The love song of an extinct cricket that lived 165 million years ago has been brought back to life by scientists at the University of Bristol. The song – possibly the most ancient known musical song documented to date – was reconstructed from microscopic wing features on a fossil discovered in North East China. It allows us to listen to one of the sounds that would have been heard by dinosaurs and other creatures roaming Jurassic forests at night.
Macau, China – Just announced to the cast and crew of the Cirque Du Soleil show Zaia that it is closing in Macau and last performance date will be Feb 19, 2012. Official announcements are currently being made by Cirque publicly. Zaia opened as a resident show at the Venetian Macau resort and casino in September 2008.
no problem getting my site to play mp3 files, but what do you do if you’vegot an AAC file that you want people to hear.
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Response:
Hey there, great question! What I found is that Adobe Flash supports AAC, so you could use a flashplayer to stream your AAC music files. From what I read it appears there are some other players also but they only support internet explorer. I’m assuming that you want your solution to be cross platform. It also looks like Orbis may have some players but you have to purchase them.
This is the third movement of Wolfgang Amadeus Mozart’s Horn Concerto Number 2, originally written for a natural horn (without valves) and a small orchestra. Jon Hurrell of Synergy Brass Quintet performs the piece in Haydn Hall in the Esterhazy Palace in Eisenstadt, Austria.
As part of my Critical Listening class with Berklee Music Online I’ve been spending a lot of time tweaking my audio mixing room. The point is to level out the environment at the listening position for an audio response that minimizes comb filtering and nodes that cancel out frequencies. If the problem is not minimized, at least knowing the frequency problem areas can give you crucial information so you don’t over adjust in the final mixes.
ZED had it’s last performance December 31, 2011 at Tokyo Disneyland. I was lucky to travel to Tokyo in October 2011 to see this Cirque Du Soleil show and meet the artists and musicians. The show and music were so fantastic. Consensus is that this was one of Cirque’s best shows. It’s an artistic crime that it is closing. I mean it was fantastic beyond words. It had that Cirque “magic” through out.
There are always hopes with the fans that the show will resurrect somehow – but Cirque has redeployed many of the artists to other shows and the ZED theater was built for the show which makes it difficult to move somewhere else. Artistically I know in my heart that whatever happens the original magic of ZED will have to be a time capsule for the short time it ran – about 3 years. A new magic can continue but you can’t go back and recreate the same magic.
To the musicians, artistic team and cast of ZED I say what you already know: You created a one-of-a-kind masterpiece that you can always carry in your theatrical heart. You were part of something truly magical…
In this video the various Cirque Du Soleil shows say goodbye to ZED, including the show I work currently work on: ZAIA.
I really want to quite smoking. I’ve been smoking for 26 years at a pack or 1.5 packs a day. Today was my quitting day. I made it 7 hours. Was dizzy, disorientated and thought about smoking almost every second. I’m smoking a cigarette now as I write this.
I don’t want to die from a smoking related disease. I have a lot more music work to do. Any tips from people that successfully quit smoking?
Audio engineer Bruce Swedien talks about keeping the mix primitive. Years ago I had his video series on microphone usage. The big tip I picked up from that was to use microphones to capture part of the room. Using microphone pairs to combine the source and ambient reflections. Also started to record keyboard parts going through amps rather than direct to the console.
I think it’s a wonderful approach to sound design and engineering. I’ve also always enjoyed Bruce Swedien’s low profile presentation. Most of us producing music these days are guilty at one point or another of getting too involved in the gear. I guess like with most studies the key is to study the details and geeky procedures as much as you can – but then forget all that and do your thing when it comes to your productions. Swedien really emphasizes the important of not losing the root passion of the music.
