A Player’s Guide for Keeping Conductors in Line

A Player’s Guide for Keeping Conductors in Line

by Donn Laurence Mills

If there were a basic training manual for orchestra players, it might include ways to practice not only music, but one-upmanship. It seems as if many young players take pride in getting the conductor’s goat. The following rules are intended as a guide to the development of habits that will irritate the conductor. (Variations and additional methods depend upon the imagination and skill of the player.)

  1. Never be satisfied with the tuning note. Fussing about the pitch takes attention away from the podium and puts it on you, where it belongs.
  2. When raising the music stand, be sure the top comes off and spills the music on the floor.
  3. Complain about the temperature of the rehearsal room, the lighting, crowded space, or a draft. It’s best to do this when the conductor is under pressure.
  4. Look the other way just before cues.
  5. Never have the proper mute, a spare set of strings, or extra reeds. Percussion players must never have all their equipment.
  6. Ask for a re-audition or seating change. Ask often. Give the impression you’re about to quit. Let the conductor know you’re there as a personal favor.
  7. Pluck the strings as if you are checking tuning at every opportunity, especially when the conductor is giving instructions. Brass players: drop mutes. Percussionists have a wide variety of dropable items, but cymbals are unquestionably the best because they roll around for several seconds.
  8. Loudly blow water from the keys during pauses (Horn, oboe and clarinet players are trained to do this from birth).
  9. Long after a passage has gone by, ask the conductor if your C# was in tune. This is especially effective if you had no C# or were not playing at the time. (If he catches you, pretend to be correcting a note in your part.)
  10. At dramatic moments in the music (while the conductor is emoting) be busy marking your music so that the climaxes will sound empty and disappointing.
  11. Wait until well into a rehearsal before letting the conductor know you don’t have the music.
  12. Look at your watch frequently. Shake it in disbelief occasionally.
  13. Tell the conductor, “I can’t find the beat.” Conductors are always sensitive about their “stick technique”, so challenge it frequently.
  14. As the conductor if he has listened to the Bernstein recording of the piece. Imply that he could learn a thing or two from it. Also good: ask “Is this the first time you’ve conducted this piece?”
  15. When rehearsing a difficult passage, screw up your face and shake your head indicating that you’ll never be able to play it. Don’t say anything: make him wonder.
  16. If your articulation differs from that of others playing the same phrase, stick to your guns. Do not ask the conductor which is correct until backstage just before the concert.
  17. Find an excuse to leave rehearsal about 15 minutes early so that others will become restless and start to pack up and fidget.
  18. During applause, smile weakly or show no expression at all. Better yet, nonchalantly put away your instrument. Make the conductor feel he is keeping you from doing something really important.

It is time that players reminded their conductors of the facts of life: just who do conductors think they are, anyway?

Donn Laurence Mills is the NSOA contributing editor. He holds music degrees from Northwestern University and Eastman School of Music. A conductor and music educator, he is also the American educational director for the Yamaha Foundation of Tokyo.

OKLAHOMA 2007 – NW Actors Repertory Theatre

Sedro-Woolley 2007
NW Actors Repertory Theatre presents Rodgers & Hammerstein’s
OKLAHOMA!
June 29,30 July 5,6 & 7 at 7:30 PM
and Sunday, July 31 at 2:00 PM
at Sedro-Woolley Civic Auditorium

TICKETS:
Mount Vernon: The Lunch Box on Pine Square

Sedro-Woolley: Sedro-Woolley Chamber
Oliver & Hammer

Adults $15
Seniors & Students $12
Under 8 free
Group of 5 (any age) $60

Brigadoon – Piano Part

So the mystery is finally solved about the Piano part in the orchestration for the Brigadoon musical.

I just received my scores. The piano part is “boom-chucks” during the cut time pieces, glissandos into sections and occasional celeste parts. I wouldn’t say it’s an essential part, but definately will add to the rhythm section.

The official Brigadoon orchestration calls for the timpani player to double on snare and brushes – there is no dedicated trap set drum part.

For my orchestra I split the rhythm section up like this:

Percussion – Timpani, snare drum, cymbals
Percussion – Bells (have keyboard player cover bell parts from percussion score)
Piano – Have piano player play the piano part lightly as written.

If you listen to the CD soundtrack of Brigadoon, you’ll hear the piano come in and out, especially on the glissandos. My assumption is this was orchestrated at a time when dedicated rhythm section and trap set drummers weren’t the norm yet in Broadway orchestra pits. If it was orchestrated today I think it would lean towards a regular drum kit, with a couple keyboard players covering bells and accentuating rhythms.

If you’re conducting this show you’re probably using the piano/vocal reduced score – know that the piano part in the orchestration is not a doubling of the reduced piano score – it mainly focuses on rhythm and light chord flourishes.

Write a Report on a Music Producer

Your teacher gives you the assignment to write a report on someone who does a profession you’re interested in. I receive many emails from people doing reports that need info and try to reply when I can.

This was just forwarded to me – a local child did this school report on me. Not all the info is accurate, but the flavor is all there. For the record, I’ve yet to see myself mentioned in any article where all the info was correct – but that’s the nature of the biz.

Thank you to the person that wrote this. I’m very honored.

REPORT ON A MUSIC PRODUCER

My report on a musical composer is on a man named Conrad Askland. He is from Bellevue, WA He now lives in the desert of Southern California.

He is a composer and arranger he also has his own recording studio and he also has a company he started it is called Road Records. He started his studio in 1989 and he has produced many albums for artist in his studio. And then they are sold out of his company Askland Technologies.

If you have ever called GTE and been put on hold you are listening to Mr. Asklands music. He composed classical orchestral music that is used by GTE for their hold music when customers call them. He also composes music for radio and television through a company called jinglemonkey.com

When Conrad was little his grandmother was a jazz pianist and his grandpa was a sax player and his father was an amateur opera singer. When he was in school he didn’t get along well with his peers and he found out that he loved music and that love would help him through school. When he was 8 he was in the Northwest boys Choir and he got to travel to Europe and sing in many cathedrals. He also sang with the Seattle Opera.

When he was 9 he started to play the piano. At the age of 10 he started the French horn he was enrolled in Honors Youth Orchestra. He took his French horn lessons from the 1st chair of the Seattle Symphony. At 12 he started playing the Bass Guitar. Conrad didn’t like being in High School and he graduated two years early with 4 honors including an academic scholarship. At 18 he played the piano for Nordstrom in Bellevue WA. When he was 21 he went to the Miami Univeretsity to study copyright law and international finance when he was done he moved to Victorville Ca where is lives today.

Mr. Askland still comes to Washington to perform and also work he plays the music for many theater productions. He has played the music for Charlie and the Chocolate Factory as well as Suessical the musical.

Mount Vernon Presbyterian Church – 2007 Service Music Archives

Archives of music selections for services at Mount Vernon Presbyterian Church.

Visit the MV Pres Website.

Check out Presbyterian 101.

Sunday Services 2007

June 10 – Final Choir Sunday – Summer Break
Ave Verum Corpus
Vivaldi Mass in C Major – Gloria and Close
Hymn Medley

June 3
Hymn Medley

May 27 – Pentecost Sunday
How My Soul Doth Savor – Handel
Every Time I Feel the Spirit

May 20
Children’s Service – Led by Youth
Children Sing Hosanna – Children/Glorify/Choir

May 13
Mother’s Day
Panis Angelicus

May 6
Guest Artist Stephanie Bethea
Bolling Suite for Jazz Piano and Flute

April 29
Youth Sunday
No Choir or Glorify today

April 22
There’s Room at the Cross for You – Chancel
Turn Your Eyes Upon Jesus – Chancel
Amazing Grace, Jesus Lover of My Soul – Glorify
Prelude – Organ Fugue in G minor – JS Bach

April 15
Guest Artist – Kathy Kahn

April 8
Crown Him With Many Crowns – Mass Choir
Holy, Holy, Holy

April 1
Untitled Hymn – Ferdinand Ortega
February 25
Now Is The Time To Worship
Better Is One Day
Come Be Here With Me

February 18
Guest Artist: Pachelbel Trio Sonata
Choir: Gloria from Vivaldi Mass

February 11
Guest Artist: Kalli Richards
Choir: Sons and Daughters of the King
Here I Am To Worship
Morning Has Broken

February 4

January 28
Lord, Guide My Feet – Chancel Choir
I Release and I Let Go – Chancel Choir with Ria Peth
Doxojazzology – Ria Peth
Come Thou Font of Every Blessing
Be Unto Your Name
In Christ Alone

January 21
Fugue in G Minor – JS Bach
Blest Are They – Chancel Choir
What a Friend We Have in Jesus – Choir SATB
Guests – Lyric Light Opera of the Northwest
O For a Thousand Tongues to Sing

January 14
Lift Every Voice and Sing
We Shall Overcome
Hear Your Praises

January 7
Pie Jesu – Andrew Lloyd Webber
Lord I Want to Be a Christian – Choir
Holy Holy Holy, Lord God Almighty
Thank You For This Day
Blessed Be Your Name
Thou Font of Every Blessing
Bach Organ Prelude and Fugue in Bb Major

Sunday Services 2006

December 31
Guest minister – Gretchen Cohan
PH28, PH59
Choir/Glorify: Lord Most High, Shout to the Lord
Hymn: PH357


December 24 – Evening Christmas Eve Service
Bach Organ Preludes and Fugues in C Major and F Major
The Birthday of a King
Gesu Bambino

December 24 – Morning Service
Where Shepherds Knelt Gently

December 17
The Jesus Gift
Children’s Service with Brass Quintet

December 10
Introit – Prepare Ye The Way of the Lord
Choir Anthem – Gesu Bambino
Come Emmanuel – PH9
Come, Now Is The Time To Worship
Better Is One Day
Shine On Us
Come, Thou Long Expected Jesus – PH2

December 3
Anthem – Come Emmanuel
Lift Up Your Heads, Ye Mighty Gates – PH 8
We Bring the Sacrifice of Praise – LH 59
God of Wonders
Emmanuel – LH 143
The Lord’s Prayer – sung after communion
Rejoice, Rejoice Believers – PH 15

November 26
Offertory – Sonata in C – WA Mozart
Chancel Choir: Simple Gifts

PH 151
Thank You For This Day
You Are My King
More Precious Than Silver

November 22 – Thanksgiving Eve Service

November 19
Prelude – El Shaddai – Amy Grant
Introit – Thank You For This Day
Anthem – Ave Verum Corpus – WA Mozart
Offertory – Be Thou My Vision – Louise Cheney – Violin
Postlude – Be Thou My Vision – Louise Cheney – Violin
Be Unto Your Name
We Gather Together
Come and Meet With Me

November 12
Anthem – Panis Angelicus – Cesar Franck
Organ Prelude and Fugue in G Major – JS Bach
May the Words of My Mouth
PH 485
Come and Fill Me Up
Blessed Be Your Name
November 5
Prelude – We Bow Down
Postlude – Eine Kleine Nachtmusik – WA Mozart
The Promise – Chancel Choir
The Old Rugged Cross
The River Is Here
Lord Most High
May The Words of My Mouth

October 29
Organ Postlude – Toccata and Fugue in D minor – JS Bach
What a Friend We Have In Jesus
Lord Reign In Me
We Want To See Jesus Lifted High
How Great Is Our God

October 22
The Holy City – Solo Iva Rauch
Prelude – The Old Hundredth
PH464 – Joyful, Joyful We Adore Thee
How Great Is Our God
Above All
Anthem – O Lord Hear My Prayer
Amazing Grace
.
October 15
Robes – Yes
Prelude – Nobilis Humilis – Christy Swartz – Harp
Offering – Con Te Partirò – Christy Swartz Harp
Choir Anthem – Sing a New Song – Michael Haydn (1737-1806)
All Hail the Power of Jesus’ Name (Glorify)
Come Thou Font of Every Blessing (Glorify)
We Want to See Jesus Lifted High (Glorify)
Here Our Praises (Glorify)

.
October 8
Robes – Yes
Choir Anthem – Leaning On the Everlasting Arms
Great is Thy Faithfulness
God of Wonders
Blessed Be Your Name
Prelude – Call to Worship (Organ)
Postlude – Improvisation on Great Is Thy Faithfulness (Organ)

.
October 1
Robes – No
Preludes – I’ll Walk With God, Prelude in G Major (JS Bach)
Postlude – Praise to the Lord, the Almighty
If I Could Go Anywhere – Choirs and Ria Peth
Glorify Songs:
Praise to the Lord Almighty
Better Is One Day
Come, Now Is The Time to Worship

.
September 24
Robes – No
Prelude – I Allegro – Concerto In E Flat Major, K 447 – WA Mozart (Jim Gaudette – French Horn)
Hymns of Praise:
PH 151 – Crown Him With Many Crowns v 1, 2, 4
My Redeemer Lives
Songs of Adoration:
You Are My All In All
PH 306 – Fairest Lord Jesus – v1, 2
Preparation for Prayer – II Romance: Larghetto – Concerto In E Flat Major, K 447 WA Mozart (Jim Gaudette – French Horn)
Anthem – Spirit Most Holy – Chancel Choir
Offertory – God of Wonders (Glorify)
Postlude – III Allegro – Concerto In E Flat Major, K 447 – WA Mozart (Jim Gaudette – French Horn)

.

September 17
Prelude, Preparation for Prayer and Postlude:
Poulence Suite (Organ)
GLORIFY SONGS
PH467 – How Great Thou Art
LH 120 – Lamb of God – V1 and 3
Open the Eyes of My Heart – Paul Baloche
PH 391 – Take My Life – V1, 3, 5
Offertory – Choir – Praise the King
Ending Song: No Other Gods – Brian Doerksen

.

September 10
Preludes
I’m So Lonely I Could Cry – Hank Williams
Somebody Bigger Than You and I – Johnny Lange
Opening worship songs – Glorify:
Refiner’s Fire – Brian Doerksen
Meet With Me – Lamont Hiebert
Choir

Washington State Fun Facts

1. It is America’s coffee capital, with more coffee bean roasters per capita than any other state.
2. “The Wave”, a popular fan cheer for the past 25 years, was started by Husky fans at the University of Washington.
3. Adam Morrison, a Washington State native and Gonzaga University basketball star, led the NCAA Division I in scoring last season.
4. The state is the nation’s largest exporter, representing $34 billion and 5 percent of all U.S. exports: forest products, aerospace products, apples, tulips, hops, mint, wheat and several other quality food products.
5. Leading innovators — Microsoft’s Bill Gates and Paul Allen, Starbucks’ Howard Schultz, wireless pioneers the McCaw family, and the Boeing family — live in Washington State.
6. Washington State is America’s gateway to the 2010 Winter Olympics in Vancouver, B.C.
7. Washington leads the country in technology industry employment.
8. Grand Coulee Dam, the largest concrete structure in North America, is in Washington State.
9. Washington’s residents are educated; it’s the state with most residents holding high school diplomas. (?) Seattle leads the country in residents with more college degrees per capita.
10. Father’s Day was founded here in 1910
11. The state is home to the world’s largest private car collection featuring over 3,000 vehicles.
12. Washington is home to the largest land mollusk in North America, a foraging banana slug that grows up to 9 inches long.
13. In Washington, a Seahawk is an athlete, not a bird. The closest thing to a Seahawk is an osprey hawk.
14. Washington’s entrepreneurial climate has made it the leading state for both startup and gazelles, or fast growing young companies.
15. Washington, the 42nd state in the union, is the only state named for a president
16. Seattle gets less rainfall annually than Atlanta, Boston, New York, Houston, Miami, New Orleans, Philadelphia, Washington D.C. and Miami, with 37 inches.
17. Seattle has the highest concentration of aerospace jobs in the world, led by Boeing’s 50,000 workers.
18. Our homegrown musicians include Jimi Hendrix, Nirvana, Kenny G, Conrad Askland, The Wailers, Pat Boone, Bing Crosby, Quincy Jones, among others. And now add Blake Lewis, 2007 American Idol final two. Oh, yeah, and Sanjaya.
19. Petrified wood is the state’s gem, and there’s a petrified forest here that’s considered the most unusual fossil forest in the world.
20. Washington State defines innovation. Some of the leading employers include Microsoft, Amazon.Com, Nordstrom, Boeing, Costco and Starbuck’s.
21. Washington has hosted the World’s Fair twice: 1962 in Seattle and 1974 in Spokane.
22. Washington produces 70 percent of the nation’s hops used to brew beer. Coincidentally, to overcome beer breath, the majority of the nation’s mint is also grown in the state.
23. The longest accessible beach in the U.S. is in Washington, the 28-mile-long stretch aptly named Long Beach.
24. Washington is a leader in health sciences research; it ranks tops in scientists and engineers as a percentage of workforce.
25. “Tales from the Far Side” cartoonist Gary Larson is a Washington native.
26. Washington has the largest ferry system in the nation — 26 million passengers travel by ferry each year.
27. The state’s nickname is the Evergreen State for its abundant Evergreen forests.
28. It is America’s raspberry capital, harvesting more than 57 million pounds of raspberries each year.
29. Washington is the country’s second largest producer of wine, with its more than 350 wineries gaining international attention.
30. More people in Seattle commute to work on bicycles than any other city nationwide.
31. Washington’s Hells Canyon is the deepest River Gorge in North America, deeper than the Grand Canyon at over 5,500 feet deep.
32. One in every six Washingtonians owns a boat in this state where recreational and the commercial boating industry leads the country.
33 Kennewick Man, a 9,000-year-old skeleton, the oldest ever discovered in the Americas, was found in Washington in 1996.
34. The first revolving restaurant in the continental U.S. was built in Seattle’s Space Needle for the 1962 World’s Fair.
35. The cleanest air in the nation is found in a Washington community, Bellingham, according to the EPA and American Lung Association.
36. Washington’s cows produce more milk pe r cow than any other state, totaling 1.3 billion pounds of milk each year.
37. Seattle’s world-famous glass artist Dale Chihuly has put Washington on the international map, second only to Venice in number and skill of glassblowing artists.
38. Mark Rypien, 1992 Super Bowl MVP, is a Washington native and resides in Washington State.
39. Washington is the nation’s top apple producing state, with 10-12 billion apples handpicked annually.
40. Seattle sells more sunglasses per capita than any other major city in the nation

The First Father’s Day

Father’s Day, contrary to popular misconception, was not established as a holiday in order to help greeting card manufacturers sell more cards. In fact when a “father’s day” was first proposed there were no Father’s Day cards!

Mrs. John B. Dodd, of Washington, first proposed the idea of a “father’s day” in 1909. Mrs. Dodd wanted a special day to honor her father, William Smart. William Smart, a Civil War veteran, was widowed when his wife (Mrs. Dodd’s mother) died in childbirth with their sixth child. Mr. Smart was left to raise the newborn and his other five children by himself on a rural farm in eastern Washington state. It was after Mrs. Dodd became an adult that she realized the strength and selflessness her father had shown in raising his children as a single parent.

The first Father’s Day was observed on June 19, 1910 in Spokane Washington. At about the same time in various towns and cities across American other people were beginning to celebrate a “father’s day.” In 1924 President Calvin Coolidge supported the idea of a national Father’s Day. Finally in 1966 President Lyndon Johnson signed a presidential proclamation declaring the 3rd Sunday of June as Father’s Day.

Father’s Day has become a day to not only honor your father, but all men who act as a father figure. Stepfathers, uncles, grandfathers, and adult male friends are all honored on Father’s Day.

Rayburn Wright

rayburn-wright.jpg Rayburn Wright (August 27, 1922 – March 21, 1990)

Ray Wright taught arrangers of all levels who attended the Arrangers’ Workshop started by him in the summer of 1959 at the Eastman School of Music. Head of Eastman’s Jazz Studies and Contemporary Media Program for many years, he also served as chief arranger and co-director of music at Radio City Music Hall in New York City. Ray also composed film scores for the prize-winning television documentary series “Saga of Western Man.”

His student writers at Eastman were frequent winners of arranging contests held by Down Beat magazine and the International Association of Jazz Educators (IAJE). Their writing has often been singled out as a leading factor in creating the distinctive quality for which Wright’s prize-winning Eastman Jazz Ensemble was known.

Tony Award winning orchestrator Douglas Besterman credits Rayburn Wright’s teaching for shaving ten years off his orchestration learning curve.

PUBLICATIONS BY RAYBURN WRIGHT

Inside The Score / Book & Cd – Wright
Series Composing/Arranging Book
Inside The Score/Cd*** – Wright
Series Compact Disc