Words and Music by Conrad Askland (ASCAP). “I Like Chocolate” © 2007 Conrad Askland.
I ascribe by the motto of “What was funny in third grade will always be funny.” This is MAYBE the silliest song I’ve ever written, and I’ve written a LOT of very silly songs.
I almost never write a song “just to write a song.” There’s always a reason for a song when I write it. I’m very utilitarian, or practical, in that way. “I Like Chocolate” was written for a very specific reason: to make third-graders laugh. And here’s the story all about that…
Continue reading “The “I Like Chocolate” Song”
The Lord’s Prayer – Music by Conrad Askland (ASCAP). © 1997. Orchestral music for soloist and choir.
The lyrics for my rendition of the Lord’s Prayer are from Matthew 6:9-13 which cover through “but deliver us from all evil.” As Wikipedia would have you know: “Other ancient authorities add, in some form, For the kingdom and the power and the glory are yours forever. Amen.” https://en.wikipedia.org/wiki/Lord%27s_Prayer
Continue reading “The Lord’s Prayer Song – Orchestral Music for Soloist and Choir”
“Cirque Dreams” music by Conrad Askland and David Piché. © 2017.
We recorded this song in Prague, Czech Republic in 2017 while performing music for the world tour of Varekai by Cirque du Soleil. David was violinist in Varekai and I was the Bandleader and Keyboardist.
Continue reading “Cirque Dreams – Violin Instrumental”
Post-COVID I’ve decided to release more of my music library online and that includes over 260 rap beats and instrumentals that I produced for Rap Track back in 1999-2004. The new YouTube channel for some of these rap instrumentals is currently called Rap Dogs Rap Beats.
Continue reading “Rap Beats and Hip Hop Instrumentals released on YouTube”
“Roberto’s Cha Cha” Music by Conrad Askland (ASCAP). © 2016.
I wrote “Roberto’s Cha Cha” back when I was musical director and pianist for “Burn the Floor”, a modern Broadway Ballroom Dance show. It’s a straight ahead Cha Cha beat with classical nylon guitar, piano and percussion.
Continue reading “Roberto’s Cha Cha – Ballroom Dance Music”
Frankenstein Theme music by Conrad Askland (ASCAP). © 2016.
Shortly after writing this piece, I was talking with a friend about Mary Shelley’s Frankenstein Novel. I pulled up the piece to listen to and it struck me as a good fit for the story of Frankenstein.
Continue reading “Theme from Frankenstein – Orchestral Music”
Words and Music by Conrad Askland (ASCAP). “The Winding Stream” © 1997 Conrad Askland.
This was really fun working on a Final Cut video for this song, The Winding Stream. I wrote this back in 1997 for an artist who recorded it on the Road Records CD release “New Faces Volume Two”.
Continue reading “The Winding Stream – Bluegrass Ballad”
Christmas Gloria © 2007 Conrad Askland. Christmas Gloria in the Baroque style for SATB Chorus, SAT Trio Soloists, Flue, Oboe, Bb Clarinet, Trumpet, Horn, Tuba, Harpsichord and Percussion. Composed by Conrad Askland for the 2007 Christmas Eve service at Mount Vernon Presbyterian Church.
►Subscribe to Conrad Askland on YouTube: https://bit.ly/39vjc3A
Continue reading “Christmas Gloria – New Baroque Style Music for Chorus and Chamber Ensemble”
Words and Music by Conrad Askland (ASCAP). “Can’t Win for Losing” © 1995 Conrad Askland.
I wrote this song back in 1994 after returning from a 14 week tour of South Korea (and Japan). During the tour we spent most of our time in Tongduchon, South Korea (Hello Camp Casey!) and played different military bases 6 nights a week to entertain the troops. The band was a Southern Rock band called “The Hardriders” that was playing U.S. military bases for MWR (Morale, Welfare and Recreation). Every night we played a different base, sometimes with two hour bus rides each way. It was a tough tour.
Continue reading “Can’t Win for Losin’ – Lyric Video”
Music and Lyrics by Conrad Askland (ASCAP). “You Don’t Even Know” © 1997 Conrad Askland.
This song was released by Road Records on the CD “New Faces Volume Two”. The goal of this song was to create something that sounded like a retro jazz ballad. I remember this is one of the few recordings where I used an actual upright piano to play the keys parts. Normally I don’t use upright pianos because they’re always a tad out of tune, but that effect worked very well on this song to give it an authentic retro feel.
Continue reading “You Don’t Even Know (That I’m in Love with You)”