Fender to Acquire Kaman

Fender Musical Instruments Corporation (FMIC) announced today that it has entered a definitive agreement to acquire Kaman Music Corporation (KMC). FMIC agreed to purchase Kaman Music Corp., a wholly owned subsidiary of parent company Kaman Corp. (NASDAQ-GM: KAMN) for approximately $117 million in cash, subject to specified post-closing purchase price adjustments. Closing is expected to occur prior to January 1, 2008.

Kaman Music Corp. is the preeminent independent U.S. distributor of musical instruments and accessories, offering more than 20,000 products for amateurs and professionals. KMC owns Ovation Guitars, LP and Toca hand percussion products, Gibraltar Hardware, Genz Benz Amplification, Hamer Guitars, and is the exclusive U.S. sales representative for Sabian Cymbals, and exclusive worldwide distributor of Takamine Guitars and Gretsch Drums.

“We are delighted to welcome the Kaman Music Corporation into the Fender Family,” said Bill Mendello, Chairman and Chief Executive Officer of Fender Musical Instruments Corp. “KMC is one of the most respected companies in the musical instrument industry. We have very similar cultures that have been developed over many years. The distribution expertise that Kaman Music brings to the music marketplace will complement and strengthen FMIC’s service to its dealers and consumers.”

Kaman Music Corporation will continue to be led by current President, Edward Miller. Miller has 35 years of experience with Kaman, having joined the company in 1972 and later serving as Executive Vice President and Chief Operating Officer. He was appointed President of Kaman Music Corp. in June of 2007.

Fender Talk Guitar Forum

RHS PreShow Songs

Rocky Horror Show pre-show songs, intermission and warm up song list for band and cast.

Adam’s Family – Key Bb
Bb – Cm – F – Bb

Munster’s Theme – Key Am
Am – Dm – Am G – Am (2x)
G – C – D – D B E
Am – Dm – Am E Am

In The Hall of the Mountain King – Key Dm
Dm – E/Dm – Eb/Dm – Dm – F (2x)
A – Bb A – Bb A (2x)

Funky Town – Key C
C – – – – G – C
F7 – – – – C7 (#9)

Deliverance – Key C – Banjo and Samples

Haunted Mansion Theme – Key Am
Am – B – Am – Bb – Am – F7 – Am F7(#11) – Am – E – Am

Halloween Theme – Key Dm – Intro 5/4 time then 4/4 rock
Dm – C#m – Dm – C#m
Then Jam on Dm

I Will Survive – Key Am
Am – Dm7 – G – CMaj7 – FMaj7 – Dm7 – Esus – E
Break after sax solo

Viagra (Tomorrow) – Key F
F C/E Dm Gm Am Dm Gm C
F C/E Dm Gm Am Dm Gm C
Fm Fm/Eb Db Eb – Ab Ab/G – Csus – C
F F/Eb Bb/D Bbm Gm C F
F F/Eb Bb/D Bbm Gm – BIG END – Csus C F

Stand By Your Man – Key A
A – E – Bm – E – A
D – A – B – E
A – E – Bm – E – A
D – A – – E – A

CHORUS: A – C#7 – D C#m Bm – A – F# – B – E
A – C#7 – D C#m Bm – A – E – C#7 F#7
D – E – A

Hello My Darling – Key F
F – D – G – C7 – F Abdim Gm C
F – D – G – Gm – C – F

Lyrics and Chords – Stand By Your Man

Stand By Your Man
by Tammy Wynette and Billy Sherrill

Verse 1
A                          E
Sometimes its hard to be a woman
Bm              E7               A
Giving all your love to just one man
D
You’ll have bad times
A
And he’ll have good times
B                                E
Doing things that you don’t understand

CHORUS
A             C#
Stand by your man
D                    C#m   Bm
Give him two arms to cling to
A             F#7
And something warm to come to
B               E7
When nights are cold and lonely
S             C#
Stand by your man
D                      C#m  Bm
And tell the world you love him
A           E7               C#7       F#
Keep giving all the love you can
D     E       A    D   A   E7
Stand by your man

Verse 2
A                             E
But if you love him you’ll forgive him
Bm               E7           A
Even though he’s hard to understand
D
And if you love him
A              D
Oh be proud of him
A           E7              A    D   A   E
Cause after all he’s just a man

CHORUS
A             C#
Stand by your man
D                      C#m  Bm
And show the world you love him
A           E            E7  C#7   F#
Keep giving all the love you can
D     E  A       D    A   E    A
Stand by your man

Response from Michael Fremer on JREF Challenge

Michael Fremer, senior contributing editor of Stereophile Magazine, has posted a comment response on the Pear Cable JREF Challenge. This evolving challenge should be of interest to audio engineers, audiophiles and readers of the James Randi website. Here is a link to the summary I posted and his response:

https://conradaskland.com/2007/10/pear-cables-offered-jref-challenge/

I have also emailed a few friends that are audio technicians to see if they have any input or predictions on this situation.

Lyrics – Funky Town

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Gotta make a move to a
Town that’s right for me
Town to keep me movin’
Keep me groovin’ with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown
Won’t you take me to
Funkytown

Original Key: C

Pear Cables Offered JREF Challenge

Pear Cables has been offered the One Million Dollar JREF Challenge to prove their claims that an audible difference can be heard between their $7,250 cables and Monster Cable.

*UPDATE 10/24/07 – Response from Michael Fremer in comment on this post. Recommended reading*

Email exchanges between Michael Fremer and James Randi have gotten quite heated. You can read it for yourself on direct links supplied below. But Pear audio has definately and specifically been offered the One Million dollar prize. It will be very interesting to follow this.

LINKS TO INFO:
JREF Pear Cable Invitation – READ
JREF Website
Pear Cable Website

JAMES RANDI WRITES TO FREMER ON THE JREF WEBSITE:

Mr. Fremer, for further clarity, here is the essence of what the JREF will accept as a response to our challenge: We are asking you – and/or Adam Blake – to significantly differentiate between a set of $7,250 Pear Anjou cables and a good set of Monster cables, or between a set of $43,000 Transparent Opus MM SC cables and the same Monster cables – your choice of these two possible scenarios. We will accept an ABX system test – if that is also acceptable to you. This would have to be done to a statistically significant degree, that degree to be decided.

I can see many more possible ways for you to continue balking, so let’s get along with it, Mr. Fremer.

************************

One reader writes: “The skeptics have addressed the pseudoscience of high end audio in a past issue of skeptic magazine. For example, the superiority of vinyl records and vacuum tube amps are favorites of true believer audiophiles. Basically, anything that is difficult to detect and leaves a lot to interpretation gets the gullible out with their wallets. That goes for just about anything including alternative medicine and religion.”


FROM THE JAMES RANDI WEBSITE:

There is a case to be made for having quality components, but the claims we’re dealing with here result from the “audiophools” who prefer expensive toys over actual performance, and assume superior personal sensitivity that is simply not there – all of which is of course encouraged by the vendors of the toys and supported by the small army of self-appointed “experts” who turn out reams of dreamy text extolling such nonsense, safely snuggled away in their Ivory Towers.

The JREF has put its money where its Internet mouth is.

I must thank those concerned readers who sent me informed warnings about the possibilities of fakery and the actual parameters of audio performance – not wanting me to wander out of my sphere of expertise. As I’ve said before, I know two things with considerable authority: how people can be fooled, and how they can fool themselves. The latter of those is often the more important factor. In designing double-blind testing protocols, I have always seen to it that the security, randomization, isolation, statistical limits, and information-transfer elements are carefully set up and implemented. Designing an appropriate protocol is not outside of my abilities, and I feel quite secure with this. All my life, I’ve been involved in the fine art of deception – for purposes of entertainment – and I daresay that despite my advancing age, I can still do a few dandy card tricks and make a couple of innocent objects vanish from sight, if pressed sufficiently. When that acuity degrades, it will be time to call in appropriate assistance…

******************************

FROM THE PEAR CABLE WEBSITE:
Info Found At: http://www.pearcable.com/sub_faq.htm#3

What makes Pear Cable different from all of the other cable companies out there?

This is difficult to sum up in a single paragraph, but certainly one of the biggest differences comes from our fundamental approach to cable design, which is to begin with basic science and engineering. Although it is a bit shocking, MOST cable companies do not share this fundamental design approach. There are probably three main categories of cable designers out there: ones that utilize pseudo-science or other types of faulty design principles, empirically driven cable designers, and designers that begin with real engineering and science. Unfortunately, the use of pseudo-science is probably the dominant cable design platform, with proven engineering principles being the least prevalent design platform. The cable companies that utilize faulty scientific conclusions can be spotted by the factual errors presented in their design philosophy, or misuse of otherwise sound engineering principles. Cable designers driven primarily by empirical listening results have great intentions, but are unlikely to ever reach the highest levels of performance due to a tremendous number of design factors. The few companies out there who actually utilize sound cable design principles often focus on only one design element, or fall victim to marketing pressure, only to end up with mediocre products. Pear Cable has the utmost confidence in the products that we offer, and the products have all had their scientific principles verified by human listening. We can stand behind all of the design principles that we utilize; can the other guys do that?

Do I need to be an audiophile to hear the differences between cables?

No. Anyone can appreciate the differences that cables make. A casual music listener may not be able to describe why a poor quality sound system doesn’t sound good, but they know that it doesn’t sound anything like live music. Improve the quality of the cables and the same listener may not know why the sound is better, but they know it is better. If you listen to music, you can benefit from the improvements in accuracy that accurate cables will enable.

Ringtone of Dracula Overture

Somebody made a ringtone out of my Dracula Overture. My first reaction was to get a little ticked off – but then I started laughing and feel just a tad bit flattered. So the ringtone has my official approval.

CLICK HERE TO DOWNLOAD THE ASKLAND DRACULA OVERTURE RINGTONE

Now if you download it for your phone – please leave a note here and let me know about it. The song is pretty scary – so I’d love to hear reactions of people when they hear your phone ring. MUAHA!