Musicians from the Cirque du Soleil Varekai band taken June 2017 in Vilnius, Lithuania by Gabrielus Jauniskis.
From left to right: David Piché (violin), Conrad Askland (bandleader and keyboards), Mikey Hachey (bass), Isabelle Corradi (singer), Jamieson Lindenberg (singer), Damion Corideo (percussion), Jose Manuel Pizarro Carmona (winds) and Paul James Bannerman (drums).
It is an absolute pleasure to work with this group of musicians!
I am thrilled to be joining Cirque du Soleil’s show Varekai as bandleader and keyboardist on their world tour. The show has been on a world tour since 2002 and I will be joining them on the final legs in Europe and ending in the United States in 2017.
These are questions I received about my musical “Romeo and Juliet”. My musical version of RJ premiered in January 2015 at the Historic Lincoln Theatre in Mount Vernon, WA. Directed by Joe Bowen and presented by META Performing Arts. The challenge set for this production was to score the entire musical using only Shakespeare’s original text. No watering down the words. No slang and updated lyrics. And no hipster modern setting. We set the set and costumes to the original Shakespeare time period of the late 16th century. It was a very challenging project and extremely fulfilling. Here’s a link to check out original musicals by Conrad Askland.
How have you adapted the themes of the play to adapt and suit the modern day audience and politics?
Yes and no. In my rendition, I use Shakespeare’s original words. For the premiere run I requested period costumes and sets (1590’s). Of course, a future company could choose to change that approach, but to me those considerations are superficial. To my personal taste, those changes detract instead of adding to the production. Musically, I scored the show in a combination of North American Broadway style and light opera. So it was the music itself that was tailored to a musical theatre crowd while the text and presentation was true to the period in which it was written.
Aaron Sorkin wrote the screenplay for the 2015 movie “Steve Jobs”. I just saw the film and absolutely loved it. It has had disappointing ticket sales so far but has a very respectable 85% review rate from critics on Rotten Tomatoes.
One of the complaints from tech heads is that some of the true facts have been adjusted for the screenplay to make it a better film. In the link below, screenwriter Aaron Sorkin explains the difference between “subjective” and “objective”; or in other words that some have said, “this is not a documentary, this is a painting.”
(Photo: Andre “Virus” Karkos – Guitarist for Rock of Ages 2015)
Just finishing up my second contract as music director and keyboards for Rock of Ages out of New York with NCL International. What an awesome run this has been! The arsenal band for this run are some of the most talented and just all around cool musicians I have ever worked with. Awesome grooves and strong, hard hitting rock performances throughout the entire contract. Way to go Arsenal!
This is the original full length overture from the premiere of my theatre work “Romeo and Juliet the musical” which premiered February 2015 at the Historic Lincoln Theatre in Mount Vernon, WA.
So once again I join the Rock of Ages cast as music director and keyboardist for the 2015 runs in New York and Bermuda. The band “Arsenal” is rocking hard this year with Guitarists Gino Del Sole, Andre “Virus” Karkos, Steve Such on drums and myself.
RHS 2015 musicians. Here is all the info for musician rehearsals and performances for TAG’s 2015 production of The Rocky Horror Show at the Historic Lincoln Theatre in Mount Vernon, WA.
Thank you to Marla Bronstein and Entertainment News Northwest magazine for their cover story on the premiere of my third full length musical: Romeo and Juliet.
Romeo and Juliet the musical will have it’s world premiere January 30 – February 15, 2015 at the Historic Lincoln Theatre in Mount Vernon, WA.
RJ is my largest and most advanced musical score to date and features 10+ live musicians with a cast of 30+. The script and lyrics use only the original source text from William Shakespeare’s original Romeo and Juliet. Our time period is the authentic time period of Shakespeare’s original world premiere of RJ, late sixteenth century (1592-1594).
This work is orchestrated for Key 1, Key 2, Trombone, Horn, Flute/Piccolo/Recorder, Oboe, Clarinet/Bass Clarinet, Drums Bass and Guitar.
In over 400 years, since the original premiere of Romeo and Juliet, there has never been a successful musical rendition that has been embraced by both audiences and theater critics. Artistically this is a momentous challenge as we aim to do just that. We are brave. We are strong. We are RJ 2015. HUZZAH!