Email Q&A – Christianity and Homosexuality

Email from forum member:

I’m checking out. Advertisements for homosexuals doesn’t belong on this website. I don’t want to be associated with filth.

*screen name omitted*

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This member is referring to my bible discussion website at www.Bible-Discussion.com – With few exceptions, my public forums are open to public discussion from a wide variety of viewpoints. The forums are a blank canvas for members to discuss and debate related issues. On my forums I have contextual ads running, which means that ads are displayed according to the content of the pages. If you are on my motorcycle forum, you will see ads for motorcycles. This member was posting in the “Homosexuality and the Bible” section of my Bible Discussion website. The website contains around 50 some discussion topics on bible related issues. Because they chose to discuss in the “Homosexuality and the Bible” forum of that website, the ads displayed were from related groups – a mixture of gay Christian organizations, mainstream non-profit Christian groups and retailers of Christian related products. The “filth” he refers to is not porn or adult related. It is from gay Christian groups running ads, and occassionally also anti-gay Christian groups trying to reach gay Christians.

This member also posts: “I’m a born-again Believer, frustrated over all the confusion “out there” among Christians, resulting in so many denominations (and a few cults masquerading as Christian). The discussion groups I have been a part of reflect that confusion. How can we Christians counter the onslaught of Islam if we don’t understand our own faith? Perhaps THIS discussion group will offer something that the others haven’t ~~ so far.”

So my answer to this member, who lasted 3 days with a total of 13 posts (on a free public forum) is this: It seems you have a history of condemning those that do not believe as you do, I see no inclination for that pattern to be changing anytime soon.

You see it fit to condemn gays and Muslims – I do not. Of course, you are free to disagree with me on my own discussion forum; the forum that I pay and upkeep so people like yourself can disagree and debate, for free.

And when finally no Muslims or homosexuals are left (having all been “fixed”), then we can attack the Buddhists and Hindus. Once they are gone we still have left the Wiccans, B’ahai and other weirdos. Then onto Mormons – let’s not forget atheists and Unitarians – they are nasty breeds. Finally we will have weeded them all out from the “true” faith, and it will be you and I alone on an island. In time we will find that one of us does not have the truth, perhaps an askew interpretation of the Trinity or some other theological device. And then only one of us will be left, and the world will finally be as it should be.

Let me share a story with you, one that I doubt you will enjoy. When I was younger there were many people who mistook me for being gay. It’s not something I encounter so much as an adult, but as a youth engrossed in the arts and with a fair complexion. I attended Pacific Lutheran University, a good Christian school in my opinion. In my Freshman year I returned to my dorm room to see someone had spray painted “FAG” on my dorm room door. No doubt this act was fueld by a misplaced religious conviction. I was the brunt of several homophobic attacks at that University and also later in the workplace. It still boggles my mind that these actions took place at a Lutheran University. Is this the testament of our Christian faith, to spend our time pointing fingers and condemning? As close a parallel I can draw is what the author of “Black Like Me” must have experienced when he was mistook as an African American in the South. In that very small way I have known the pain of the gay community. And I knew from that experience at PLU that I would never condemn a gay person the way others were condeming me.

I do not get a message of condemnation from NT scripture, I receive one of compassion and understanding.

I see no reason to condemn either homosexuals or Muslims, and I do not view either as “filth”. The closest thing I can label as “filth” is fundamentalism, of any religion. It is mankind’s cursed creation.

“Jesus paid much too high a price for us to pick and choose who should come.” – Casting Crowns

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IF WE ARE THE BODY – Lyrics
By Casting Crowns

It’s crowded in worship today
As she slips in
Trying to fade into the faces
The girls’ teasing laughter is carrying farther than they know
Farther than they know

CHORUS
But if we are the Body
Why aren’t His arms reaching
Why aren’t His hands healing
Why aren’t His words teaching
And if we are the Body
Why aren’t His feet going
Why is His love not showing them there is a way
There is a way

A traveler is far away from home
He sheds his coat
And quietly sinks into the back row
The weight of their judgmental glances tells him that his chances
Are better out on the road

CHORUS
But if we are the Body
Why aren’t His arms reaching
Why aren’t His hands healing
Why aren’t His words teaching
And if we are the Body
Why aren’t His feet going
Why is His love not showing them there is a way

Jesus paid much too high a price
For us to pick and choose who should come
And we are the Body of Christ

Chorus (2x)
If we are the body
Why aren’t His arms reaching
Why aren’t His hands healing
Why aren’t His words teaching
And if we are the body
Why aren’t His feet going
Why is His love not showing them there is a way

Jesus is the way

The First Thanksgiving Propoganda

pilgrim1.JPGI hesitate to write about political and religious topics on my blog because there will always be someone offended; but I cannot resist.

When I was in grade school around Thanksgiving time we would wear black and white pilgrim hats we made from construction paper. We wore them proudly as we sang in concert “This land is your land, this land is my land….” – And we had images of Indians sitting with the pilgrims at the first Thanksgiving enjoying each other’s company. The Indians helped the pilgrims to survive, which was a good thing since the European settlers were much more advanced in their culture. We know those settlers started colonies that would later overtake the primitive Indian culture, but that was the way it had to be since the Europeans had a more advanced culture and theology. The Pilgrims were able to save many of the Indians, which was a good thing since most of the Indians were doomed to hell for not being Christian. The Indians had spent thousands of years in America, but had done nothing with it. They had their time and squandered it. We made America into something the primitive Indians could not acheive, saved their souls and gave the tribes land to continue their culture if they wished – which would be a mistake, but if they want to continue being backward, then that’s their choice. We can’t help it they didn’t advance. Still to this day Indians cry in their beer over it. Oh well, maybe you should have advanced rather than building wigwams and shooting deer for two thousand years.

And THAT was my childhood understanding of the roots of American culture. How twisted and offensive is that?

The reason this all comes back to me is from a CNN article last week, where some teachers are teaching Thanksgiving to children in a different fashion. They are walking up to children’s desks and taking a pencil off it, then a book, then a child’s shoe, then a coat – when the children complain the teacher responds “But I discovered it.” The children cry, then the teacher explains early American history from a Native American perspective. This has drawn complaints from many, as well as praise. For my vote, I praise it.

History has shown us that when a more advance culture comes in contact with one that is less advanced; the more advanced culture will over-run the other culture. This might be a comment on the dark side of human nature. If you want to extrapolate that fact out, let’s hope that if an alien culture comes in contact with Earth at some point in the future they do not share this human characteristic.

The modern Native American nation as far as I can see is not bent on revenge, but they are finally in a position to stand up and claim their cultural homestead. The stereotype of Native Americans living on the dole while drunk on the reservation is giving way to organized groups of Native American attorneys and professionals guiding the funds of the “Indian Casinos” to reinstating their culture, what is left of it, for future generations.

Why didn’t they do this before? My understanding is that the Indian Nation was given sovreign rights under the Reagan administration, which allowed the building of casinos. This idea took a while to catch on – but the financial success of these spread like wildfire. I would be as you’re reading this, you know of an Indian Casino in your vicinity that has been build within the last 10 years. Yes? Ka-ching.

So what changed my perspective? I think I am just in the wave with everyone else, a slow change in social consciousness, a paradigm shift. What was once our pride and joy of an expanding nation, some of us now look on as the decimation of an entire culture. And yes, a culture that had a great deal to teach us about many things, but our forefathers were not in a place to listen.

Sometimes I think years of performing in bars and casinos impeded my sense of the world. But I DID get a chance to spend a lot of time on reservations. While playing in country bands I was in Flagstaff for several weeks and that was my first conversations directly with Native Americans. They gave me “Bury My Heart at Wounded Knee” to read – a horrific account of the destruction of the Native Americans, very different from How The West Was Won. I would suggest this book to anyone to read; if you are white I think it will break your heart, as it did mine. It might be the only book I’ve read that actually made me cry.

Then almost ten years playing with Freddy Fender we spent quite a bit of time playing in Indian casinos. Because Freddy was a name act, we were often treated to behind the scenes tours of the reservations and got the inside scoop from a Native American perspective. There was a comraderie I think because Freddy was Hispanic, and we weren’t vied as a “white” group.

I recount this just to let you know the deep, deep pain present in the Native American communities. Maybe I’m stating the obvious, but as a child I had the understanding these things were from a different age; all taken care of and done in the 1800’s – and we lived in a different world. No, we live in the same world, and the repercussions from those actions are still very present – albeit seemingly dormant.

So I’ve wandered from Pilgrims to the late 1800’s. What’s my point? My point is to be aware that our history is strewn with propoganda, and what we think may be true, may be quite a spin. I like very much the new attitude toward the teaching of history – I do not see the heavy propoganda with current school children like I experienced as a child. Thank God for the History Channel and the internet, which have both provided us with more information than the black and white History class films of our youth.

I don’t have any answers to what could have been done differently – for that I fall short. And I admit I like my Thanksgiving celebrations with family, and I like American culture, grassroots Christianity and our way of life. But I keep a thought at all times in the back of my mind – to realize that the world around me may not be how I see it, and that the glasses I wear give a different view than someone elses. I could very well be wearing the wrong glasses at any time.

And my note to missionaries, which I don’t pretend will be received with warmth: I think a world of good would be realized to immerse yourself in a foreign culture to understand and absorb that culture, without the predetermination that you are their to change and enlighten it.

I hope that’s a thought for all of us to consider.

MORE READING
Pilgrim Hall Museum

Wikipedia on Thanksgiving

History Channel – First Thanksgiving
This is a great documentary if you can watch it
IMPACT OF BOOK – BURY MY HEART AT WOUNDED KNEE

It is difficult to overstate the impact of the book. Prior to its publication in 1970, the dominant images of the period were of noble settlers threatened by savage Indians and defended by the 7th Cavalry. The book brought to the public’s attention the other side of the story: that the original owners of the land were systematically massacred, betrayed and forced onto only those scraps of land that the more numerous and technologically superior conquerors disdained.

One strength of the book is its strong documentation to original sources. Its message may not have been a welcome one, but it came loaded with facts. The other strength is that each chapter forms a story, compelling as any fiction and far more interesting than academic treatises.

THE MAYFLOWER COMPACT
Signed by Pilgrim Leaders

In the name of God, Amen. We whose names are under-written, the loyal subjects of our dread sovereign Lord, King James, by the grace of God, of Great Britain, France, and Ireland King, Defender of the Faith, etc.

Having undertaken, for the glory of God, and advancement of the Christian faith, and honor of our King and Country, a voyage to plant the first colony in the northern parts of Virginia, do by these presents solemnly and mutually, in the presence of God, and one of another, covenant and combine our selves together into a civil body politic, for our better ordering and preservation and furtherance of the ends aforesaid; and by virtue hereof to enact, constitute, and frame such just and equal laws, ordinances, acts, constitutions and offices, from time to time, as shall be thought most meet and convenient for the general good of the Colony, unto which we promise all due submission and obedience. In witness whereof we have hereunder subscribed our names at Cape Cod, the eleventh of November [New Style, November 21], in the year of the reign of our sovereign lord, King James, of England, France, and Ireland, the eighteenth, and of Scotland the fifty-fourth. Anno Dom. 1620.

Sarah Simmons in Anything Goes by Cole Porter

sarah-simmons.jpgRedmond, WA – Sarah Simmons is currently in Anything Goes by Cole Porter, Guy Bolton, P.G. Wodehouse, Howard Lindsay & Russel Crouse presented by Second Story Repertory Theater in Redmond, WA. She says we should all go see it so it must be a good show. We have a group going up to see her show this Friday if anyone is interested.

I’ve worked with Sarah in Annie Get Your Gun and saw her performance in OLIVER. In both she was a real standout. A true master of character development.

PLOT:

Billy Crocker is a busy guy. He’s gotta take care of his boss, convince his long lost love not to marry another man and hide from the FBI while singing his way stateside in this timeless Cole Porter musical set on an Atlantic ocean liner.

Performances:
Fridays and Saturdays at 8:15 pm: November 3, 4, 10, 11, 17, 18, 24, 25, December 1,2

Sunday Matinees at 2:15 pm: November 19, 26 at 2:15

Saturday 2 for 1 Performance*: November 4
Thursday Performance at 8:15 pm: November 30

Special Fundraising Performance on November 12 at 5:30.

Email Q&A – General Music Production Questions

Dear Conrad,

After reading your biography, I can appreciate your work ethic and “rules to live by”.

My wife and I have successfully raised two children through high school and college and we’re proud to say we have two degreed, positive, productive citizens to our credit; a school teacher and a civil engineer.

I played jazz acoustic bass and electric guitar in my musical past I was also a radio air personality by trade for many years and I love what music does for me daily; good movie soundtracks, radio, or my favorite artists. I want to build a retirement lifestyle that I enjoy and motivates me.

If you would be kind enough to outline your view of basic recording/production studio equipment I would appreciate your guidance.Â

My questions are;

1.     Are you a standard mixing console guy or laptop with recording & production software?
2.     If you use laptops, do you recommend Apple or MS?
3.     What is you preferred choice of microphones?
4.     Do you play instruments during or in accompaniment to your artist productions?
5.     A&R; do you just supervise, mix and master your artists?

Regards,

Jeffrey

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Hi Jeffrey,

First of all, my disclaimers: I consider myself a feeble pawn in a world of enormous talent, this is just my input to your questions and not necessarily “the way things should be done.”
1.     Are you a standard mixing console guy or laptop with recording & production software?

Both. I recorded analog for ten years before switching to digital. Recording tracks analog is great, but for editing I prefer digital. For mastering a combination of analog and digital gives you the best of both worlds. For editing, I can accomplish in two hours on ProTools what used to take me DAYS on analog. When I look back on all the hours I spent editing analog for dance and electronica tracks before digital, I could just cry.

2.     If you use laptops, do you recommend Apple or MS?

Have you seen the latest invasion of Apple ads? MAC will let you run Mac software AND MS software, so for all my future computers I would go with Mac. I currently own 12 PC’s and one MAC, but times are changing, Mac is back. (Which is ironic since I now live about 40 miles from Microsoft). My understanding is you can have both operating systems running, and just flip between them.

3.     What is you preferred choice of microphones?

What’s the application? For vocals I like the Neumann TLM103 or a good tube mic like Groove Tube, but not for every vocals. Vocals are a precarious animal because for some vocals a Sennheiser 421 is the best pic, which defies logic. For vocals on a serious track, I try 5 different microphones with the vocalist – then listen to them blind and pick my favorite by ear. If I pick the same one 3 times in a row, then that’s what I use. For other instruments and applications there are ones I gravitate towards, but would be too long a list without knowing the specific instrument.

4.     Do you play instruments during or in accompaniment to your artist productions?

Depends on the project. As producer my job is to get the artist/artists to a finished product. If that calls for keyboard tracks, midi layers and sampling – then yes I do those tracks. If it’s a style that I’m not strong on then I would call in a session player, but for most styles I’m the strongest player I know – so I do the tracks. I will bring in guitar players, solo instrumentalists, background singers and percussion on most projects.

5.     A&R; do you just supervise, mix and master your artists?

If I’m producing and mixing, then I have someone else master. If someone else did the mixing, then I’ll master projects that come my way. It’s important in the mastering process to have a fresh set of ears. By “supervise” do you mean promoting the artist and guiding them in concerts? No. The reason is that I consider this a very scam oriented side of the industry that I really can’t stomach – in addition I can’t guarantee results like I can with my audio production work. I have really never understood the whole concept of artists getting managers right out of the gate; from what I’ve seen it usually ends in disaster. I feel strongly that artists should perform A LOT, and don’t worry about looking for managers and promoters until you need them. Artists often use managers and promoters as scape goats, like they will magically make everything happen. When an artist talks to me about management before they’re project is done I don’t take it as a sign they are thinking long term – I take it as a sign they are not focused on their art.

And with all this remember that I don’t yet have a Grammy award on my mantle, so it’s quite possible I am a bumbling idiot and my counsel should be avoided at all cost.

🙂

Conrad

Peter Pan Audio FX Sound Design Effects

Here are sound effects I created for Peter Pan for use in live stage productions. These were layered live to the stage action using a laptop computer with a virtual synthesizer triggered from a midi keyboard. Some of the effects, like the overture, are left sparse in sections to allow layers of other sounds over the top.

Most of the sounds layer well together even if tracks are in different keys. For instance, the Peter Pan flute theme can play over the top of most samples, as well as the bell melodies.

Peter Pan Fairy BKG Chimes MP3
Background shimmering chimes with lullabye music box. Segues and backdrop for happy flying sequences to layer with other sounds. Also a good “safety” that will fit any scene.

War – Indian Drums MP3

will finish post later