Seussical the Musical flyer released to schools by META Performing Arts.
Kirkland Performance Center – Orchestra Pit and Theatre Info
Last weekend was my first time conducting at the Kirkland Performance Center in Kirkland, Wa. I led a 14 piece orchestra for Lyric Light Opera of the Northwest production of Annie Get Your Gun. The show had previously run for three weeks at McIntyre Hall in Mount Vernon, WA – so the whole set was moved over to the Kirkland PAC. Visit the Kirkland Performance Center website for more info and technical specs.
Kirkland Performance Center has a very intimate feel. It seats 402 in 13 rows with a house rake of 3 feet horizontal to 1 foot vertical. Distance from back row to front of house is 40 feet.
The orchestra pit is mainly situated underneath the front of the stage. We had the lid down on the sides of the pit and I would conduct from a roughly 6×6 hole at the front of the stage. Took a little bit to get used to. I am six feet tall and my eyes just about matched the bottom of the stage – so watching the pit below and keeping track of stage action was quite a lot like wearing bi-focal glasses.
The downside with the limited room was that I didn’t get a panorama view of the orchestra and stage, so aesthetically was lacking a bit. But for functionality it worked fine. A couple spots I had to lean to one side to conduct certain groups like a couple male choruses that needed clear visual direction. And was a little awkward when actors were at the very front of the stage, because I was looking at their toes. My cues had to be very high, don’t know if it was distracting for the audience or not.
For any downside caused by the limited square footage, it was made up for by the control of the audio and the intimacy of the room. Because the orchestra was completely covered like in a sound booth, the audio engineer was able to have greater control over the final mix. It was also a lot of fun to be so close to the audience – I think myself and the cast really connected with the audience interaction,
Backstage was well equipped with four dressing rooms, ample rest rooms, a main “green room” and laundry facility. The sound system at Kirkland PAC was very good. Overall I enjoyed our run in Kirkland very much. A very nice concert hall that this Eastside community should be proud of.
The staff at the Kirkland Performance Center is very professional and friendly, well stocked refreshments available before show and at intermission, and the lobby is very classy and clean. Seats are comfortable. Only side aisles for seating, no center aisle.
I just read a blog posting by the Cowboy Junkies who said they loved their double header shows at the Kirkland Performance Center – it is well suited for both stage shows and band performances.
Our full orchestra at McIntyre Hall was 18 pieces, we downsized to 12 for the Kirkland run. I would roughly estimate the maximum number of players for this orchestra pit to be about 15 people, maybe a couple more if they don’t take up too much space, like clarinets or flute.
Outside front view of Kirkland PAC
Outside Ticke Booth
Outside billboard at Kirkland PAC
Three visitors peering into the pit conductor’s podium
View during show looking up from conductor’s podium
Inside front doors of theatre lobby
Looking down at stage at top entrance of theatre
Front of audience, standing peering into orchestra pit, sides closed
Bottom corner of theatre looking across theatre seating, seats 402
Curtains from conductor’s podium
Down in the orchestra pit
Part of the Annie Get Your Gun orchestra between shows at
TGIFriday’s, a couple blocks from theatre.
Orchestra pit dimensions: Width: 40
Depth: 15
Height: 9
Annie Get Your Gun – Irving Berlin – Cast List
ANNIE GET YOUR GUN 2006
Lyric Light Opera of the Northwest
Music and Lyrics by Irving Berlin
Book by Herbert and Dorothy Fields
Directed by Brenda Mueller
Produced by Leslie Asplund
Assoc. Producer/Stage Manager – Ursula Schroepfer
Choreography – Stacy Lazanis
Orchestra Conducted by Conrad Askland
Chorus Mistress – Lyrica Mueller
Scenery Design by Robert Little
Scenery originally designed and built for
Utah Festival Opera Company
McIntyre Hall July 14-30, 2006
Kirkland Performance Center July 4-13, 2006
Presented through special arrangement with R&H Theatricals
www.rnhtheatricals.com
CAST (in order of appearance)
Charlie Davenport – Ryan Edwards
Dolly Tate – Sarah Simmons
Mac – Jordan Otruba
Little Girl – Anna Jenny
Mrs. Little Horse – Debbie Wolf
Little Sparrow – Abigail Wolf
Townspeople – Ann Nelson, Christine Wolf, Kelly Pollino, Tom Mueller, Luke Thompson
Cowboys and Indians – Anna Jenny, Christine Wolf, Jonathan Wolf, Sterling Mueller
Bad, Bad Man Girls – Claire Kidd, Lynette Cole, Natalie Howell, Sarah Howell, Sarah Jenny, Stacy Lazanis, Elisa Fuller, Ashley Rinas
Foster Wilson – Jim Otruba
Frank Butler – Kevin Pitman
Annie Oakley – Lyrica Mueller
Little Kate – Kristina Howell
Minnie – Ali Rinas
Mary – Susie Pollino
Nellie – Tisha Romero
Jessie – Leanna Crawford
Colonel William F. Cody – Ric Shallow / Carl K. Turner
Cowboys/Indians in Train – Debbie Wolf, Abigail Wolf, Christine Wolf, Jonathan Wolf, Sarah Howell, Sterling Mueller
Indian with Banana – Tom Mueller
Train Conductor – Bob Cole
Moonshine Lullaby – Bob Cole, Jordan Otruba, Luke Thompson, Ric Shallow, Ryan Edwards, Carl K Turner
Pawnee Bill – Harold Page
Chief Sitting Bull – Kevin Cobley
Spirit of Sitting Bull’s Daughter (Standing Holy) – Stacy Lazanis
Messenger – Luke Thompson
Mrs. Potter-Porter – Kris Hemenway
Mrs. Adams – Kelly Pollino
Debutantes – Ann Nelson, Ashley Rinas, Claire Kidd, Lynette Cole, Natalie Howell, Sarah Jenny, Sarah Howell
Featured Ballroom Dancers – Elisa Fuller, Luke Thompson, Stacy Lazanis, Ryan Edwards
PRODUCTION TEAM
Lighting Design – Steven Craig
Sound Design – Kyle Blevins
Costumes – Ramona Cooley, Darlene Kingma, Lyrica Mueller
Props – Sally Simmons, Sarah Simmons
Makeup/Hair – Ric Shallow, Wendy Howell, Natalie Howell
Graphics/Web Design – Debbie Wolf
Banner Photography – Eric Callies Photography
Marketing Team – Debbie Wolf, Ric Shallow, Kris Hemenway
Stage Manager – Ursula Schroepfer
Assistants to Stage Manager – Claire Kidd, Natalie Howell
Fly Captain – Dave Mumford
Firearms Handling – Bob Cole
Crew – John Hepola, Scott Cole, Bob Schroepfer, Jonathan Norris
Lyric Light Opera of the Northwest 2006 – More Pit Pics
Here are more photos taken from the orchestra pit at McIntyre Hall (Mount Vernon, Washington) during Lyric Light Opera of the Northwest ‘s production of Annie Get Your Gun. I just think photos from the orchestra pit are way cool.
Annie Get Your Gun – Orchestra Pit Musicians Photos
Here are photos from the orchestra pit at McIntyre Hall (Mount Vernon, WA) for the Lyric Light Opera of the Northwest production of Irving Berlin’s “Annie Get Your Gun”. Produced by Leslie Asplund, Directed by Brenda Mueller and conducted by Conrad Askland.
2006 ANNIE GET YOUR GUN MUSICIANS:
Flute I – Alicia Jackson
Flute II – Lorie Wooldridge
Flute sub – Stephanie Bethea
Oboe – Rebecca Wright
Clarinet I – Ashley Hall
Clarinet II – Darian Asplund
Clarinet sub – Michelle Hanna
Trumpet I – Cindy Luna
French Horn – AJ Brodin
French Horn – Jim Gaudette
Trombone I – Brian Bernethy
Trombone II – David Andersson
Drums – Dean Bunnell
Bass – William Maxwell
Cello – Kathryn Murray
Cello – Sharon Sparling
Guitar – Paul Hixson
Harp – Christy Swartz
Keyboard I – Ruth Haines
Keyboard II – Lauren Lippens
Conductor – Conrad Askland
My favorite element about this particular group was the mix of seasoned musicians and young players. What a great way for young musicians to learn, and for seasoned players to share their experience!
Lincoln Theatre on Auction Block ? Mount Vernon, WA
The City of Mount Vernon is considering putting the historic Lincoln Theatre up for sale. For more info about the theatre visit the Lincoln Theatre Website. Please make your voice heard at the next Mount Vernon City Council Meeting on Wednesday, July 26th 7pm – The Mount Vernon City Council meets twice a month for regular Council sessions. Meetings are held at 1805 Continental Place, 7:00 p.m. and are open to the public.
I recently relocated to Mount Vernon Washington, and two of the draws for me was the beauty of the Lincoln Theatre and McIntyre Hall. Hopefully there’s an alternative so this venue can be kept as a classic live performance venue.
Here is an email on the subject from Kate Kypuros, META Performing Arts:
Can you imagine walking into the Lincoln Theater and
visiting it as a museum instead of a forum for arts
films, live theater, music and public comment?
That is one of the things being considered as the
Mt.Vernon mayor and city council decide what to do
with this historical downtown hub.
This coming Wednesday night there is a meeting at the
Lincoln Theater in downtown Mt. Vernon. If you want
to see the Lincoln remain the center of activity in
downtown Mt. Vernon, join others to make your voice
heard.
Call the Lincoln for more particulars. I do not know
them, but I felt it was important to get the word out
asap. I hope to see you there.
Kate
LINCOLN THEATRE HISTORY
The Lincoln Theatre, a restored 1926 historic vaudeville & silent movie house in downtown Mount Vernon, presents a year-round schedule of concerts, current and classic films, and community events. The theatre works with local school districts, hosting school performances and workshops by performing artists on tour, as well as annual concerts by secondary school bands. The theatre hosts concerts by the local youth symphony, presents community-sponsored children’s theatre productions, as well as serving as a venue for fund-raising events by local service organizations. The Lincoln Theatre Center Foundation, founded in 1987, is a registered non-profit organization supported by over 2000 members from Skagit and adjoining counties.
- Cost of Building: $100,000
- Cost of Organ: $22,500
- Cost of Furnishings & Equipment: $32,500
- Weekly Payroll: $160
A 1926 SHOWPLACE
When the Lincoln Theatre was built, it was hailed for its originality and beauty. The Argus reported on May 13, 1926, “Nothing like it has ever been constructed before…the theatrical world is setting back astounded.”
The Lincoln is what’s called a period theater, which were in vogue around the time it was built. Some theaters built in the twenties had an Egyptian motif; one Seattle theater had a Chinese motif, but the Lincoln was a little different for the Northwest; it had a Spanish motif.
Manager Edwin Halberg ignored the pleas of his friends that he follow the crowd and make it Egyptian. He foresaw a time when movie fans would tire of such a motif. He personally designed the luxurious carpet, the decorative effect on the walls, the hangings and draperies, and the lighting effects.
The primary colors were blue, yellow, and red. The foyer was lighted with quaint, wrought-iron patterns of Spanish design. The walls have what’s known as a travertine finish.
WURLITZER MAGIC KEEPS TRADITION ALIVE
Of the 98 Wurlitzer organs remining in their original theaters in the U.S., the Lincoln Theatre’s Wurlitzer is one of only two 2-manual, 7-rank D-2 Full Unit Orchestra models. It has a full set of organ pipes, as well as a set of ‘toys,’ the mechanical sound effects for silent movies, as well as marimbas, drums, glockenspiel, xylophone, cathedral chimes, celeste, etc., and an original Wurlitzer piano.
The Lincoln Wulitzer features seven ranks of pipes, a remote piano, and a complete sound effect system for silent films, including beats, castanets, drums, cymbals, glockenspiels, and marimbas, as well as a set of silver chimes mounted on the auditorium’s painted columns.
Much work has been done by our pool of volunteer organists and technicians to maintain and repair our musical treasure.
The console has been pulled, cleaned, and rewired; several ranks have been gone through, with new leathers and blocks installed; and the “toy box” for sound effects has been rearranged for easier access and repair. All the work has been done by dedicated volunteers, including Gene Peden, Bob Martin, and Keith Thompson.
The volunteer organists who perform before each film showing are Dusan Mrak, Jeff Fox, Gene Reden, Glen DesJardins, and Ken Fenske. Thanks to all of them for keeping the theater organ tradition alive at the Lincoln!
We are always in need of more players. If you are interested in performing at the console, give us a call and you can play the pipes!
More on the history of the Lincoln and the pipe organ:
Skagit Herald: Shooting for the perfect show
Story by BEVERLY CRICHFIELD / Photos by FRANK VARGA
New theatre company makes big debut with classic musical
MOUNT VERNON  Who was the real Annie Oakley?
Lyrica Mueller is having a tough time combining aspects of the real Quaker sharpshooter from the late 1800s with the wide-eyed, perky stage persona conveyed in Irving Berlin’s colorful musical “Annie Get Your Gun.�
“She was kind of shy and quiet, but she was a strong, independent woman,� Mueller said, while gluing a piece of ribbon to a blouse she plans to wear during Lyric Light Opera’s production of “Annie Get Your Gun,� set to open Friday night at McIntyre Hall.
Mueller, a veteran of the stage and a musician, has been reading Oakley’s memoirs and any other information about the orphaned girl named Pheobe Ann Moses, who made her way from a life of abuse and poverty to working with the famous Buffalo Bill Wild West Show as a sharpshooting entertainer.
While Oakley, nicknamed “Little Sure Shot,� was considered a woman light years ahead of her time, she also was a surprisingly modest woman who marched to promote Victorian-era morals. The paradox is intriguing to Mueller.“I want to respect the woman as she was,� Mueller said, thoughtfully. “She was a great combination of a modern-day feminist, but she was a very Victorian woman.�
Mueller and the rest of the 30-member cast spent Monday evening getting familiar with the elaborate set of the show that runs July 14-30 at McIntyre Hall.
“Annie Get Your Gun� is the first production of the newly formed Lyric Light Opera of the Northwest. Former Northwest Civic Light Opera partner Barbara Mueller founded the new theatre company after Northwest Civic Light Opera dissolved in February. It had been operating just two years before it folded.
Barbara Mueller, director of the show, said she wanted to create a theatre company that would not only produce high-quality, family oriented entertainment, but also provide budding actors a place to learn the ins and outs of theatre  from the sound, lights and sets to music, dancing and portraying characters of all kinds.
“I believe that theater affects the people on the stage so very much,� Mueller said. “We can make such a difference in a person’s life by taking them through the process of a show.�
Mueller didn’t spare expense or energy for “Annie.� The production, which includes colorful Western-style sets from the Utah Festival Opera Company, a large cast of all ages, elaborate costumes, marketing, a 15-piece orchestra and booking of McIntyre Hall, is expected to cost about $75,000.
Mueller said the biggest challenge so far has been coming up with money for the show and other expenses, and bringing in experienced volunteers to produce and act in the shows.
But many actors from the Northwest Civic Light Opera followed Mueller to work with her new theatre company.
Rick Shallow of Camano Island had portrayed Von Schreiber in the Northwest Civic Light Opera’s 2005 production of “The Sound of Music.� In “Annie,’ he’s playing the worldly wise icon of American entertainment, Buffalo Bill Cody, who operated the famous “Buffalo Bill’s Wild West Show� in the later half of the 1800s.
“Buffalo Bill was America’s first superstar,� Shallow said, after rehearsing possibly one of the best known tunes from a musical, “There’s No Business Like Show Business.� But Buffalo Bill also was the glue that held the entertainers together, Shallow added. They looked up to him and admired him. He treated them well, and reportedly even paid the women and men performers equally for their work.
While reading up on Buffalo Bill in history books and on the Internet, Shallow discovered that Bill had been in the 3rd Cavalry Regiment  the same regiment that his son is now serving in, although it’s now called the 3rd Armored Cavalry Regiment.
Shallow’s son helped outfit him with an authentic old-style cavalry hat, sword and spurs.
While Shallow said portraying Bill isn’t a challenge, Sarah Simmons of Burlington had to look for just the right inspiration for her jealous and insecure character, Dolly Tate.
Dolly was set to be the big female sharpshooter of the Wild West show until Annie came along, said Simmons, whose resume includes many performances with the local Theatre Arts Guild. So Dolly tries to undermine Annie whenever she can, Simmons said.
“I’ve been thinking about how to make her likable,� Simmons said, laughing. “I think of Karen Walker on ‘Will and Grace.’ Yeah, she’s scheming and mean and a lush, but she’s fun.�
And fun is what the show is about, said producer Leslie Asplund.
“It’s a very joyous, sweet, simple show,� Asplund said. “For our first show, we wanted to do something that celebrates love and humility, and this was it.�
WHAT Lyric Light Opera of the Northwest’s production of the Irving Berlin classic musical “Annie Get Your Gun.�
WHEN 7:30 p.m. Fridays and Saturdays, July 14-15, 21-22, 28-29; 2 p.m. Sundays, July 16 and 23.
WHERE McIntyre Hall, 2501 E. College Way, Mount Vernon
COST $20-$30
Lil Abner Musical – 2006 Loggerodeo with Talisman Productions
Li’l Abner the Musical – An original musical comedy presented by 2006 Loggerodeo, Talisman Productions and Skagit Community Art Theatre.
Lil Abner written by Norman Panama and Melvin Frank. Lyrics and Music by Johnny Mercer and Gene DePaul. Based on characters created by Al Capp, presented through permission of Tams-Whitmark, Co.
Show ran June 3-July 1 in Sedro-Woolley Washington.
BEHIND THE SCENES:
Executive Producer and Director – Bruce Weech
Producer – Susan Herrick
Assistant Director – Nan Hough
Choreographer – Donna Carrol
Musical Director – Kelly Siebecke
Stage Director – Siobhan Rooney
Assistant Stage Director – Anthony Irby
Stage Crew – Damine Rocha, Daniel Claverie
Costumes – Gaye Epst
Make-up – Mary Bingham
Set Design – Talisman Productions
Props – Deanna Ray Ensley
Lighting Design – Talisman Productions
Lighting Technicians – Paul Thelen
Sound Manager – Jerry Fortier
Graphic Artist – Karen Bakke
Master Carpenter – Phil Brown
Scene Painters – Karen Bakke, Kathy Brackett, Dorothy Peth, Karen Gardiner-Brown
Publicist – Nan Hough, Cat Folks
House Manager – Robyn Hough
Photographer – Lindsey Bowen
Production Assistant – Terry Graff
MUSIC
Keyboards/Synthesizer – Kelly Siebecke
Bass – Nathan McCartney
Piano – Kenneth Walker
Drums and Percussion – Dean Bunnell
Guitar – Jack Mattingly
Trumpet – Malcolm Peterson
Trombone – Brian Bernethy
THE CAST
Abner Yokum – Daniel Segars
Daisy Mae Scragg – Amanda McDaniel
Mammy Yokum – Linda Sturza
Pappy Yokum – Bruce Weech
Romeo Scragg – Nate Young
Clem Scragg – Dave Mumford
Earthquake McGoon – Lonny Graff
Hairless Joe – Don Wilcutts
Moonbean McSwine – Suzann McLamb
Marryin’ Sam – James Lindsey
Mayor Dan’l Dawgmeat – Greg Kirkpatrick
Senator Jacqueline Phogbound – Wendy Bell
Dr. Rasmussen T. Finsdale – Schad Russell
Dr. Smithborn – Susan Herrick
Dr. Krogmeyer – Margie Webster
Cecily Softwick – Anna Martin
General Bullmoose – Alec McDougall
Available Jones – Nick Martin
Stupefyin’ Jones – Crystal McCaslin
Evil Eye Fleagle – Nello Bottari
Appassionata Von Climax – Rebecca Heilig
Colonel – Joseph Sumroll
Hank – Brad Graff
Zeke – Anthony Irby
Rufe – Daniel Claverie
Bonnie – Cathy Adelman
Hope – Mary Franks
Dee Dee – Christina Franks
Lillian – Ashley Bre’Anne Christoferson
Scarlett – Ariana Martin
Fiona Scragg – Rachel Kirkpatrick
Iris – Dayna Sumrall
Flower Scragg – Kaylee Smith
Jed – Sean Weech
AIDA – Band and Pit Photos
Here are some pictures of the band and pit from our performance of Elton John’s AIDA at McIntyre Hall (Mount Vernon, WA) in April 2006. Band members please e-mail me your mailing info and I’ll send you the full DVD of band pics. There is also a full DVD of cast and stage pics but I don’t have a copy of that.
This production of AIDA was produced by the Theatre Arts Guild of Skagit County. Directed by Jane Skinner and Produced by Roger Ragusa. This band kicked butt. Thank you all for a fantastic show and incredible music. I’m still hearing compliments about how well you all did. I’ll be sending you all an email shortly about upcoming shows as well.
AIDA Band 2006 – McIntyre Hall
Conductor, Keyboard 1 – Conrad Askland
Drums – David Bridgman
Bass – Peter Bridgman
Percussion – Coulby Styles
Kebyoard 2 – Lisa Temcov
Keyboard 3 – Kelly Siebecke
Oboe/English Horn – Rebecca Wright
Flute – Stephanie Bethea
Guitar 1 – Chris Eger
Guitar 2 – Paul Dutton
Seussical the Musical!
SEUSSICAL MUSICIANS
10/06 – MUSICIAN COSTUME IDEAS CLICK HERE
This page will be updated with all the info you need. To contact me, click “home” top of page, then click “contact” link at right of page to see my email address.
I’ll be conducting Seussical at McIntyre Hall (Mount Vernon, WA) in November 2006. The show will be produced by Meta Performing Arts – website at http://www.metaperformingarts.org/ – Please visit their website for upcoming details and info on the show.
AUDITIONS will be August 7 and 8 2006 at Mount Vernon Presybterian Church. This is a kid’s show with lots of fun parts for children of all ages to participate in. We’ll have a great live band and I’ll be helping the kids with their vocal parts. Please encourage your children to audition for this show. It’s wild, it’s wacky, it’s crazy and it’s VERY fun.
MUSICIAN NOTES:
Please see below for rehearsal schedule and show dates.
1 – Orchestra will be ON STAGE on platforms which are 8-36 inches high.
2 – Musicians will wear base outfit of black and white, and can add on with wigs, ties, accents. Ebay has nice accessories that are very inexpensive. Please check with Conrad before you buy anything to make sure it is “Seuss” style.
3 – Musicians may do pre-show skits making funny sounds or entertaining with their instruments. We encourage you to dress up your instrument in “Seuss” style.
SEUSSICAL SHOW DATES 2006
McIntyre Hall – Mount Vernon WA
Fri Nov 3 – 7:00pm
Sat Nov 4 – 7:00pm
Sun Nov 5 – 2pm matinee
Tues Nov 7 – 10:00am and 12:30 (Days shows for schools)
Thurs Nov 9 – 10:00am and 12:30 days shows and 7:00pm
Fri Nov 10 – 7:00pm
Sat Nov 11 – 7:00pm
Sun Nov 12 – 2pm matinee
MUSICIANS – REHEARSAL SCHEDULE
Rehearsals are at Mount Vernon Presbyterian Church (MVPRES) in Mount Vernon, corner of 15th and Broadway.
October 3, Tuesday – Rhythm only – 8-10pm (others welcome to join)
October 5, Thursday – Rhythm only 8-10pm (others welcome to join)
October 7, Saturday MVPRES – 10-3
October 10, Tuesday MVPRES – 8-10
October 20, Friday MVPRES 6-10
October 22, Sunday MVPRES – 2-5
October 24, Tuesday MVPRES 6-9 with cast
October 26, Thursday MVPRES 6-9 with cast
TECH WEEK BEGINS – Rehearsals can run late and stress is high. Be cool.
November 1, Wednesday McIntyre Hall – 6-? – Rehearsal, Load in all equipment
November 2, Thursday McIntyre Hall – 6-? Dress Rehearsal
Shows run around 2 hrs w/ intermission. The school shows
will be shortened to 1 hr 30min, no intermission, no
bows.
MUSICIANS: Check this page for updates. First rehearsals will be in October. Would like to work with keyboards in advance to select equipment and patches.
I’ll be splitting up the reed and keyboard parts as needed per player abilities.
INSTRUMENTATION NEEDED:
| Bass | Electric Bass |
| Cello | |
| Drums | Kit, Woodblock, Piccolo Snare, Cowbell, Timbale, Shaker, Bell Tree, Flexitone, Mark Tree, Trianlge |
| Guitar 1 | Acoustic Guitar and Electric Guitar |
| Guitar 2 | Acoutic Guitar, Banjo, Electric Guitar |
| Keyboard 1 | Breathy-bell Synth, Pno+Perc.E.P., Cowbell + Calliope, Pno/Rhodes, Pop Piano, Piano, Elec. Pno, Calliope, Kazoo, Cheap-sounding Piano, metal Clav, MetalClav + Calliope, Poly Synth, Stackoid, Tack Piano, Glittery Synth, Buzzy Xylo, Mysterious E.P., Sweet E.P., XyloGlock, Voices, Theremin, Shimmery Stuff, Many Flutes, Rock Piano, Clarinet |
| Keyboard 2 | Breathy Pad, Bell Synth, Harpsichord, B-3, Cricket Synth, Elephant, Orch Hit, “Doing”, Psycho Strings, Tinkly Voices, Door Slam, Kalimba, Mallet Synth, Bell/Harpsi Synth, Pedal, Log Synth, Percussive B-3, Rok B-3, Calliope, Reedy Synth, Hank-y Synth, Nose Flute, Kazoo, Birdie Whistle, Tiny Synth Voice, Horn, Pig Synth, Animal Brss, Many Tubas, Bird Honk, Bird Fart, Hard Bottle Blow, AirRaid Siren, Spooky E.P., Warm E.P., Warm Voices, Celesta, Ethereal Choir, Spooky Voices, Dark Choir, Glittery Bell Synth, D-50 Stack, 80s Pad, Breathy Bell, Toy Piano, Cathedral Organ, Squishy Bass, Small Pipe Organ, Marimba, D-50 Heaven, Mello Organ, Rock Synth, Metal Clav, Hooty Synth, Clock Sound, Icy-cold Synth, Accordian, Ravenborg, Roller Rink Organ, Kazoo Brass, Cimbalum, Funky Horn, Pizzicato Strings, Sitar, Many Trombones & Horns, Buzz Brass |
| Percussion | Crotales, Chimes, Glockenspiel, Xylophone, Congas, Tympani, Djembe, Siren Whistle, Shaker, Vibraslap, Tambourine, Bell Tree, Triangle, Finger Cymbals, Piatti, Sleigh Bells, Vibraphone, Suspended Cymbal, Mark Tree, Cork Pop, Temple Blocks, Samba Whistle, Ratchet, Bongos, Cowbell, Scraper, Rainstick, Marimba |
| Reed 1 | Soprano Saxophone, Alto Saxophone, Clarinet, Flute, Piccolo |
| Reed 2 | Bass Clarinet, Clarinet, Oboe, Tenor Saxphone |
| Reed 3 | Baritone Saxophone, Bassoon, Clarinet, Flute |
| Trombone | |
| Trumpet 1 | |
| Trumpet 2 | |
| Viola | |
| Violin 1 | |
| Violin 2 | |