Solo piano improvisation on “What a Friend We Have in Jesus” (public domain). Part of Conrad Askland’s Tarragona Piano Sessions recorded July 31, 2017 in Tarragona, Spain.
La Casamurada recording studio. Audio engineer: Jesus Rovira
Solo piano improvisation on “What a Friend We Have in Jesus” (public domain). Part of Conrad Askland’s Tarragona Piano Sessions recorded July 31, 2017 in Tarragona, Spain.
La Casamurada recording studio. Audio engineer: Jesus Rovira
“St Clair” is a piano piece for my friend Judy St Clair. Judy and her husband were mentors of mine when I was younger and they guided me through many adventures. Some were sweet and some were painful, but still they were all adventures.
While playing this piece, I was remembering the light and playful camaraderie we had during those times. Style might be called a new age piano improvisation.
Recorded July 31, 2017 in Tarragona, Spain. Part of my “Tarragona Piano Improvisation Sessions” – Audio engineer: Jesus Rovira
If you are thinking of learning a musical instrument as an adult, you might be wondering if you can do it. Maybe learning a musical instrument has been a lifelong dream, or perhaps you have been inspired to learn along with your kids.
Whatever your reasons, you can succeed at your chosen instrument if you are willing to commit to what it takes. Try these handy tips to help you stay focused and make your dream a reality.
(Song above is “Song for my Mother. Song 3-6 of the Tarragona Piano Sessions)
On July 31, 2017 I recorded four sessions of piano improvisations at La Casamurada recording studio in Tarragona, Spain. Most of the improvisations are light impressionistic pieces that some might call neo-classical or new age piano style.
Continue reading “The Tarragona Piano Sessions – Conrad Askland”
“Alberti’s Dream” is a piano improvisation by Conrad Askland. Recorded July 31, 2017 in Tarragona, Spain.
For this piece, I started with a simple Alberti Bass in Bb and then just followed where it led me.
Session 3-8 of my “Tarragona Piano Sessions” improvisations.
Alberti bass is a particular kind of accompaniment figure in music, often used in the Classical era, and sometimes the Romantic era. It was named after Domenico Alberti (1710–1740), who used it extensively, although he was not the first to use it.

My Bachelor’s degree from Berklee College of Music is now complete. I graduated with a B.P.S. (Bachelor of Professional Studies) in Interdisciplinary Studies. It was an amazing experience.
Continue reading “Bachelor Degree Completed from Berklee College of Music”
Unless you are completely tone deaf, it is often not difficult to tell when a musical instrument is out of tune. This is because the pitch sounds wrong — it’s either too high or too low. To the trained ear, the instrument will sound a bit flat or sharp. For this reason, musical instruments need to be tuned before they are played, particularly if several instruments are being played together. If you are just beginning to learn how to play an instrument, this might seem like a complicated task, but it is really quite easy once you know how.
I am thrilled to be joining Cirque du Soleil’s show Varekai as bandleader and keyboardist on their world tour. The show has been on a world tour since 2002 and I will be joining them on the final legs in Europe and ending in the United States in 2017.
Skagit Impressions Three from the Gary Brown and Conrad Askland project. Farmland photos of Skagit County, WA by Gary Brown with music by Conrad Askland.
This third impression includes my composition “Adaptive Layer Battle Theme One.” This is a five layer composition for use in video game adaptive scoring. Each of the five layers are complete unto themselves, but also layer to create different levels of tension. In a gaming environment these different layers would be triggered in and out by player actions and states of being.
For the Skagit Impressions Three video, each layer builds sequentially. Starting with layer one – then layer one plus layer two – then layer one two and three and so on until all five layers are playing together.
In the video below, I show how this same music might be used in a gaming environment. The layers are used for the different states and actions of a character in the video game Uncharted 3.
Continue reading “Skagit Impressions Three – Adaptive Layer Battle Theme One”
Skagit Impressions Two – Music as Water. Photography by Gary Brown. Vocal by Leisha Skinner. Music and Melody by Conrad Askland (ASCAP).
This is the second in the series for the “Gary Brown and Conrad Askland Project” where I take the photography of Gary Brown and create music to accompany his photos. We do this to express our impression of the natural beautiful landscapes and farmlands of Skagit County, WA. This is also the are famous in the spring with tourists for the Skagit County Tulip Festival. There are many photographers that take photos during the tulip season, but Gary Brown takes photos of these landscapes all year long so you get to see different hues and variations of the landscapes.
ON THE MUSIC
The music I wrote for this, which I call “Music as Water” was part of a weekly assignment for a class on Songwriting for TV and Film that I took with Berklee College of Music. The assignment was to write for the least number of instruments possible, with the option of adding a vocal. I chose a piano and vocal arrangement. There is an original piano track and then I added some light fills in the top octave in between the vocal lines.
The music stays in Cm (natural minor) and floats in a 12/8 time signature. When we recording the vocal, we experimented with several different vowel sounds. At the final mix I found myself enjoying the natural “Ah” sound, so that is what you hear in the final mix.
Here is the music as it could work as sync placement in a television series: