HSM Cast List to be posted Sunday 12-17-06

20.gifThe cast list for High School Musical will be posted Sunday 12/17/06 at the Theater Arts Guild website.

Amazing talent in this crew, we had 7 callbacks just for the role of Gabriella. That gives you an idea of the difficult job the Director has for casting. We’ve got a great band lined up for the show. I look forward to meeting all of you at rehearsals in January.

A reminder to those that aren’t cast or didn’t get a role: Especially with this show, it is not necessarily an issue of talent. The chemistry between characters is important, and that dictates some of the casting. Competition was fierce in this production because of the large turnout at auditions. We work hard at keeping casting open and encourage all to audition for future shows.

The Skagit Valley is exploding with opportunities for theater and music, so keep a level head, your eye on the prize and keep ploughing on.

And remember: It’s a crowd favorite, everyone loves a good jazz square.

🙂

High School Musical Auditions Extended To Saturday 12-9-06

Because of overwhelming response to auditions for High School Musical, we are extending auditions to Saturday (ahem…..unofficially). So if you’re reading this and for some reason didn’t get signed up to audition but want to please email me to set that up. You can email through Friday 12-08-06. Please leave Saturday open for your assigned time.
My email address is:

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Most of the roles are for high school age or high school age “looking” cast, there are some adult roles. There is no declaration in the script for ethnicity or gender of many roles. It’s “open” to all. If you’re ultra hip and cool, there’s a part for you. If you’re mousy and nerdy, there’s a part for you too. And yes, anything in between.

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In case you don’t know – the cast features a basketball team, brainiac club, thespians and lots of hip hop music. So we also need those gifted with a basketball, which as far as I know is unique to musical theater.

Theater Arts Guild of Skagit Valley, the organization producing the show, is one of the first groups licensed to perform this show. We will set the bar high for others that follow. 🙂

See you at auditions!

Best Musicals of All Time

List of 180 best musicals of all time. Musicals_Ballot.pdf

List of Top 25 Musicals of All Time
AFI 2006 (American Film Institute)

25. Moulin Rouge (2001)
24. Show Boat (1936)
23. Guys and Dolls (1955)
22. Beauty and the Beast (1991)
21. Seven Brides for Seven Brothers (1954)
20. Grease (1978)
19. On the Town (1949)
18. Yankee Doodle Dandy (1942)
17. The Band Wagon (1953)
16. Funny Girl (1968)
15. Top Hat (1935)
14. All That Jazz (1979)
13. 42nd Street (1933)
12. Chicago (2002)
11. The King and I (1956)
10. Meet Me in St. Louis (1944)
9. An American in Paris (1951)
8. My Fair Lady (1964)
7. A Star is Born (1954)
6. Mary Poppins (1964)
5. Cabaret (1972)
4. The Sound of Music (1965)
3. The Wizard of Oz (1939)
2. West Side Story (1961)
1. Singin’ in the Rain (1952)

Censorship

……..they first came for the Communists,
and I didn’t speak up because I wasn’t a Communist.

Then they came for the Jews,
and I didn’t speak up because I wasn’t a Jew.

Then they came for the trade unionists,
and I didn’t speak up because I wasn’t a trade unionist.

Then they came for the Catholics,
and I didn’t speak up because I was a Protestant.

Then they came for me —
and by that time no one was left to speak up.

– Pastor Martin Niemöller
In reference to WWII

Who Attempts Censorship?
From the American Library Association
In most instances, a censor is a sincerely concerned individual who believes that censorship can improve society, protect children, and restore what the censor sees as lost moral values. But under the First Amendment to the United States Constitution, each of us has the right to read, view, listen to, and disseminate constitutionally protected ideas, even if a censor finds those ideas offensive.

How Do Censors Justify Their Demands That Material Be Suppressed?

Censors might sincerely believe that certain materials are so offensive, or present ideas that are so hateful and destructive to society, that they simply must not see the light of day. Others are worried that younger or weaker people will be badly influenced by bad ideas, and will do bad things as a result. Still others believe that there is a very clear distinction between ideas that are right and morally uplifting, and ideas that are wrong and morally corrupting, and wish to ensure that society has the benefit of their perception. They believe that certain individuals, certain institutions, even society itself, will be endangered if particular ideas are disseminated without restriction. What censors often don’t consider is that, if they succeed in suppressing the ideas they don’t like today, others may use that precedent to suppress the ideas they do like tomorrow.

What Are The Most Frequently Censored Materials?

Throughout history, books have been challenged for many reasons, including political content, sexual expression, or language offensive to some people’s racial, cultural, or ethnic background, gender or sexuality, or political or religious beliefs. Materials considered heretical, blasphemous, seditious, obscene or inappropriate for children have often been censored.

Since the dawn of recorded human expression, people have been burned at the stake, forced to drink poison, crucified, ostracized and vilified for what they wrote and believed.

WHAT WIKIPEDIA IS NOT
Wikipedia and Censorship
Wikipedia may contain content that some readers consider objectionable or offensive. Anyone reading Wikipedia can edit an article and the changes are displayed instantaneously without any checking to ensure appropriateness, so Wikipedia cannot guarantee that articles or images are tasteful to all users or adhere to specific social or religious norms or requirements. While obviously inappropriate content (such as an irrelevant link to a shock site) is usually removed immediately, some articles may include objectionable text, images, or links if they are relevant to the content (such as the article about pornography) and provided they do not violate any of our existing policies (especially Neutral point of view), nor the law of the U.S. state of Florida, where Wikipedia’s servers are hosted.

Wikipedia – Author would like to point out that Wikipedia is currently the largest single repository of public accessed and updated information (Google only directs to information sources, it does not contain it with user input). And please note, Wikipedia is not censored. It is regarded by many as the “real” source for the facts.

LINKS:

Censorship – American Civil Liberties Union
Excerpt: Censorship, the suppression of words, images, or ideas that are “offensive,” happens whenever some people succeed in imposing their personal political or moral values on others. Censorship can be carried out by the government as well as private pressure groups. Censorship by the government is unconstitutional.

Censorship – Global Internet Library Campaign
Excerpt: Censorship — the control of the information and ideas circulated within a society — has been a hallmark of dictatorships throughout history. In the 20th Century, censorship was achieved through the examination of books, plays, films, television and radio programs, news reports, and other forms of communication for the purpose of altering or suppressing ideas found to be objectionable or offensive. The rationales for censorship have varied, with some censors targeting material deemed to be indecent or obscene; heretical or blasphemous; or seditious or treasonous. Thus, ideas have been suppressed under the guise of protecting three basic social institutions: the family, the church, and the state.

DEFINITIONS OF CENSORSHIP

Censor: One who supervises conduct and morals: as a) an official who examines materials (as publications or films) for objectionable matter; b) an official (as in time of war) who reads communications (as letters) and deletes material considered harmful to the interests of his organization. Censorship: The institution, system or practice of censoring; the actions or practices of censors; esp : censorial control exercised repressively.
–Merriam Webster’s Collegiate Dictionary

Censorship: The use of the state and other legal or official means to restrict speech.
–Culture Wars, Documents from the Recent Controversies in the Arts, edited by Richard Boltons

In general, censorship of books is a supervision of the press in order to prevent any abuse of it. In this sense, every lawful authority, whose duty it is to protect its subjects from the ravages of a pernicious press, has the right of exercising censorship of books.
–The Catholic Encyclopedia (a publication of the Catholic Church)

What Is Censorship? Censorship is the suppression of ideas and information that certain persons — individuals, groups or government officials — find objectionable or dangerous. It is no more complicated than someone saying, “Don’t let anyone read this book, or buy that magazine, or view that film, because I object to it!” Censors try to use the power of the state to impose their view of what is truthful and appropriate, or offensive and objectionable, on everyone else. Censors pressure public institutions, like libraries, to suppress and remove from public access information they judge inappropriate or dangerous, so that no one else has the chance to read or view the material and make up their own minds about it. The censor wants to prejudge materials for everyone.

For the ALA, technically censorship means the “The Removal of material from open access by government authority.” The ALA also distinguishes various levels of incidents in respect to materials in a library which may or may not lead to censorship: Inquiry, Expression of Concern, Complaint, Attack, and Censorship.
–The American Library Association
The word “censorship” means “prior restraint” of First Amendment rights by government.
–Morality in Media (Morality in Media is “a national, not-for-profit, interfaith organization established in 1962 to combat obscenity and uphold decency standards in the media.”)
Censorship
1. The denial of freedom of speech or freedom of the press.
2. The review of books, movies, etc., to prohibit publication and distribution, usually for reasons of morality or state security.
–Oran’s Dictionary of Law
Censorship: official restriction of any expression believed to threaten the political, social, or moral order.
–Encyclopedia.Com

Censorship – the prevention of publication, transmission, or exhibition of material considered undesirable for the general public to possess or be exposed to.
–Fast Times’ Political Dictionary (Fast Times is “a nonpartisan publication on contemporary world affairs & media with no political, ideological, or religious affiliation of any kind.”)

Censorship: the cyclical suppression, banning, expurgation, or editing by an individual, institution, group or government that enforce or influence its decision against members of the public — of any written or pictorial materials which that individual, institution, group or government deems obscene and “utterly” without redeeming social value,” as determined by “contemporary community standards.”
–Chuck Stone, Professor of Journalism and Mass Communication, University of North Carolina

Censorship is a word of many meanings. In its broadest sense it refers to suppression of information, ideas, or artistic expression by anyone, whether government officials, church authorities, private pressure groups, or speakers, writers, and artists themselves. It may take place at any point in time, whether before an utterance occurs, prior to its widespread circulation, or by punishment of communicators after dissemination of their messages, so as to deter others from like expression. In its narrower, more legalistic sense, censorship means only the prevention by official government action of the circulation of messages already produced. Thus writers who “censor” themselves before putting words on paper, for fear of failing to sell their work, are not engaging in censorship in this narrower sense, nor are those who boycott sponsors of disliked television shows.
–Academic American Encyclopedia

Censorship: supervision and control of the information and ideas circulated within a society. In modern times, censorship refers to the examination of media including books, periodicals, plays, motion pictures, and television and radio programs for the purpose of altering or suppressing parts thought to be offensive. The offensive material may be considered immoral or obscene, heretical or blasphemous, seditious or treasonable, or injurious to the national security.
–Encarta Encyclopedia

EARLY THEATER CENSORSHIP
William Shakespeare Censored and Banned

For much of the past five hundred years restrictions on public theatrical performance were perhaps the pre-eminent manifestation of censorship.

That was because the theatre (later replaced as a bugaboo by film and broadcasting) was perceived as a uniquely powerful mechanism for influencing emotions and for the delivery of seditious ideas. It was often a space in which people of all social orders mixed promiscuously. And, perhaps as importantly, it was amenable to censorship through –

* licencing of commercial venues
* prohibitions on commercial performances outside those venues
* pre-performance examination and licensing of texts, with subsequent monitoring of theatrical productions.

In the United Kingdom, for example, licensing of commercial venues and vetting of scripts was in place by the time of Elizabeth I. Stage works were subject to pre-production censorship by the Lord Chamberlain (an officer of the Royal Household) under the Stage Licensing Act 1737, an enactment that with amendments remained in force until 1968 and resulted in curiosities such as a ban on performance of Shakespeare’s King Lear from 1788 to 1820. The legislation is discussed in Vincent Liesenfeld’s The Licensing Act of 1737 (Madison: Uni of Wisconsin Press 1984).

China Defends Internet Censorship

On this day, most results of Google search for “business and censorship” concern China’s censorship of internet access. They seem fit to censor ideas that might pollute the general public’s mind – Like Tiananmen Square.

Cantabile Choir with David Cross

cantabile.jpgMount Vernon, WA – The Cantabile Choir conducted by David Cross kicks off its inaugural season with a performance on December 1st, 2006 at First Christian Reformed Church.

Let it be known the Skagit Valley has a new crown jewel for vocal music. Cantabile and David Cross have joined forces to appease the most demanding chamber music fans.

The singers were excellent, especially for their first concert. Hmmmm….. that statement doesn’t do it justice. I was able to get lost in the beauty of their sound; my eyes transfixed to a higher beauty. THEN I discovered this was their first concert. WOW.

The vocals were blended well by David Cross, especially between the altos and sopranos. I would take a guess the group has spent a fair amount of tiime on pronunciation, because with only a couple exceptions the pronunciation was even and balanced throughout the entire group.

cantabile-david-cross.jpgDavid Cross has a powerful presence which captivates me. He has a very sturdy classical air, yet I always think at any moment he is going to do something wild and crazy, ala Monty Python or PDQ Bach. Maybe that’s more of a reflection of my sense of humor. If David Cross picks some PDQ Bach music for a concert, then I will consider that I have won the bet. His imagination and insight into music selection alone gives hint of future creativity we can expect to see from Cantabile under his capable hand.

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The choice of music was excellent and kept our interest during the performance. David Cross explained that the flow of music was to herald in the beginning of advent in a more traditional way, then gently lead into Christmas songs and lighter faire.

One piece in particular that was spellbinding was Cantabile’s treatment of “Lux Aurumque” by Eric Whitacre. ( Real Audio link for Lux Aurumque. I have never heard chord patterns delivered in quite that fashion before, it was like an entire new musical language was being presented. It’s overtones were so mysterious; the changes so mystic. This may have been a performance that will never be repeated in strength of beauty and tone. At first the overtones that crept in were so thick, I half wondered if it was intentional. In finding out more about the piece, it was indeed the intentional craftsmanship of David Cross, a master of detail. You can listen to the Real Audio link of the piece, but I tell you that life is unfulfilled until you have heard it performed well live. More Info about Eric Whitacre.
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I am partial to chamber music. For chamber music fans it would appear that Cantabile will be the premiere vocal group in Skagit Valley. I applaude David’s foresight to start a group like this. Cantabile is one of those groups that makes life all the more richer for all of us.

WORKS PERFORMED

Gloria in D, RV 589
Antonio Vivaldi

Hodie Christus Natus Est
Mark Hayes

What Sweeter Music
Robert Herrick and Michael Fink

The Blessed Son of God from “This Day”
Ralph Vaughan Williams

Some Children See Him
Wilhla Hutson and Alfred Burt
Arr. by Jay Rouse

Coventry Carol
Arr. Darmon Meader

All On a Starry Night
Paul Williams and Joseph Graham

Ziua Ninge
Vasile Alecsandri and George Dime

Lux Aurumque
Edward Esch and Whitacre/Edward Esch

Sleigh Bells
Arr. Earlene Rentz

Merry Christmas Mozart
Arr. Jay Althouse

Bidi Bom
David Eddleman

Go Where I Send Thee
Arr. Paul Caldwell/Sean Ivory

David Cross – Cantabile Conductor

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Lynne Rheinhardt – Co-Founder of Cantabile
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Karen Rentko – Accompanist
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CANTABILE SINGERS

SOPRANO
Leah Fringer
Ludia Randall
Lynne Rheinhardt
Debra Rupert
Lois Vander Meulen

ALTO
Lu Anne Hargis
Dani Keller
Ginny Ramey
Judy Sjerven
Anne Will

TENOR
Dave Browning
Tom Ochiai
Robert Slabodnik
Paul Trautman

BASS
Don Cross
Kevin Maas
Gary Ramey
Dan Rupert

Sarah Simmons in Anything Goes by Cole Porter

sarah-simmons.jpgRedmond, WA – Sarah Simmons is currently in Anything Goes by Cole Porter, Guy Bolton, P.G. Wodehouse, Howard Lindsay & Russel Crouse presented by Second Story Repertory Theater in Redmond, WA. She says we should all go see it so it must be a good show. We have a group going up to see her show this Friday if anyone is interested.

I’ve worked with Sarah in Annie Get Your Gun and saw her performance in OLIVER. In both she was a real standout. A true master of character development.

PLOT:

Billy Crocker is a busy guy. He’s gotta take care of his boss, convince his long lost love not to marry another man and hide from the FBI while singing his way stateside in this timeless Cole Porter musical set on an Atlantic ocean liner.

Performances:
Fridays and Saturdays at 8:15 pm: November 3, 4, 10, 11, 17, 18, 24, 25, December 1,2

Sunday Matinees at 2:15 pm: November 19, 26 at 2:15

Saturday 2 for 1 Performance*: November 4
Thursday Performance at 8:15 pm: November 30

Special Fundraising Performance on November 12 at 5:30.

Ria Peth Stunnning in Hello Dolly

hello-dolly-ria-peth.gifLa Conner Schools and Community Presents Hello Dolly! November 17-19, 2006.

“Stunning” is the word for Ria Peth’s role as Dolly in this production of Hello Dolly. She came out on stage with energy at TEN and stayed there through to the final bow. Ria is very versatile, but this role of Dolly simple “is” Ria Peth. Her delivery was so natural it did not feel like watching a show.

She was well supported by the cast – with many of them standouts in their own right. Steve Burks as Horace Vandergelder also seemed made for the role, his acting ability is on par with any equity performer in my opinion.

John Baker as Cornelius Hakl and Luc Van Pelt as Barnaby Tucker were solidly cast as the well meaning, good hearted, bumbling dynamic bachelor duo. Both roles were very believable and they played off each other like seasoned vaudeville performers.

The Maitre D’ was side splittingly funny – I apologize I don’t know the name of that role. It was a great surprised to have such a strong actor appear in the second half of the show.

My hat is off to pianist Ramon Hayes. I never heard a moment where music was off from the singers, he guided well and has a seasoned commanding presence at the piano. Bravo!

I’ve only lived in Skagit County now for 8 months, but this is the funniest show I’ve seen up here yet. NO dead spots in the show.

Ria, you are incredible – the room was full of your fans this evening (myself included!) and deservedly so.

Hello Dolly Cast

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Ria Peth as Dolly

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Dolly Gallagher Levi – Ria Peth
Horace Vandergelder – Steve Burks
Cornelius Hackl – John Baker
Barnaby Tucker – Luc Van Pelt
Minnie Fay – Courtney Blunt
Irene Molloy – Jacqueline Monaghan
Ambrose Kemper – Justin Woods
Ermengarde – Kendall Dubuque
Ernestina – Sara Harlan
Rudolph Reisenweber – Lawrence Welk
Stanley – Dave Hedlin
The Waiters – Dave Ehman, Jon Skifflington, Dick Painter, Ed Markus, Steve Vanderpool

Cook – Sally Dixon
Judge – Brendon Huddleston
Policeman/Paperhanger – John Markus
Court Clerk – Mary Hedlin
Mrs. Rose – Jan O’Leary
Townspeople – Linda Nelson, Mary Hedlin, JoAnne Mason, Turine Higgins, Gail Bruce, Dave Hedlin, Ed Markus, Steve Vanderpool, Dick Painter, Brendon Huddleston

Children – Bailey Cunningham, Patrick Filler, Anna Bruce, Cydney McFarland, Alex Wirth, Kyle Wirth, Dylan Watkins, Ashley Watkins, Shane Berrios, Aubrey Stewart, Sam Dixon, Jack Dixon, Grace Malcomson, Morgan Harlan, Emily Markert

THE CREW

Producer – Tim Bruce
Director – Maureen Harlan
Music Director – Shegay Vanderpool
Pianist – Ramon Hayes
Stage Manager – Jennings Hart
Choreography – Cyndee Meister
Seamstress – Mary Ann White
Dressers – Anne Van Pelt and Debbie Blunt
Hairdress – Marianne Meyer
Set Construction – Charles Talman, Lyle Johnson, Marty Chamberlain, Mike Holt, Bob Coe, Bob Strickert, Mit Harlan, Michael Harlan

Lights – Vicki Jones, Charles Talman, Susan Erickson
Program and Publicity – Sara Harlan, Leah Chamberlain

Peter Pan Costume and Set Design Photos

Here are costume and set photos from the Theater Arts Guild (Skagit County, WA) production of Peter Pan at Skagit Valley College.

PETER PAN 2006 – Cast Photo

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PETER PAN

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NANA – DOG

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PIRATES

CAPTAIN HOOK

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SMEE

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CAST PIRATES

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FEMALE PIRATES

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INDIANS

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MERMAIDS

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LOST BOYS – TWINS

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PETER PAN’S SHADOW
See through gauze with sprinkles cut in shape of Peter Pan

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CROCODILE – Tick Tock

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FLY RIGGING

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PETER PAN STAGE SET DESIGNS

UNDERGROUND

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DARLING HOUSE STAIRCASE

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DARLING HOUSE SET – VIEW FROM BOX SEATS

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My Sound Effects Station
Using Kontakt Software triggering custom sound effects

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MICROPHONE CUE SHEET FOR SOUND ENGINEER

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McIntyre Hall – Skagit Valley College
View of Peter Pan Stage from Sound Control Booth

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McIntyre Hall Sound Booth from Box Seats

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Jerry Fortier – Sound Engineer

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Peter Pan 2006 TAG – Cast and Credits

pp-web-400.jpgPeter Pan – Presented by the Theater Arts Guild (TAG) at McIntyre Hall (Mount Vernon, WA), November 17-26, 2006.

Flying effects by ZFX, Inc.

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CAST – In order of appearance

NANA – Hydee Garman
Michael Darling – Alyssa Nelson
Mrs. Darling – Nicola Pearson
John Darling – Alex Ragusa
Wendy Darling – Taylor Frizzell
Mr. Darling – Brian Young
Peter Pan – Sarah Tsinger
Tinker Bell – Carly Stewart
Liza – Andrea Talley
Faires – Molly Frahm, Connor Nelson, Corin Pierce, Kaytin Rooney, Sophie Stewart

Wolves/Audience/Cabin Boys – Eva Givens, Hayden Idom, Gus Kidane, Trevin Rudy

Lost Boys – Emma Eliason, Cameron Frahm, James Matson, Jason Miller, Annie Murray, Alice Pollock, Greg Pollock, Reid Wells

Captain Hook – Brian Hurst
Smee – James Lindsey
Gentlemen Starkey – Brian Young
Cecco – Thomas Young
Billie Jukes – Brydie Landreth
Noodler – Jeff Huschka
Mullins – Matthias Struck
Cookson – Pete Grace
Pirates – Kevin Cobley, Susan Cook, Nathan Hamer, Kraut, Roger Ragusa

Pirate Wenches – Kathy Dean, Ann Klitzke-Nelson, Susan Watson

Tiger Lily – Felisha Palomera
Panther – Stefan Vanden Kooy
Warriors – Mikalah Barem, Shelby Burkhart, Rose Drummond, Rachel Huschka, Madison Idom, Maria Matson, Francesca Ragusa, Lourdes Young

Mermaids – Alisha Anderson, Ann-Kristin Becker, Sarah Damstra, Demi Fair, Chloe Roberts, Rachael Young

Crocodile – Dave Needy
Older Wendy – Alisha Anderson

TECHNICAL CREW

Producers – Ellen Palmer, Bruce Vilders
Director – Dianne Goddard
Assistant to Director – Kathy Dean
Stage Manager – Brian Paxton
Assistant Stage Manager – Emma Lynn
Set Coordinator – Steve Craig
Technical Director – Don Willcuts
Carpenters – Philip Brown, Steve Craig, Howie, Don Willcuts
Costume Designer – Cathy Pfahl
Light Designer – Seajay Winters
Sound Designer – Jerry Fortier
Sound Effects Designer – Conrad Askland
Prop Designers – Shari Lindberry, Carole Lindberry, Fred Hastings
Make-up Designer – Seajay Winters
Tinkerbell Engineer – Martha McDade
Sound Engineer – Adam Lynn
Light Board Operator – Steve Fisher
Spot Operator – Wes Furlong
Paint Crew – Howie, Carrie James, Dave James, Sharon Litton, Suzanne McLamb, Norman Rogue, Ellen Palmer, Dorothy Peth, Jen Spence, Bruce Vilders, Seajay Winters

Fly Rail Crew – Spencer Desmarais, Howie, Dave Mumford, Nate Young
Running Crew – Spencer Desmarais, Alisha Huschka, Suzanne McLamb, Jim Nelson, Kelly Pollino, Emily Watilo, Wes Furlong, Jordan Lange

Aerial Crew – Spencer Desmarais, Jim Nelson, Roger Ragusa, Matt Struck, Dave Mumford, Nate Young

Props Crew – Amanda Curtis, Carol Garman
Hair/Make-up Supervisor – Patty Idom
Make-Up Crew – Daniel Davidge, Esther Ramirez, Amy Vermulm

Costume Crew – Jann Barem, Jill Eliason, Lu Parker, Leslie Crawford, Anne Clarke, Cast and their families

Volunteer Coordinator – Ann Klitzke-Nelson
Fight Choreographer – Bruce Vilders
Aerial Choreographer – JoAnne Craig
Warrior Choreographer – Lourdes Young
Poster Design – Scott McDade
Bio/Underwriting Boards – Jann Barem and Mikalah Barem
Flying effects provided by ZFX, Inc.
Thank you to Russ Morgan from ZFX
2006 Theater Arts Guild
BOARD OF DIRECTORS

Cathy Pfahl – President
Scott McDade – Vice President
Ellen Palmer – Secretary
John Cheney – Treasure
Harold Paige
Conrad Askland
Molly McNulty
Ann Klitzke-Nelson
Susan Watson
Brian Paxton
Carl K. Turner
Jane E. Skinner
Roger Ragusa
Jann Barem
Bruce Vilders
Eileen Butler
Pat Shreve
Karen Marshall
Dianne Goddard
Clarence Holden

Peter Pan Opens at McIntyre Hall 2006

pp-web-400.jpgPeter Pan opens at McIntyre Hall (Mount Vernon, WA) on November 17, 2006 for a two week run. More info at the Theater Arts Guild website. Peter Pan will fly and battle Captain Hook!
Tickets: 360-416-7727
www.mcintyrehall.org
Friday Nov 17 7:30 pm
Saturday – $10 bargain show* Nov 18 2:00 pm
Saturday Nov 18 7:30 pm
Sunday Nov 19 2:00 pm
Wednesday – $10 bargain show* Nov 22 7:30 pm
Friday Nov 24 2:00 pm
Friday Nov 24 7:30 pm
Saturday Nov 25 2:00 pm
Saturday Nov 25 7:30 pm
Sunday Nov 26 2:00 pm

*Important Bargain Show Limitations: Festival Seating. No Advance Sale. Tickets are sold at the box office ONLY, 2 hours prior to show time.

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