The song ‘Evening bells’ in russian (Ð’ÐµÑ‡ÐµÑ€Ð½Ð¸Ð¹ Ð·Ð²Ð¾Ð½ – Vecherny svon – Abendglocken – Les cloches du soir) by Ivan Rebroff.
This song brings back memories. My father used to endlessly play a record of Ivan Rebroff singing “Evening Bells”. One of my favorite Russian songs.
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From the video author:
This choir is from Moscow. They were recorded while they were touring through the Europe.Â They defiantly are the great bunch with beautiful voices but it looks like this group gathered just for the tour. Nobody saw or heard of them after.Â I tried to find them and invite for the tour to US but unsuccessfully.
Chesnokov’s “Gabriel Appeared”
Soloist: Chernegov-Nomerov Egor (choral dir.)Ð§ÐµÑ€Ð½ÐµÐ³Ð¾Ð²-ÐÐ¾Ð¼ÐµÑ€Ð¾Ð² Ð•Ð³Ð¾Ñ€ Ð“Ð»ÐµÐ±Ð¾Ð²Ð¸Ñ‡
Info from Moscow P.I. Tchaikovsky Music Conservatory
Nicene Creed – English. Rehearsal of the Parish Choir of the Orthodox Church of the Holy Cross. Medford, New Jersey.
More Early Music harmonies that I enjoy.
Recorded at Holy Trinity Monastery, Jordanville, NY on July 17, 1993.
There are some nice chant harmonies in this video. From a live ordination. Tune out the bad notes and enjoy the good ones…
JS Bach: Cantata “Christen, Ã¤tzet diesen Tag” BWV63/movt vii: Chorale
Collegium Vocale Gent
Los Angeles 1994. Nadie interpreta Nessun Dorma como Ã©l.
06/09/07 Pavarotti nos ha dejado, aunque su legado SIEMPRE le mantendrÃ¡ vivo. DEP.
Luciano Pavarotti sings Nessun Dorma in Los Angeles, 1994.
JS Bach,BWV 80,Coir: Ein Feste Burg ist Unser Gott;Munchener Chor & Orchester,Karl Richter
Bach’s arrangement of Martin Luther’s “A Mighty Fortress Is Our God”
Here is an “Introduction to Indulgences” from www.catholic.org – the “fact driven, faith informed” pro-catholic website. After the introduction you will read “Myths About Indulgences” from www.catholic.com – These are both Catholic websites and gives the current state of affairs and apologetics from a Catholic standpoint.
It is self explanatory and deserves no additional comment from myself. Except to say “OH MY GOD THEY STILL DO THIS CRAP?”
Continue reading “Introduction to Indulgences”
Rev Dr. Eric W. Gritsch is Emeritus ProfessorÂ of Church History,Â Gettysburg Lutheran Seminary where he also directed the Institute for Luther Studies.Â A native of Austria, he experienced firsthand the reign of Adolf Hitler and the tyranny of Communism; he came to the United States in 1954.Â He received his Ph.D. from Yale University and is an ordained minister of the Evangelical Lutheran Church in America.Â He has taught at Wellesley College, the Catholic University of America, California Lutheran University, the Ecumenical Institute of Theology at St. Mary’s Seminary and University in Baltimore, and in the Dr. Eric W. Gritsch Chair at the Melanchthon Institute in Houston, TX.
What is my interest in Eric Gritsch? Currently, his review and insight into the 2003 movie LUTHER; as well as his book “The Wit of Martin Luther”. Both of which I find to be enlightening and highly interesting. I anticipate finding more treasures from Gritsch’s work.
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Reviews of the movie LUTHER (2003) from faculty of the Lutheran Theological Seminary at Gettysburg. Original comments here: http://www.ltsg.edu/luthercolloquy/themovie.htm
Overall, they feel the movie to be an “ok” introduction to Luther, but absent in relaying the power and drama of Luther’s historical personality. They find the Luther movie to be “nice”.
I have also seen the Luther film. I liked it, but I am not so deep in the facts and history of Luther to know the difference. So I defer to more learned minds…
Continue reading “Reviews of Luther Movie by Seminary Faculty”
From Martin Luther: Hymns, Ballads, Chants, Truth page 26-27:
A paraphrase of Psalm 12, this hymn was written in 1523, the same time as many of Luther’s other psalm-hymns. It was published in the first Lutheran hymnal, Achtliederbuch, of 1524. Luther’s version of the psalm reflects much of his own experience in the early days of the Reformation. Though several different tunes were used for this text with various levels of success, the present tune dates from 1524 and is possibly by Luther himself.
Continue reading “Martin Luther – O Lord, Look Down From Heaven, Behold”
IF GOD WERE NOT BESIDE US NOW – By Martin Luther 1524
From Martin Luther: Hymns, Ballads, Chants, Truth page 17-18:
Luther’s friend Justus Jonas in 1524 wrote an eight-stanza paraphrase of Psalm 124. In contrast to the smooth-flowing style of Jonas, Luther also undertook the paraphrasing of the same psalm, his being shorter, more rugged, and closer to the text of the psalm. After Luther’s version was published in Walter’s Wittenberg hymnal of 1524, both his and Jonas’ paraphrases were included in early Lutheran hymnals. Walter’s tune is the one most associated with this text.
Continue reading “Martin Luther – If God Were Not Beside Us Now”
“A New Song Shall Now Be Begun” – Composed by Martin Luther 1523
From Martin Luther: Hymns, Ballads, Chants, Truth page 8-13:
On July 1, 1523, the infant Reformation saw executed in the Brussels market place Heinrich Voes and Johann Esch, two Belgian Augustinian monks and followers of Luther. Since wandering minstrels and their ballads served as the mass media of the day, Luther wrote this first hymn of the Reformation as a ballad recounting the martyrdom of these witnesses. First appearing in 1523 in broadsheet for, it, along with Luther’s tune, was published in Johann Walter’s 1524 Wittenberg hymnal.
Continue reading “Martin Luther Lyrics – A New Song Shall Now Be Begun”
Selections from the musical LEGALLY BLONDE.
Omigod You Guys (1st song) from Legally Blonde the Musical Featuring:
~Laura Bell Bundy
Mario Lanza sings Nessun Dorma in the 1956 Classic, Serenade. Enjoy.
From the video author:
I didn’t make this video though, I found it and decided to spread the joy of his amazing voice to those who have not heard it. Also I wanted this to be on the video response of the Ultimate Nessun Dorma video since Mario Lanza was, unfortunately, not included in that video. Therefore I wanted to “add” him by doing a video response for all to see this. So yeah. Like I said, enjoy it.
“DRINK! DRINK” from THE STUDENT PRINCE with Mario Lanza.
Book & Lyrics by DOROTHY DONNELLY Music by SIGMUND ROMBERG
Originally Staged by J.C. HUFFMAN
First produced at the Jolson Theatre on December 2, 1924, with Ilse Marvenga as “Kathie” and Howard Marsh as “Prince Karl Franz”.
German drinking songs follow:
Continue reading “German Drinking Songs”
My favorite excerpt from this writing of Martin Luther is this:
“A person who gives this some thought and yet does not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.” – Martin Luther
As quoted by Carl F. Schalk in “Luther on Music”. More thoughts on Martin Luther’s views on music and the quoted text in context follows:
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Martin Luther’s Account of His Own Conversion by Martin Luther (1483-1546)
The following selection is taken from the Preface to the Complete Edition of Luther’s Latin Writings. It was written by Luther in Wittenberg, 1545. This english edition is availble in Luther’s Works Volume 34, Career of the Reformer IV (St. Louis, Concordia Publishing House, 1960), p. 336-337. In the first few lines of this selection, Luther writes, “during that year;” the immediate context indicates he is refering to the year of Tetzel’s death (July, 1519). This puts the date for Luther’s conversion, in his own view, two years after the posting of the ninety-five theses.
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Hans Neusiedler (1508 â€“ 1563) was a German Renaissance composer.
Hans Neusiedler: Welscher tantz
Ronald Fuchs: Gitarre
German Secular Songs and Instrumental Music from the time of Luther. CONVIVIUM MUSICUM. ENSEMBLE VILLANELLA. SVEN BERGER.
Continue reading “ARNOLD VON BRUCK – German Renaissance Music”