Seussical the Musical runs at McIntyre Hall November 3-12.
Fri Nov 3 – 7:00pm
Sat Nov 4 – 7:00pm
Sun Nov 5 – 2pm matinee
Thurs Nov 9 – 7:00pm
Fri Nov 10 – 7:00pm
Sat Nov 11 – 7:00pm
Sun Nov 12 – 2pm matinee
This is a fun show for all ages. The story line is fun, great uptempo pop music that everyone should enjoy. We have over 60 cast members and a 20 piece orchestra all performing live on stage. It rocks!
Dr. Seuss characters you will see on stage include the Cat in the Hat, Horton the Elephant, Gertrude McFuzz, the Grinch, Who’s from Whoville, Yertle the Turtle, General Schmitz and JoJo.
The kids sound great! We have a pro sound crew and pro orchestra that will also be dressed up for the show.
McIntyre Hall is located in Mount Vernon, WA on the Skagit Valley College campus. Tickets available at the box office before the show (if not sold out, d’oh) or you can order by phone. Here’s info on the McIntyre Hall Box Office.
This show is produced by META Performing Arts – Produced by Kate Kypuros and Directed by Dave and Carrie James. Of course, I’ll be conducting the orchestra…um….which is like the best orchestra in the world ‘n stuff.
You must go see the show. I command you. I have spoken. Make it so.
Life is hard for Chad Vader, the younger, less charismatic brother of Darth Vader, who is the day shift manager of a grocery store.
This is great stuff, check out the video at the Chad Vader Day Shift Manager website.
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Starring:
Chad – Aaron Yonda
Clint/Voice of Chad – Matt Sloan
Tony – Asa Derks
Randy – Brad Knight (web)
Tammy – Kealynn Kees
Clarissa – Christina LaVicka (web)
Lloyd – Rob Matsushita (web)
With – Cindy Brekken, Casey Brown, Kathy Fischer, Ben LaVicka, Robin Macdonald, Jordan Marko, Caiden Melendy, Chris Melendy, Justin Sprecher, Teddy Weathersbee, Vijay Prabhu Dandamudi
Cinematography and Art Direction – Tona Williams (web)
Lighting Designer – John Urban (web)
Casting Director – Courtney Collins (web)
Assistant Director – Doug Chapin (web)
Sound Design – John Lee
Sound Technician – Justin Sprecher(web)
Editing – Matt Sloan and Aaron Yonda
Special Effects – Aaron Yonda
Music – Andrew Yonda (web) and John Lee
Executive Producer – Courtney Collins
Production Assistants – Vijay Prabhu Dandamudi, Kathy Fischer, Robin MacDonald, Jordan Marko, Teddy Weathersbee
Location Supervisor – Amanda Biederman
Based on an idea by Tim Harmston
Filmed on Location at Willy Street Co-op, Madison, WI
Special Thanks to Brendan Smith
I always seem to get sick during tech week (aka “hell week”) before a show. Last show I did the sound tech hooked me up with Emergen-C and it brought me back up to speed within 24 hours. So now I just take it during tech week as a precaution.
The manufacturer is Alacer Corp, you can visit the Alacer Corp. Website for more information on Emergen-C. Alacer Corp. was founded in 1972 by Jay Patrick
From their website: “Super Orange Emergen-C fizzes in water to furnish 1,000 mg of Vitamin C with 32 different mineral complexes plus B Vitamins. Sweetened with Fructose for Quick Energy with Staying Power.”
The sound tech told me Emergen-C is the best kept secret of the theatre world, so let’s not let it be a secret anymore.
ABOUT VITAMIN C
Since Vitamin C is an acid (ascorbic acid) which can irritate the kidneys, bladder and intestines, side effects associated with Vitamin C intake in large doses include heartburn, nausea, flatulence and diarrhea. Researchers have found that ascorbic acid was really just an intermediary form of the vitamin and that in the form of mineral ascorbates it could provide all of the health benefits with none of the side effects. Mineral ascorbates are produced naturally by most animals (but not humans), yet when consumed regularly by humans serve as excellent transporters of Vitamin C to the over 70 trillion cells in the body. Mineral ascorbates have additional benefits, including increased energy, improved vision and reduced susceptibility to the common cold.
As of this posting, Emergen-C is available at the following retail locations:
A & P
ALBERTSONS
ARIZONA HEALTH FOODS
BARTELL DRUGS
BASHAS’
BIG Y
CUB FOODS
CVS
DUANE READE
FRED MEYER
FRY’S
GIANT EAGLE
GNC
GREAT EARTH
HAPPY HARRY’S
H-E-B
HEINEN’S
HI-HEALTH
KINGS
KING SOOPERS
KINNEY DRUGS
KROGER
LONGS
MEIJER
NEW SEASONS MARKET
PATHMARK
PCC NATURAL MARKETS
PHARMACA
RALEY’S
RALPHS
SAFEWAY
SAVON
SHOPRITE
SMITH’S
SPORT CHALET
SPROUTS
STATER BROS.
STOP & SHOP
SUNFLOWER MARKET
SUPER SUPPLEMENTS
TARGET
TRADER JOE’S
VITAMIN COTTAGE
VITAMIN SHOPPE
VITAMIN WORLD
VONS
WALGREENS
WAL-MART
WEIS
WHOLE FOODS
WILD OATS
Here’s a list of sound effects I prepared for Seussical the Musical. Most are called for in the score. Some of them are timed with the music so I prefer to have myself or one of the musicians trigger audio fx for the show.
I use Kontakt by Native Instruments which is a virtual keyboard for computer. I load my sounds into a laptop and program my sound effects across the keyboard – usually layered in sequence for when they occur in the show. Preproduction of audio effects is done on ProTools, where I have full control of high end delays, reverbs and panning. I run sound effects stereo and make sure the sound team is processing my sounds in stereo. I think it’s important to clarify whether you have a stereo setup available at your performance, because it will change how you pre-process your show sounds and foley.
Subtle sound effects add another subliminal layer of depth for any show presentation, so I encourage you to take the time to create them to the best of your ability. Having the actors do the fx like is “ok”, but take the time to make it super-duper cool.
SOUND EFFECTS FOR SEUSSICAL THE MUSICAL
Slide Whistle (you’ll get better samples than performing this live)
YOPP! (Jojo’s yell in Act II – I process multi-tap delay with panning, so it “calls across the universe”)
Elephant Call
Egg Hatching
Explosion
Water Splash (For the Cat’s sneeze onto the Planet of Who, my own twisted addition)
ACT II Entracte – Overture clangs and bangs
Thunderstorm (To add to ACT II melodrama string music)
Bird Chirp
Animal Grunts (For intro of Monkey Around, listen to CD)
I really appreciate having found your website because of the wonderful inside look at Freddy Fender. I have been just short of obsessed with finding information about Freddy since his death.
I’m not sure why except for perhaps some sort of spiritual connection on all levels. I’ve always liked his music but hadn’t listened to it recently. I didn’t recall what brought me back to it until I read on your site that it was included on the soundtrack of “3 Burials …” which I saw and enjoyed immensely. Probably that was what got me started seeking out and downloading all of his stuff. Then I read a little about his being so ill and finally his sad death. Since that I have been combing the internet, buying DVD’s, haunting YouTube, wanting to know everything I can about him.
Perhaps the whole spiritual thing is wrapped up in his looking so much like my first love, (who I met around the same age he and Vangie met and fell in love). I didn’t spend my life with this man but did reconnect with him briefly in our late 50’s and he was very much like FF in appearance and personality at that age as well. He had also been through the whole prison, drugs, & drinking experience that Freddy had but also retained a great basic wisdom, self awareness and childish joy that I observe in Freddy. They both had that smile and sparkle that can only come from within. Also, in my lifetime I was a caregiver for many years to my husband who developed Alzheimer’s Disease, so I relate to what Vangie must have experienced in the many years of illness through which she cared for and supported Freddy.
And finally, I relate to you, being super Scandinavian in heritage and skin tone but I grew up in National City, California where I was the minority and all of my friends were Mexican. I adored their families and was often referred to by more than one dad or brother as “weda” or “blanca” and one particularly mean big brother as “gordita”!
Even before I found your website, I saw the Laughlin casino DVD from 2003 where you are on keyboard and he calls you “blanco”, “blancito” and “Wedo”. I loved it and recalled many warm feelings with my Mexican friends. One funny note. In High School, my parents decided perhaps I should find friends who were not Mexican so they moved to another slightly more upscale area of San Diego in hopes I’d find more of “my own” type. I did. I found all 5 Mexican families in the area and hung out with them!
Anyway everything about Freddy Fender, his surroundings, his family, his music strikes a chord with me and I just wanted to mention that I found your information to be the most personal and enlightening and I’m very appreciative of it. You write so beautifully too. Why not write a book or a movie about his life? Please continue to share stories about him.
This song makes me happy when I listen to it. We were playing with Freddy for a week run at the Gold Coast casino in Las Vegas. I kept a very intense schedule at the time so I brough my recording gear with me so I could do tracking in the hotel room during the week. We would only play a couple hours a night, and I would always get ancy if I didn’t feel like I was getting more done.
I took a break from tracking and went down to the coffee shop for lunch and Freddy was there. He invited the guitar player and myself to have lunch with him. (Which always meant that he was buying, so Yeah!). After lunch I asked him if he would lay down a guitar solo and he said sure, let’s go.
Freddy met me ten minutes later down in the green room. We had a little “green room” to greet guests before shows and pig out on the backstage snacks, and I had brought my gear down there because tracking in the hotel room was a bit noisy.
Here’s the part that makes me happy. He listened to the track once, then we ran it and he played his solo. I normally get about five or six takes of solos and thought he could do a bit better, so I rolled it back for another take. I tell him we’re going to do another take and he says “Why? That’s what I played!”. He didn’t understand doing another take, because he had already played what he wanted to play. Of course I didn’t correct him, after all, he’s Freddy Fender.
The happy part: The solo isn’t perfect, but it’s Freddy – and I love that. I wouldn’t want it any other way. I have lots of training and I’ve read a lot of books – but Freddy just had a natural gift for music. He was an innocent in a profession that’s loaded with sharks.
So listen to the song and when Freddy’s guitar solo comes up, picture him in that little back room at the Gold Coast Casino in Las Vegas doing his one take. The perfect take. Freddy’s solo is the first half of the guitar solo.
Long live Freddy Fender’s music.
This is fun. Copy the code pasted below and paste it into your web browser address bar. You’ll see right away what it does. Very fun javascript – You can do it while visiting my site here, but may be a bit slow because I usually have a lot of graphics posted.
It’s not a virus, just fun stuff. Try it! Copy and paste this code into your browser address bar:
A person’s a person, no matter how small,” Theodor Geisel, a.k.a. Dr. Seuss, would say. “Children want the same things we want. To laugh, to be challenged, to be entertained and delighted.”
Brilliant, playful, and always respectful of children, Dr. Seuss charmed his way into the consciousness of four generations of youngsters and parents. In the process, he helped millions of kids learn to read.
Dr. Seuss was born Theodor Geisel in Springfield, Massachusetts, on March 2, 1904. After graduating from Dartmouth College in 1925, he went to Oxford University, intending to acquire a doctorate in literature. At Oxford, Geisel met Helen Palmer, whom he wed in 1927. Upon his return to America later that year, Geisel published cartoons and humorous articles for Judge, the leading humor magazine in America at the time. His cartoons also appeared in major magazines such as Life, Vanity Fair, and Liberty. Geisel gained national exposure when he won an advertising contract for an insecticide called Flit. He coined the phrase, “Quick, Henry, the Flit!” which became a popular expression.
Geisel developed the idea for his first children’s book in 1936 while on a vacation cruise. The rhythm of the ship’s engine drove the cadence to And to Think That I Saw It on Mulberry Street.
During World War II, Geisel joined the Army and was sent to Hollywood where he wrote documentaries for the military. During this time, he also created a cartoon called Gerald McBoing-Boing which won him an Oscar.
The Cat in the Hat is born
In May of 1954, Life published a report on illiteracy among schoolchildren, suggesting that children were having trouble reading because their books were boring. This problem inspired Geisel’s publisher, prompting him to send Geisel a list of 400 words he felt were important for children to learn. The publisher asked Geisel to cut the list to 250 words and use them to write an entertaining children’s book. Nine months later, Geisel, using 220 of the words given to him, published The Cat in the Hat, which brought instant success.
Winner of the Pulitzer Prize in 1984 and three Academy Awards, Geisel authored and illustrated 44 children’s books. His enchanting stories are available as audiocassettes, animated television specials, and videos.
While Theodor Geisel died on September 24, 1991, Dr. Seuss lives on, inspiring generations of children of all ages to explore the joys of reading.
THE ADVERTISING ARTWORK OF DR. SEUSS
Before Theodore Seuss Geisel found fame as a children’s book author, the primary outlet for his creative efforts was magazines. His first steady job after he left Oxford was as a cartoonist for Judge, a New York City publication. In 1927 one of these cartoons opened the way to a more profitable career, as well as greater public exposure, as an advertising illustrator. This fortuitous cartoon depicts a medieval knight in his bed, facing a dragon who had invaded his room, and lamenting, “Darn it all, another dragon. And just after I’d sprayed the whole castle with Flit” (a well-known brand of bug spray).
According to an anecdote in Judith and Neil Morgan’s book Dr. Seuss and Mr. Geisel (Random House, 1995), the wife of the ad executive who handled the Standard Oil company’s account saw the cartoon. At her urging, her husband hired the artist, thereby inaugurating a 17-year campaign of ads whose recurring plea, “Quick, Henry, the Flit!,” became a common catchphrase. These ads, along with those for several other companies, supported the Geisels throughout the Great Depression and the nascent period of his writing career.
The Dr. Seuss Collection, housed at the Mandeville Special Collections Library at the University of California, San Diego, contains many examples of Dr. Seuss’s advertising artwork. The library has scanned a selection of these advertisements for greater access. Besides promoting the Standard Oil companies Flit and Esso, Dr. Seuss’s creations have hawked such diverse goods as ball bearings, radio promotional spots, beer, and sugar.