language, and some possible nudity. No age restriction but parental discretion is advised.

Since this is an audience participation show in a historic theater we ask that no outside props are brought in but a “Rocky” audience participation pack will be sold in the lobby for $5.00 prior to the show.

Musician Openings for Bye Bye Birdie

Musicians still needed for Bye Bye Birdie. Show is produced by META Performing Arts and will run at McIntyre Hall later November 2007. Show dates and details are at https://conradaskland.com/2007/07/bye-bye-birdie-musician-page/

MUSICIAN SPOTS STILL OPEN:

  1. Timpani/Percussion
  2. Drums (Trap Set)
  3. Alto Sax
  4. Trombone II
  5. Trumpet III

Contact Conrad if interested in auditioning. We will have a full pit orchestra for this production.

Lincoln Theater Remote Wurlitzer Organ

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If you look at this picture and just see a guy standing next to an organ – I must inform you it is MUCH more than that. I have exciting news for any fans of the Lincoln Theater in Mount Vernon, WA – fans of Wurlitzer organs and fans of the Rocky Horror Show.

What are are looking at on the left is one of the oldest original functioning Wurlitzer organs in the United States. It is the house organ of the Historic Lincoln Theater in Mount Vernon, WA. The organ to the right of that is a custom built remote control organ that can control the keys and stops of the main organ from up to 70 feet away. On the right is Fred Beeks, one of the men who custom built this new functional work of art.

With the sepia tones of the photograph and old world craftsmanship you might think this picture was taken in the 1920’s – but it was taken September 18, 2007.

Several months ago I went down to the Lincoln Theater to jam on the Wurlitzer a bit. I met Fred Beeks who gave me a tour of the backstage where all the Wurlitzer pipes, cables and bellows are housed. It was an amazing thing to witness. You just don’t see that kind of complex machinery for organs much any more. If a note goes out, Fred climbs up to the rafter and hand solders the connections back in place for the organ. It’s amazing.

When I was jamming on the organ I had mentioned to Fred how much fun it would be if I could play the Wurlitzer during our upcoming production of the Rocky Horror Show. One big problem – for stage shows at the Lincoln Theater companies usually utilize the extended thrust of the stage – which covers up the Wurlitzer organ. The organ becomes under the stage and cannot be played. For me that would be a done deal, can’t be done. But not for Fred.

Fred Beeks mentioned they could make a master control unit I could use onstage to control the Wurlitzer. At the time he said I would be limited to preset stops on the Wurlitzer – just one setting. So when I walked in to see the new controller I was naturally expecting a small keyboard, perhaps on aluminum legs. I was totally blown away by what I saw.

Gene Peden, longtime organist at the Lincoln Theater, custom built a cabinet for the new controller organ. Complete with rounded legs. See the picture below for a close-up. It’s absolutely beautiful.

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Then Fred Beeks did all the custom wiring into the cabinet that Gene Peden built. The master organ now controls most all of the stops on the Wurlitzer. Now I may have the fine details a little off, Gene and Fred worked together on the project as a whole.

Here’s what you may not know about the Wurlitzer organ at the Lincoln Theater – It’s not just an organ, it also controls all sorts of live special effects on the wings and throughout the auditorium. (Details on stops and fx listed further down on this post). There are chimes down each side of the auditorium, a player piano on the stage left wing, mallet instruments on the stage right wing (all three fully visible to the audience). In the top stage left box there are percussion fx with drums and cymbals. And now all of those can be controlled remotely with this new unit – and integrated into any live stage show at the Lincoln.

So I said to Fred, “Do you realize that most of the people attending our Rocky Horror Show have never even heard of a theater organ, don’t even know they exist?” – He smiled the smile of an all-knowing sage and said softly “We know. That’s why we did it.”

A big thank you to the Lincoln Theater for making this happen. Fred Beeks, Gene Peden and facilities manager Roger Gietzen – they just don’t make ’em like you guys any more. You are the best.

And I should tell you another thing about the Lincoln Theater. Before I moved to Mount Vernon, WA I was visiting my family here and we went to see a local stage production at the Lincoln. I walked into this place and thought to myself, “What kind of community has the commitment to keep a place like this going?” – It was a theater straight out of the 1920’s – beautifully preserved. I knew there must be some big hearts in Mount Vernon, WA and Skagit County. I was right.

It takes a VERY committed community to keep the Lincoln going, and it tells tons about the passion for the arts in Skagit County. It was one of the things that made me want to move here – I hope people in City Hall pay attention to that and keep it going.

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Visit the Lincoln Theater website at http://www.lincolntheatre.org

Lincoln Theater Volunteer Organists
Fred Beeks
Ruth Ann Burley
Glen Desjardins
Gene Peden

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About the Wurlitzer Organ at the Lincoln Theatre

Wurlitzer magic keeps tradition alive

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Of the 98 Wurlitzer organs remining in their original theaters in the U.S., the Lincoln Theatre’s Wurlitzer is one of only two 2-manual, 7-rank D-2 Full Unit Orchestra models. It has a full set of organ pipes, as well as a set of ‘toys,’ the mechanical sound effects for silent movies, as well as marimbas, drums, glockenspiel, xylophone, cathedral chimes, celeste, etc., and an original Wurlitzer piano.

The Lincoln Wulitzer features seven ranks of pipes, a remote piano, and a complete sound effect system for silent films, including beats, castanets, drums, cymbals, glockenspiels, and marimbas, as well as a set of silver chimes mounted on the auditorium’s painted columns.

The Lincoln’s Wurlitzer Organ

Much work has been done by our pool of volunteer organists and technicians to maintain and repair our musical treasure.

The console has been pulled, cleaned, and rewired; several ranks have been gone through, with new leathers and blocks installed; and the “toy box” for sound effects has been rearranged for easier access and repair. All the work has been done by dedicated volunteers, including Gene Peden, Bob Martin, and Keith Thompson.

The volunteer organists who perform before each film showing are Dusan Mrak, Jeff Fox, Gene Reden, Glen DesJardins, and Ken Fenske. Thanks to all of them for keeping the theater organ tradition alive at the Lincoln!

Brigadoon Mystery Conspiracy Theory

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This was my view while conducting Brigadoon at the Kirkland Performance Center in September 2007. Several people asked me for an explanation of the wired contraption you see in the middle of the photo. One child in particular spent most the show trying to figure it out and had some great guesses about it.

The item lying on top of the stage is a stage microphone used to capture overall ambience from the chorus. There are normally three of these across the stage – Left, Center, Right. The sound designers will use these to bring up ambience during large crowd scenes or chorus musical numbers.

The grey item taped in the center with the larger cord extending from it is just a camera. For many scenes in Brigadoon the choir sings from backstage and it was difficult for them to see me for timing. So the sound techs put the remote camera in place and the choir watched me backstage on a monitor. The chorus said the monitor had a little of a fisheye lense effect and made my hands look gigantic, but for keeping time it worked very well.

We had used the same concept during another run of Brigadoon, but the lighting was poor and the chorus couldn’t see me well in the monitor – and boy could I tell from the pit. Timings were not together. You can use a simple computer camera to do this – make sure to check lighting under show conditions so viewers can easily see directions from conductor.

And to the boy who was convinced it was not just a camera – well…..MAYBE it’s actually a launch button I can press to launch a spaceship.

MORE BRIGADOON PHOTOS

View from Conductor’s podium looking at audience
Kirkland Performance Center, Kirkland, WA.

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Musicians in the orchestra pit (read Dark Scary Cave of Doom) at Kirkland PAC

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French Horn and Trumpet in Kirkland Orchestra Pit.

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Bohemian Rhapsody – Lyrics

Lyrics to Bohemian Rhapsody by Queen

Is this the real life-
Is this just fantasy-
Caught in a landslide-
No escape from reality-
Open your eyes
Look up to the skies and see-
Im just a poor boy,i need no sympathy-
Because Im easy come,easy go,
A little high,little low,
Anyway the wind blows,doesnt really matter to me,
To me

Mama,just killed a man,
Put a gun against his head,
Pulled my trigger,now hes dead,
Mama,life had just begun,
But now Ive gone and thrown it all away-
Mama ooo,
Didnt mean to make you cry-
If Im not back again this time tomorrow-
Carry on,carry on,as if nothing really matters-

Too late,my time has come,
Sends shivers down my spine-
Bodys aching all the time,
Goodbye everybody-Ive got to go-
Gotta leave you all behind and face the truth-
Mama ooo- (any way the wind blows)
I dont want to die,
I sometimes wish Id never been born at all-

I see a little silhouetto of a man,
Scaramouche,scaramouche will you do the fandango-
Thunderbolt and lightning-very very frightening me-
Galileo,galileo,
Galileo galileo
Galileo figaro-magnifico-
But Im just a poor boy and nobody loves me-
Hes just a poor boy from a poor family-
Spare him his life from this monstrosity-
Easy come easy go-,will you let me go-
Bismillah! no-,we will not let you go-let him go-
Bismillah! we will not let you go-let him go
Bismillah! we will not let you go-let me go
Will not let you go-let me go
Will not let you go let me go
No,no,no,no,no,no,no-
Mama mia,mama mia,mama mia let me go-
Beelzebub has a devil put aside for me,for me,for me-

So you think you can stone me and spit in my eye-
So you think you can love me and leave me to die-
Oh baby-cant do this to me baby-
Just gotta get out-just gotta get right outta here-

Nothing really matters,
Anyone can see,
Nothing really matters-,nothing really matters to me,

Any way the wind blows….

High School Musical Wins Gay Subtext Emmy

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LOS ANGELES, CA – In a category packed with worthy nominees, the Disney Channel movie High School Musical took home the Emmy Award on Sunday for Best Television Programming With Gay Subtext. The Emmy was presented by former West Wing stars Bradley Whitford and Rob Lowe to Musical director Kenny Ortega, who won the Oscar for Gay Subtext in 1993 for his work on Newsies.

The victory for High School Musical was an upset in a category that featured four solid returning nominees: Arrested Development, Everwood , Smallville, and The O.C. The nominations caused some controversy, as gay subtext fans were disappointed by the omission of high school detective drama Veronica Mars. Shrugged one Emmy insider.

Although FOX studios had launched a marketing campaign for its hit show Prison Break, the show was ruled ineligible for the category under the “If it takes place in a prison, it probably isn’t subtext clause.

Some Hollywood experts had predicted a win for Arrested Development as a fitting farewell to the show that spent three seasons with the character Tobias Fünke mining the English language for the gayest possible double entendres. However, even Emmy voters looking to pay tribute to Arrested Development could not ignore the blatant gay subtext of High School Musical. “They had me at the title,” confessed one Emmy voter.

High School Musical, which quickly became a sensation among pre-teen Disney Channel viewers, tells the story of a jock and a brain who cause major upset to the status quo of their cliquish school when they audition for the school musical. Although none of the characters is openly gay, the flames burn bright across the screen throughout the movie. The reigning school star is a triple threat who sings romantic duets with his despotic sister, and who has a tendency towards tight pants and colorful hats that accent his stylish wardrobe. In the gayest onscreen occurrence, he shares a brief moment with a sensitive athlete who has been mocked by his peers for his love of baking.

The movie features countless other ambiguously gay characters, including a reclusive composer who mysteriously dons a tuxedo and bowler hat that would make any drag king proud, and a basketball team that is suspiciously agreeable to choreography. While the network shows nominated featured more screen time devoted to shirtless male horseplay, it was the incredibly gay singing and dancing that propelled High School Musical to victory.

This year’s ceremony marked the tenth year that the Emmy for Gay Subtext, known informally as the HoYay! Award, has been presented. The Emmy was first awarded in 1996 to the show Xena: Warrior Princess.

GeoDezik Projection Design for Macao Cirque Show

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News Release from GeoDezik.com:

Cirque Du Soleil – Macao, China / Chine

(French) – Geodezik conçoit présentement les projections vidéo d’un nouveau spectacle permanent du Cirque du Soleil qui sera présenté � partir de 2008 � Macao en Chine. Sous la direction du metteur en scène Gilles Maheu et en collaboration avec le scénographe Guillaume Lord, Geodezik développe un dispositif de projection unique en son genre (� suivre!).

(English) – Geodezik is currently working on the content and setup design for a new permanent Cirque Du Soleil show in Macao, China. Working with show director Gilles Maheu and scenographer Guillaume Lord, Geodezik is developping a unique projection device (more to come !).

� Photo above – Battle sequence from Delirium

– Conception de la régie et de la diffusion vidéo
– Montage en-ligne
– Intégration de la vidéo captée en direct et des effets vidéo en temps réel

– Video control and projection set-up design
– On-line editing
– Live video and realtime video FX integration
Delirium – Cirque Du Soleil
Conception Video / Video Designers : Michel Lemieux + Victor Pilon
Conception Éclairage / Lighting Design : Alain Lortie
Conception Décors / Set Design : Anne-Séguin Poirier

ABOUT GEODEZIK

Geodezik design and produce video content for projection. Geodezik creates images for a variety of projects such as public performances, televised performances, theatre, dance, museum and architectural installations. Our content is original and exclusive and we are present every step of the creative and technical process.

Around the four member core of Geodezik, there are a variety of artists and technicians that make up the Geodezik team : our distinctive edge. With this highly experimented and talented group of people, Geodezik can make the best of the creative and technical ressources for every project.