So once again I join the Rock of Ages cast as music director and keyboardist for the 2015 runs in New York and Bermuda. The band “Arsenal” is rocking hard this year with Guitarists Gino Del Sole, Andre “Virus” Karkos, Steve Such on drums and myself.
Most people know me as a music director, pianist or conductor for live shows and recordings. But what is very dear to my heart are my new musicals. These have all had an amateur 3 week premiere run to work out all the script, score and technical elements. They are all currently unpublished and await a professional run and agent representation.
I hope you will contact me either about agent representation of these musicals, or about performing them with your theatre group. I am very excited to see what other groups will do with these new works!
Romeo and Juliet the musical
Overview: Set entirely to William Shakespeare original text. In over 400 years there has never been a successful musical version of Romeo and Juliet using only Shakespeare’s original words. I believe this could be the first.
Overview: A retelling of the Peter Pan and Wendy story by JM Barrie. A new Peter Pan musical with classic score and updated for contemporary audience interaction.
RHS 2015 musicians. Here is all the info for musician rehearsals and performances for TAG’s 2015 production of The Rocky Horror Show at the Historic Lincoln Theatre in Mount Vernon, WA.
Thank you to Marla Bronstein and Entertainment News Northwest magazine for their cover story on the premiere of my third full length musical: Romeo and Juliet.
Romeo and Juliet the musical will have it’s world premiere January 30 – February 15, 2015 at the Historic Lincoln Theatre in Mount Vernon, WA.
RJ is my largest and most advanced musical score to date and features 10+ live musicians with a cast of 30+. The script and lyrics use only the original source text from William Shakespeare’s original Romeo and Juliet. Our time period is the authentic time period of Shakespeare’s original world premiere of RJ, late sixteenth century (1592-1594).
This work is orchestrated for Key 1, Key 2, Trombone, Horn, Flute/Piccolo/Recorder, Oboe, Clarinet/Bass Clarinet, Drums Bass and Guitar.
In over 400 years, since the original premiere of Romeo and Juliet, there has never been a successful musical rendition that has been embraced by both audiences and theater critics. Artistically this is a momentous challenge as we aim to do just that. We are brave. We are strong. We are RJ 2015. HUZZAH!
I had a great time taking a break to take some photos in Lyman, WA. Particularly I enjoyed the rustic landscape and looking for interesting textures that we might overlook on a brisk walk.
I’m always amazed how just having a camera in hand can change our perspective for what the eye notices in it’s surroundings.
(Score sample of Keyboard Two part from Conrad Askland’s “Romeo and Juliet – the musical”, July 2014)
As I’m working on orchestrations for my third full length musical, “Romeo and Juliet” (http://www.RJmusical.com), I realize the need for a particular scoring approach for the Keyboard Two part. Here is the solution I came up with to incorporate Apple’s MainStage with Sibelius for use in orchestrations and creating the final Keyboard Two patch setup.
From left to right: Miki Santamaria (Guitar 2), Conrad Askland (Music Director and Keyboards), Paul Wandtke (Drums) and Angel Paz (Guitar 1).
Diario de Pontevedra, a Spanish newspaper, published an article about our Rock of Ages lead guitar player Angel Paz and included a photo of our band. This is “Arsenal” for the 2014 Rock of Ages at NCL New York.
We’ve had a great run as the 80’s Arsenal band on this show. A lot of work, but totally worth it and a stunning cast to work with both on and off the stage. Now, if I can only figure out what the article actually says…
The scripts and scores are completed for my latest musical – “PAN” (http://www.PanMusical.com). Even though the show had a community theater premiere in Sept. 2013, the follow-up process of completing the scores is very intense. Edits to script and score from the live run have to be incorporated. Tech notes, alternate melodies, clarifications to script and tech, and the never ending process of adding as much complete information as possible to the final orchestral score.
Here’s the Rock of Ages band for the NCL Breakaway run from March through September 2014 out of New York. We just finished several weeks of rehearsals down by Tampa, Florida and we’re getting ready to install the show on the ship.