Q&A: Romeo and Juliet rendition questions

These are questions I received about my musical “Romeo and Juliet”. My musical version of RJ premiered in January 2015 at the Historic Lincoln Theatre in Mount Vernon, WA. Directed by Joe Bowen and presented by META Performing Arts. The challenge set for this production was to score the entire musical using only Shakespeare’s original text. No watering down the words. No slang and updated lyrics. And no hipster modern setting. We set the set and costumes to the original Shakespeare time period of the late 16th century. It was a very challenging project and extremely fulfilling. Here’s a link to check out original musicals by Conrad Askland.

How have you adapted the themes of the play to adapt and suit the modern day audience and politics?

Yes and no. In my rendition,  I use Shakespeare’s original words. For the premiere run I requested period costumes and sets (1590’s). Of course, a future company could choose to change that approach, but to me those considerations are superficial. To my personal taste, those changes detract instead of adding to the production. Musically, I scored the show in a combination of North American Broadway style and light opera. So it was the music itself that was tailored to a musical theatre crowd while the text and presentation was true to the period in which it was written.

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“Steve Jobs” Movie 2015 – Objective vs. Subjective

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Aaron Sorkin wrote the screenplay for the 2015 movie “Steve Jobs”. I just saw the film and absolutely loved it. It has had disappointing ticket sales so far but has a very respectable 85% review rate from critics on Rotten Tomatoes.

One of the complaints from tech heads is that some of the true facts have been adjusted for the screenplay to make it a better film. In the link below, screenwriter Aaron Sorkin explains the difference between “subjective” and “objective”; or in other words that some have said, “this is not a documentary, this is a painting.”

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Rock of Ages 2015 – Arsenal Band

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(Photo: Andre “Virus” Karkos – Guitarist for Rock of Ages 2015)

Just finishing up my second contract as music director and keyboards for Rock of Ages out of New York with NCL International. What an awesome run this has been! The arsenal band for this run are some of the most talented and just all around cool musicians I have ever worked with. Awesome grooves and strong, hard hitting rock performances throughout the entire contract. Way to go Arsenal!

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Romeo and Juliet the musical – World Premiere January 2015

Romeo & Juliet Premiere poster

Romeo and Juliet the musical will have it’s world premiere January 30 – February 15, 2015 at the Historic Lincoln Theatre in Mount Vernon, WA.

RJ is my largest and most advanced musical score to date and features 10+ live musicians with a cast of 30+. The script and lyrics use only the original source text from William Shakespeare’s original Romeo and Juliet. Our time period is the authentic time period of Shakespeare’s original world premiere of RJ, late sixteenth century (1592-1594).

This work is orchestrated for Key 1, Key 2, Trombone, Horn, Flute/Piccolo/Recorder, Oboe, Clarinet/Bass Clarinet, Drums Bass and Guitar.

In over 400 years, since the original premiere of Romeo and Juliet, there has never been a successful musical rendition that has been embraced by both audiences and theater critics. Artistically this is a momentous challenge as we aim to do just that. We are brave. We are strong. We are RJ 2015. HUZZAH!

Follow our progress at the website for Romeo and Juliet the musical

Rock of Ages 2014 NCL New York Arsenal band Spanish newspaper write up

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From left to right: Miki Santamaria (Guitar 2), Conrad Askland (Music Director and Keyboards), Paul Wandtke (Drums) and Angel Paz (Guitar 1).

Diario de Pontevedra, a Spanish newspaper, published an article about our Rock of Ages lead guitar player Angel Paz and included a photo of our band. This is “Arsenal” for the 2014 Rock of Ages at NCL New York.

We’ve had a great run as the 80’s Arsenal band on this show. A lot of work, but totally worth it and a stunning cast to work with both on and off the stage. Now, if I can only figure out what the article actually says…

PAN scores completed

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The scripts and scores are completed for my latest musical – “PAN” (http://www.PanMusical.com). Even though the show had a community theater premiere in Sept. 2013, the follow-up process of completing the scores is very intense. Edits to script and score from the live run have to be incorporated. Tech notes, alternate melodies, clarifications to script and tech, and the never ending process of adding as much complete information as possible to the final orchestral score.

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