I had not realized before how flexible and nimble the oboe is. Here is an excerpt of the oboe score from Mozart’s Sinfonia Concertante, K. 297, third movement. So this is just a note to myself to remember to score more interesting and diverse parts when I write for oboe. We want to keep the oboe players happy.
“The oboist gives a good representation of staccato articulation and the wide leaps that it can play.” (Norton, The Study of Orchestration.)
For several months I am studying woodwinds and strings with an online music school to get more tricks and creativity into my scoring. (Yes, it’s very fun!)