Gustav Holst – The Planets Op.32 Mercury, the Winged Messenger
Here is an example of the full score and following that is a two piano reduction. I have been racking my brain in several futile attempts to find the most economical and free way to do orchestral sketches on the computer – and I think the two piano reduction idea is fantastic. It seems like a painfully obvious approach to me now – but I was very frustrated with the idea of sketching with a single piano part because it’s difficult to think in tonal colors and sections with that approach. I don’t want to spend a lot of time editing – I want to input the ideas. The 2 piano approach gives me room for counterpoint between sections – and to insinuate different textures. Orchestrally, the counterpoint happens between sections and textures rather than just notes – so Viola!
Piano sketches by Aaron Copland of his Fanfare for the Common Man orchestra work. A look into how the composer prepares an orchestral sketch before full orchestration.