Castles Made of Sand

Castles Made of Sand
Music, Lyrics and Vocals by Karin Maria Andersson
Guitar and video by Olivier Milchberg
Macau (SAR) China, January 2010

This video has clips from the Cirque Du Soleil artists of ZAIA starting in Montreal, Canada from January 2008 during training (and lots of snow!) to late 2009 backstage, and during rehearsals for the show at the Venetian in Macau (SAR) China.

For us in the show the video is extremely emotional. Some of the people in this video are no longer with us in Macau. The time of ZAIA is one that all of us will remember and many of us will cherish. The experiences we had in China for many of us were not what we expected – they were experiences and adventures we could have never imagined; many good and some painful for each of us.

I normally don’t get seen in videos or promo photos – so thank you to Olivier for getting me in there several times. Fun to see the musicians and how all of our looks changed from the beginning in Montreal to the journey in China. As our composer told us: “You all look more shiny.” I would agree. Cirque and China have allowed us to shine.

I think this video will give a sense of closure to many of us for a slice of time we spent together – a “castle made of sand”.

I am personally moved by the video in a way beyond words. Thank you to Maria and Olivier for this truly precious gift of song….

*Update: A new audio version of this song:

https://www.last.fm/music/Feather+And+Down/_/Castles+Made+of+Sand

And a note from Olivier on this video:

Hi all my dear friends,
 
Here is a new video on the creation of Zaia. It’s a tribute to Zaia artists, and especially to Maria and the musicians.
 
I asked Maria to compose a song for it, and she did it just before leaving Macau.
These images can seem nostalgic in our situation, but the purpose of this video is only to highlight the strong and moving times we spent together; sharing sorrow and joy, as Maria says.
 
It’s my way to say thank you to all of you, and to express my admiration of the amazing talent of every artist. And let’s remember, even if this adventure stops right now, our talents will continue to shine and spread over the planet.
 
Olivier

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Cirque Du Soleil ZAIA Band 2009

zaia-band

The Cirque Du Soleil ZAIA band, June 2009 in Macau, China. A rare moment where all the musicians are together for a photo opp.

In this photo: Eduard Harutyunyan (percussion), Jay Elfenbein (viol, dare I say cello, strings, bass guitar), Darrin Johnson (drummer), Olivier Milchberg (guitar, Turkish banjo, plucked strings), Maria Andersson (singer), Steven Bach (keyboards – bandleader), Rose Winebrenner (vocalist), Racheal Cogan (recorder, EWI)and Conrad Askland (keyboards, assistant bandleader).

ZAIA CD Soundtrack Released

ZAIA - Cirque Du Soleil

The official soundtrack for Cirque Du Soleil’s ZAIA show (Venetian Macau, China) was released on May 26, 2009. You can currently purchase on Amazon.com: ZAIA CD Amazon.com – or go to Amazon.com and search for “ZAIA”. A cut from the CD should also be on the Cirque Du Soleil 25th Anniversary CD which will also be available on Amazon.com late June 2009.

If you follow the Amazon link you can also listen to Mp3 excerpts from the album. I’ve heard rumors there will be a “Making of ZAIA” documentary released that will include many of the musicians and artists involved in creating the CD soundtrack. 

To my knowledge, this is the first Cirque Du Soleil original soundtrack CD that has been recorded by the original show musicians. Most tracks recorded in Macau (SAR) China, string parts recorded in Hong Kong.

Music composed by Violaine Corradi. As a sidenote, I was asked by Violaine to arrange string parts for the CD which were recorded by members of the Hong Kong Philharmonic. That was a very fun project to work on. Hope you enjoy the soundtrack!

Bach Badinerie

httpv://www.youtube.com/watch?v=xVxwuirUX-M

Two video recordings of a Badinerie by JS Bach. I have heard several absolutely horrible renditions on YouTube – but I like both of these. My favorite of these two is the first on top. The musicians take a little more chance with the tempo and interpretation – and to my ears it has a little more sizzle than the performance at the Vatican.
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